During the late '50s, Ella Fitzgerald continued her Song Book records with Sings the George and Ira Gershwin Song Book, releasing a series of albums featuring 59 songs written by George and Ira Gershwin…

10 CD box set of sixteen original jazz albums from the Godmother of female jazz, Ella Fitzgerald. Including the legendary Porgy and Bess with Louis Armstrong and milestone recordings like Ella sings Gershwin and Rhythm is My Business.

Ella Fitzgerald didn't lack for live recording opportunities in the late '50s, which on the surface, would make this first issue of a 1958 Chicago live club date an easy one to pass on. Verve label head Norman Granz recorded her often in the '50s with an eye to releasing live albums, which he did with her shows at Newport in 1957 and Los Angeles' Opera House in 1958 (not to mention another 1958 concert in Rome that was released 30 years later to wide acclaim). Those shows, however, differed widely from this one, which found her in front of a very small audience at Chicago's jazz Mecca Mister Kelly's (Sarah Vaughan's landmark At Mister Kelly's was recorded there four months earlier). Fitzgerald's artistry is basically a given in this situation, but much of the material recorded here was rare and obscure; "Your Red Wagon" had only been released as a single, her delightfully melodic "Across the Alley from the Alamo" never appeared elsewhere, and for a pair of Sinatra evergreens – "In the Wee Small Hours of the Morning" and "Witchcraft" – the former had never appeared, and the latter only appeared later, on a 1961 return to the site of her Berlin live landmark.

The First Lady of Song Returns to Berlin, Home of Her Legendary Concerts. Recorded in 1962 but NEVER released, hear the most popular jazz singer of all time deliver an iconic performance at Sportpalast Berlin for the first time. This recording finds Ella and her band at the top of their game recorded in HIGH FIDELITY STEREO. With only two songs repeated from her hit record “Mack The Knife” two years earlier, this undiscovered recording stands on its own.

This wonderful DVD features Ella Fitzgerald, one of the great divas of jazz singing. This performance consists of the second half of a 1983 Tokyo concert. We begin with a set presenting Ella backed by her regular trio with Paul Smith on piano. The accompaniment is then augmented to a quartet with the addition of the great guitarist Joe Pass. The singer and guitarist had made a few unique albums together, and their magical chemistry can be seen here on an Ellington medley and a version of the Carmichael evergreen “Georgia on My Mind’. For a big finale, a number of jazz stars (Clark Terry, J.J. Johnson, Zoot Sims, Oscar Peterson…) join them on the classic “Flying Home”, ending the concert in the spirit of the great jazz jam sessions.

Ella Wishes You a Swinging Christmas is a charming, warmly humorous – and yes, swinging – set of classic Christmas tunes. The program is familiar, from bouncy singalongs like "Jingle Bells" to slinky ballads like a downright sexy "Have Yourself a Merry Little Christmas," but Fitzgerald treats each song with exactly as much respect as it deserves…

One amazing night in 1972, the greats of swing - Ella Fitzgerald, Duke Ellington, Count Basie, and Bennie Goodman - came together at New York's Philharmonic Hall for a jazz blowout. Joined by Dizzy Gillespie, hosted by Doc Severinson (then in his glory years at the helm of NBC's 'Tonight Show' band), these jazz pioneers reveled in the numbers with which they had changed the face of popular music more than thirty years before.

From a label with no shortage of first-rate jazz material come this very attractive vocal sampler. Staying true to the Compact Jazz ethos, Best of the Jazz Vocalists favors quality over hits and comes with a budget price tag. The majority of songs are from the label's prime '50s and '60s run, including a cloud-bound "Summertime" by Helen Merrill and one of the all-time great versions of "If You Could See Me Now," compliments of Billy Eckstine. Continuing with this balancing act between the sexes, the collection also includes fine work by Bill Henderson, Ella Fitzgerald, Louis Armstrong, Abbey Lincoln, Jon Hendricks, Shirley Horn, and Anita O'Day; latter-day entries include Lincoln's "I've Got Thunder and It Rings" from her 1990 Verve debut and Horn's "I Got Lost in His Arms" from 1988's Close Enough for Love. Nicely wrapped up with Nina Simone's Afro-percussion clarion call "Come Ye," this Verve roundup works as the perfect primer for more adventurous trips through the label's fertile stores of essential jazz.

The TV show presented here, which opens with Pass playing alone on six wonderful tunes, was made during a European tour that took place some months before the recording of their second album as a duet, titled precisely Fitzgerald & Pass… Again, taped on february 8, 1976. Thus, it presents some tunes that would be part of that lp, making this program (and probably the whole tour) a kind of rehearsal for the songs to be included on the studio album. That's the case of "One Note Samba", "Nature Boy", "The One I Love (Belongs to Somebody Else)". However, we have also here the only known versions by Ella and Joe as a duet of no less than six songs. That's the case of "You turned the tables on me", "Cry Me a River", "You Are the Sunshine of My Life", "Avalon", "Stormy Weather" and the classic "How High the Moon", with which Ella closes the show inserting quotations of, among others, "Mack the Knife", "Desafinado" and "Summertime".