This attractive two-CD set, released to celebrate Fitzgerald's 75th birthday, is a perfect greatest-hits collection spanning the first half of her very productive career. All 39 songs are winners, highlighted by "A-Tisket, A-Tasket," "Undecided," "Flying Home," "Lady Be Good," "How High the Moon," "Smooth Sailing," "Airmail Special," "Lullaby of Birdland," and "Hard Hearted Hannah." During the period covered by this package, she developed from a fine big-band pop vocalist into the definitive jazz singer, one who could scat and swing with the best musicians. This set is a perfect introduction to her magic.

4CD Box Set. 72 tracks featuring Miles Davis, Dave Brubeck, Gerry Mulligan, Thelonious Monk, Charlie Parker, Dizzy Gillespie, Chet Baker, Duke Ellington, Oscar Peterson, Claude Thornhill, Nat King Cole, Charles Mingus, Billie Holiday, Ella Fitzgerald, Lester Young, Louis Armstrong, Eartha Kitt, Julie London, Art Pepper and many, many more…

Blessed with a beautiful voice and a wide range, Fitzgerald could outswing anyone, was a brilliant scat singer, and had near-perfect elocution; one could always understand the words she sang. The Quadromania series contain 4 CD's, all original recordings. After the transfer of old masters (Shellack, vinyl, tape, etc.) to the lastest technology, they are cleaned very carefully and processed to get the best results in clearness and sound. This gives you a warm and more analog sounding record than you've ever heard on CD. This CD collection is a good compliation of Ella.

Ella Jane Fitzgerald was an American improvisational vocal musician, singer, songwriter and composer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted for her purity of tone, impeccable diction, phrasing, timing, intonation, and a "horn-like" improvisational ability, particularly in her scat singing.

Recognized worldwide as "The First Lady of Song," Ella Fitzgerald is arguably the finest female jazz vocalist of all time. Blessed with a highly resonant voice, wide range, and near-perfect elocution, Fitzgerald also possessed a deft sense of swing, and with her brilliant scat technique, could hold her own against any of her instrumental contemporaries. She came to initial popularity as a member of drummer Chick Webb's band in the 1930s, scoring a hit with a "A-Tisket, A-Tasket," before ascending to wide acclaim in the 1940s with Jazz at the Philharmonic and Dizzy Gillespie's Big Band, and issuing landmark performances like "Flying Home" and "How High the Moon." Working with producer/manager Norman Granz, she gained even more acclaim with her series of albums on Verve, recording definitive versions of the music of the Great American Songbook composers, including 1956's Sings the Cole Porter Songbook. Over her 50-year career, she earned 13 Grammy Awards, sold over 40 million albums, and picked up numerous accolades including a National Medal of Arts and the Presidential Medal of Freedom. A hugely important cultural figure, Fitzgerald made an immeasurable impact on the development of jazz and popular music, and remains a touchstone for fans and artists decades after her passing.

Released in 1956 as the inaugural album on the newly founded Verve label, "Ella Fitzgerald Sings the Cole Porter Song Book" marked a major turning point in Ella Fitzgerald's career and launched her landmark Song Book series, pairing her with producer Norman Granz, arranger-conductor Buddy Bregman, and a full studio orchestra for 32 selections spanning Porter's catalog. Recorded across February and March of 1956, the album frames Ella's immaculate phrasing and clarity with polished West Coast orchestration that blends swing, ballad writing, and classic Hollywood sheen, emphasizing the lyrical wit and melodic elegance of Porter's writing. Celebrated upon release and formative in shaping both Verve's identity and Ella's artistic trajectory, it remains a cornerstone of her discography and a defining document of 20th century American popular interpretation.

Ella Fitzgerald's Berlin concert of February 13, 1960, highlighted by her ad-lib version of "Mack the Knife," is considered a classic. The performance here dates from the following year and is almost as rewarding. Accompanied by pianist Lou Levy, guitarist Herb Ellis, bassist Wilfred Middlebrooks, and drummer Gus Johnson, she sings 18 songs in a varied and well-paced set. Highlights include "Take the 'A' Train," "Anything Goes," "You'll Have to Swing It (Mr. Paganini)," "'Round Midnight," a new (but less humorous) version of "Mack the Knife," and an encore, "This Can't Be Love," that has the singer joined by the Oscar Peterson Trio.

Ella Jane Fitzgerald was an American improvisational vocal musician, singer, songwriter and composer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted for her purity of tone, impeccable diction, phrasing, timing, intonation, and a "horn-like" improvisational ability, particularly in her scat singing.

On Lady Be Good … For Ella, the exceptionally elegant pianist Tommy Flanagan delivers a heartfelt and brilliant trio tribute to the First Lady of Song, Ella Fitzgerald, with whom he spent many years working as a masterful musical director and accompanist. Released in 1994 by Groovin' High, this sublime studio album features Flanagan alongside a stellar rhythm section consisting of bassist Peter Washington and drummer Lewis Nash. Together, the trio navigates eleven classic compositions closely associated with Ella's legendary repertoire, demonstrating an extraordinary level of swing, emotional depth, and collective interplay. From the vibrant, hard-driving treatments of Cherokee and Rough Ridin' to the deeply tender, introspective balladry of Angel Eyes and Isn't It a Pity?, Flanagan's signature fluid touch, harmonic sophistication, and poetic phrasing are on full display. The result is a definitive, world-class piano trio document that functions as both a celebration of a historic vocal icon and a masterclass in modern acoustic jazz performance.

All My Life is an extraordinary, comprehensive retrospective collection that chronicles the formative and definitive years of the First Lady of Song, Ella Fitzgerald. Released in 2005 by the esteemed Le Chant Du Monde label, this massive two-disc compilation tracks her meteoric rise from her early big band days with the Chick Webb Orchestra to her stunning emergence as a peerless solo master and vocal innovator. Spanning almost five dozen tracks, the album acts as a flawless historical document of her unparalleled swing timing, immaculate pitch, and pioneering bop scat improvisations. Listeners are treated to an absolute treasury of definitive recordings, including early chart-toppers like A Ticket A Tasket, poignant balladry like Lover Man and Angel Eyes, and her legendary, virtuosic live-wire scat workouts on How High The Moon and Air Mail Special. It serves as a beautifully curated, essential introduction and deep-dive anthology that perfectly captures the effervescent charm, technical brilliance, and timeless genius of the greatest vocal instrument in jazz history.

The voices of Ella Fitzgerald and Louis Armstrong are among the most personal and beautiful that the history of music has given us, transcending eras, genres and languages. In this wonderful 6-CD box we can find the legacy of this immortal duet including all their key tracks and also some rarities that connoisseurs will surely appreciate. With remastered sound and beautiful cover art, The Complete Anthology is the definitive album of Ella & Louis, which should be on every music collection.

Jazz' Best is a spectacularly comprehensive, deeply definitive, and historically monumental acoustic jazz anthology released on double-compact disc in 1991 by the legendary Verve Records. Spanning over two hours and twenty minutes across 36 masterfully selected tracks, this high-fidelity archive serves as the ultimate primer and a luxurious overview of mid-century jazz history, gathering the absolute finest vocalists, instrumentalists, and bandleaders from the golden ages of Swing, Bebop, Hard Bop, and Bossa Nova. The collection brings together an unparalleled vanguard of jazz royalty, tracing the foundational lineage of the genre through its most iconic pairings and definitive ensemble sessions. Listeners are treated to the sublime, cool jazz breezes of Stan Getz, João and Astrud Gilberto on foundational bossa classics like The Girl From Ipanema and Desafinado, juxtaposed with the timeless, unparalleled vocal chemistry of Ella Fitzgerald and Louis Armstrong on standard pillars like Summertime and Cheek To Cheek. From the block-chord brilliance of The Oscar Peterson Trio and the roaring Hammond B3 wizardry of Jimmy Smith, to the heartbreaking vocal mastery of Billie Holiday and the deep, breathy tenor saxophone dialogues of Ben Webster and Coleman Hawkins, every single track represents a historic blueprint. Exceptionally preserved in pristine dual-format lossless and high-bitrate audio with full booklet artwork scans, this sweeping compilation stands as an absolute mandatory cornerstone for beginners and a prized collector's archive for global purists of elite jazz heritage and classic Verve catalog lore.

The 3 Divas is a superb anthology celebrating three of the most influential and iconic female vocalists in jazz history: Billie Holiday, Sarah Vaughan, and Ella Fitzgerald. Released in 2002 by Emporio, this extensive collection presents a rich overview of the unique artistry and timeless recordings that helped define classic vocal jazz throughout the twentieth century. Each singer brings her own unmistakable style and emotional depth to the compilation. Billie Holiday delivers deeply expressive performances filled with melancholy, intimacy, and sophistication, while Sarah Vaughan showcases her extraordinary vocal range, technical brilliance, and warm phrasing. Ella Fitzgerald contributes her trademark elegance, impeccable swing, and joyful improvisational spirit. Supported by legendary musicians including Louis Armstrong on several selections, the collection highlights beloved standards, blues-infused ballads, romantic interpretations, and lively jazz arrangements. The remastered sound and carefully selected repertoire make this release an essential introduction for newcomers and a rewarding retrospective for longtime jazz enthusiasts. The 3 Divas stands as a remarkable tribute to the enduring legacy of these extraordinary vocal pioneers.

Ella Fitzgerald was never thought of as a blues singer but she does a surprisingly effective job on the ten blues songs here, including "See See Rider," "Trouble in Mind," "St. Louis Blues," and Bessie Smith's "Jailhouse Blues." She somehow sings more or less in the style of the classic blues vocalists of the 1920s and largely pulls it off. Trumpeter Roy Eldridge, who has few solos and is low in the mix, is largely wasted, as organist Wild Bill Davis (with assistance from guitarist Herb Ellis, bassist Ray Brown, and drummer Gus Johnson) dominate the ensembles. It's an interesting set.

This admittedly pricey - but by all means mandatory - Grammy Award-winning box set is the final word on the "songbooks" recorded by Ella Fitzgerald between 1956 and 1964. The audio contents have been completely remastered and each title has been expanded - wherever possible - to include previously unissued material. In terms of packaging, the producers went to extreme lengths to create exact reproductions of all the vintage LP jacket artwork. Even going so far as to precisely miniaturize the entire hardbound text The Gershwins: Words Upon Music that accompanied their 1959 collection as well as the booklet that came with the Ellington anthology. The icing on the cake is the newly created 120-page tome that puts both the eight respective songbooks - and their over 240 musical selections - in proper context of Fitzgerald's luminous career…