Let It Be by Charlie Byrd was written by John Lennon and Paul McCartney and was first recorded by The Beatles in 1970.

French violinist Christian Ferras is joined by the Orchestre de la Société des Concerts du Conservatoire headed by Belgian conductor André Vandernoot in this legacy recording of Mozart's Mozart: Violin Concertos Nos. 4 & 5! This release is presented via high-fidelity digital transfer by Warner Classics!

João Gilberto (* June 10, 1931 as João Gilberto Prado Pereira de Oliveira in Juazeiro, Bahia; † July 6, 2019 in Rio de Janeiro) was a Brazilian guitarist, singer and composer, who, along with Antônio Carlos Jobim, is considered the inventor of the Bossa Nova. Characteristic of Gilberto's style are especially the quiet vocals and the rhythm of his guitar playing.

Recorded in 2020 in an attempt to face down a particularly inescapable loop of destructive mental illness made all the more undefeatable by the fact I was surrounded by people who not only couldn't understand, but couldn't care less. The closer they were, the further I was away…

Newly remastered 13 track live album in Mediabook packaging, recorded Live on the Talk is Cheap Tour at the Hollywood Palladium on December 15th, 1988.

Conceived jointly by violinist Movses Pogossian and violist Kim Kashkashian on the occasion of Tigran Mansurian’s 80th birthday, the Con anima project brings together a dedicated cast of players to perform the Armenian composer’s chamber music.

Steve Kuhn and Toshiko Akiyoshi are relatively unknown outside of jazz circles. Both are modernists and have styles that are quite different.

Black Market Brass’ sophomore record, Undying Thirst, is a noxious brew of diesel and bleach; a special long-player full of wasteoid rippers for skullduggerous hover-bike gangs peddling fugazi relics and snake oil tinctures. Hellacious guitars, nitrous-charged percussion, a brass section harsher than paint-thinner, and a special batch of short-circuited electronics and synthesizers will leave your head buzzing into the 31st century. Blasting Undying Thirst from your home speaker system is like going over a waterfall in a rusted out oil barrel, long after the sun has boiled the falls dry.

Nashville based singer-songwriter, Jobi Riccio (she/they), delivers her debut album, Whiplash. As a coming of age story, Jobi touches on themes of self-love, facing past traumas, overcoming insecurities including her queerness, and channeling inner strength to empower herself and others. This Americana/country record is mastered by Grammy Award winning mastering engineer, Philip Shaw Bova, and has an exquisite balance of catchy, empowering, upbeat tunes and reflective, deeply sentimental ballads achieved through Jobi’s poetic lyricism and her incredible vocal control.

After the not-quite-reissue of 'Prince of Parrot Shooters/The Aqueducts of Cannel Island', wide-eyed mystic and tireless searcher of the netherworld Spencer Clark returns to the Discrepant fold with 'Barbados Wild Horses' under his Monopoly Child Star Searchers moniker. Recorded while Clark was living in the Canary Island's by Tupperware and Lagoss' Dani Tupper, 'Barbados Wild Horses' brims with insular romanticism and escapist bliss, with sunkissed synth-lines interwoven around his trademark hand percussion bouncy rhythms reflecting the scenery of the islands as a liberating utopia.

“Leisure Suit” is the sophomore album from Organ Fairchild. Recorded and mixed by Justin Guip (Levon Helm, Hot Tuna) and mastered by Alan Evans (Soulive), the album features eight OF originals along with a cover of the Grateful Dead’s “He’s Gone.”

Melted compiles music made by the greater crew in 2022 & 2023; a radio show, and some stage action, a variety of styles and vibes.

Hailed as "gospel titans" by Rolling Stone, the Blind Boys of Alabama defied the considerable odds stacked against them in the segregated South, working their way up from singing for pocket change to performing for three different presidents over the course of an 80-year career that saw them break down racial barriers, soundtrack the Civil Rights movement, and help redefine modern gospel music forever.

“A lot of this batch of songs is a reaction to the production stuff that I do,” says Jonathan Wilson of his new album Eat the Worm. “It began to dawn on me: a lot of my friends and people that I really admire, when they get in the studio, they get much more conservative…. Sometimes you’ve got to take chances and resist the urge to dumb things down to the kind of humdrum album we’ve all heard. It’s got to be kind of strange.”