Decca Records announces the release of Vangelis’ new album ‘Juno to Jupiter’. The work, inspired by NASA’s ground-breaking mission by the Juno space probe and its ongoing exploration of Jupiter, is a multi-dimensional musical journey featuring the voice of opera superstar Angela Gheorghiu. The album includes sounds from the Juno launch event on earth, from the probe and its surroundings and Juno’s subsequent journey that have been sent back to earth from the probe, which continues to study Jupiter and its moons: 365 million miles away.

Michael Crétu's attempt at fusing everything from easy listening sex music and hip-hop rhythms to centuries-old Gregorian chants couldn't have been more designed to tweak the nose of high art, a joyously crass stab straight at a mainstream, do not pass go, do not collect 200 dollars. The result is something that shouldn't exist, but in its own way results in as much of a cultural scramble and explosion as anything Public Enemy were doing around the same time, crossing over the Euro-disco and new age spheres with style…

Blue Dream is a 68-minute suite of music written by Australian composer and pianist Fiona Joy Hawkins, produced by Grammy winner Will Ackerman (founder of Windham Hill Records) and recorded at Imaginary Road Studios on a Steinway…

…this unique, dark and sparse, tribal, minimal synth, drone, trance, new age recording from the mysterious Kano. Previously only issued as an obscure cassette back in 1986 which is now much sought after…

Loreena McKennitt is a Canadian singer, composer and multi-instrumentalist, She was born in 1957, in the province of Manitoba. She is best known for producing world music albums that encompass both Celtic and Middle Eastern themes…

Unjust Intonation (aka Unequal Temperament, aka The Poorly-Tuned Guitar) consists of 4 short sections of my guitar playing run through a digital time-stretching effect, which pulled the sections into various long-duration forms like so much salt water taffy.

Australia's Fiona Joy Hawkins is a pianist, singer, and composer who makes ambient, jazz, and classical-influenced new age recordings. Born in Cessnock, New South Wales, Hawkins took piano lessons from a young age and by her teens was already composing her own music…

Felis Catus and Silence is a breakthrough release for Tokyo composer-guitarist Leo Takami, following the milestone albums Children’s Song (2012) and Tree of Life (2017). Takami counterpoints the soothing aesthetics of prime-era Windham Hill New Age guitar-heroism with meditative, intellectual compositions comprised of ambitious, process-oriented arrangements.

Eolian Minstrel is Andreas Vollenweider's debut SBK Records release and the long awaited followup to his 1991 #1 NAC and jazz album, Book of Roses. Andreas plays a harp, but one that has been modified to produce an extraordinary range of sounds…

Behind the Gardens - Behind the Wall - Under the Tree . . . . is a studio album by new-age artist Andreas Vollenweider, released in 1981. It is almost entirely instrumental, and centers on Vollenweider on harp…

Valley of the Sun’s 1981 debut. David Naegele weaves a beautiful, dark twisted tapestry of sound depicting humankind’s ascension to peaceful unity through divine assistance.

Angel Tears in Sunlight is Pauline Anna Strom’s first album in over thirty years; an assemblage of music that refracts the expansiveness, and minutiae, of imagined realms while embracing the kaleidoscopic echoes of our distant epochs.

Robert Scott Thompson is a diverse and prolific composer and performer. He is an associate professor of music at Georgia State University in Atlanta, GA. Atlanta is also the home of his studio and his music label, Aucourant Records. Through that label, Thompson releases CDs in at least six genres. He records electronic and experimental pop, modern classical, new age, avant-garde and his two major genres – experimental computerized and ambient music.

Torfi Ólafsson was born in Reykjavík, Iceland on November 8, 1955.
He grew up in Kópavogi, and at age 8 studied guitar at the music school there for four years. Trumpet and horns were the instruments which he played in his school band when it was formed in 1966 until 1971. In 1975, he obtained a degree from MT with a B.E.D. from KHÍ in 1980.

Composer, producer and multi-instrumentalist, Emmanuele Landini has collaborated with several artists on the local and international scene, both as sound engineer and as composer and/or co-arranger; The passion for engineering techniques drove him to study and develop the so-called 3D Binaural mixing, opening new horizons on the digital music field. He has always created, composed and arranged his own music with the philosophy of Binaural 432Hz tuning and in particular in the New- Age and Ambient music scene.