The musical collaboration of the decade, "Raising Sand" is the sound of two iconic figures stepping out of their respective comfort zones and letting their instincts lead them across a brave new sonic landscape. despite hailing from distinctly different backgrounds, Alison Krauss and Robert Plant share a maverick spirit and willingness to extend the boundaries of their respective genres.

One-Step vinyl is the ultimate vinyl pressing. Because Sound Matters' meticulous One-Step process creates the definitive sounding audiophile version of an album - and the third release from Because Sound Matters One-Step is Linkin Park’s Minutes To Midnight. Linkin Park's third album, Minutes To Midnight reflected a desire to experiment and push the sonic boundaries of the band. The album was originally released May 14, 2007 debuting at #1 on the Billboard Top 200, and was produced by Rick Rubin and Mike Shinoda. The release has sold more than 5 million copies in the US. Five of the album’s twelve songs received substantial Alternative and Rock radio airplay including “What I’ve Done”, “Shadow Of The Day”, “Bleed It Out”, “Leave Out All The Rest” and “No More Sorrow”. Because Sound Matters One-Step of Minutes To Midnight is strictly limited to 3,000 copies.

David Hazeltine makes his second contribution to Chesky's acclaimed New York Sessions series with this stunning set of compositions by revered Brazilian composer Antonio Carlos Jobim. The combination of the sophisticated elegance of a jazz piano trio, delicate arrangements and Chesky's renowned recording techniques presents Hazeltine (and Jobim) like you've never heard before.

The Best of New York Sessions: Volume One features highlights from Chesky Records' acclaimed jazz series recorded live in New York City with Chesky Records' state-of-the-art technology.

Vicenç Montoliu i Massana, better known as Tete Montoliu (28 March 1933[2] – 24 August 1997) was a Spanish jazz pianist from Catalonia, Spain. Born blind, he learnt braille music at age seven.

Fab extended edits and rare remixes.

Hicks gained the spotlight working with Art Blakey, Betty Carter and Woody Herman in the 1960s and '70s.

With their cool, group-oriented sound, bop-inflected improvisations, and classical chamber aesthetics, the Modern Jazz Quartet rose to prominence in the '50s, expanding the jazz paradigm and bridging the gap between smoky jazz clubs and prestigious concert halls.

Sibelius was one of the 20th century's greatest and most innovative symphonists, with a musical style evoking beauty, mystery, colour and light.

The quality of the vocal performances in this live recording of Alcina can be strongly correlated to the singers' prior experience in the Baroque repertoire.

Diabolic Inventions and Seduction for Solo Guitar, Vol. 1: Music of Astor Piazzolla is an album by Italian-American jazz fusion and Latin jazz guitarist Al Di Meola.

Yes didn't invent progressive rock, but they helped bring it to mainstream audiences, steering the development and definition of the genre. Once their classic lineup of Jon Anderson, Chris Squire, Steve Howe, Rick Wakeman, and Bill Bruford locked into place for 1971's Fragile, the band crystallized all of the sonic and visual signifiers that eventually became synonymous with prog rock. Yes shifted between complicated time signatures, spliced pastoral folk, and Baroque classical in their muscular rock & roll, structured their songs as mini-suites, and wrapped the entire package in fantastical artwork by Roger Dean.

If you're a died-in-the-tie-dye fan, you've probably already heard a tape of this show and will be pleased to know that here it sounds amazing; the entire three hour performance is included, mixed and mastered off of original 16-track live master recordings. If you're not already a Deadhead, Live at the Cow Palace: New Years Eve 1976 is an excellent encapsulation of mid '70s Dead. Recorded in-between 1975's invigorating Blues for Allah and 1977's dreadfully myopic Terrapin Station, it's eminently preferable to the live album Steal Yr Face, and goes a long way towards showing that the critically-maligned Godchaux era had a lot going for it. A few of the songs lumber a bit, but there's a real funkiness and versatility to this segment of the band's career that they never really had at any other time. Several stages of the band's career converge, such that the elastically funky version of the late '70s Dead, the almost jazz-fusion Dead of the early '70s, and the soft cowboy folk sound of 1970 of are all here. It's lovely. –Mike McGonigal

The Moody Blues British rock group from Birmingham, England, formed in 1964 and inducted into the Rock and Roll Hall of Fame in 2018.

A new take on Alberta Cross's debut album 'The Thief & The Heartbreaker', which set the foundation for their Americana-tinged indie and alternative sound. The album includes new versions of all the original album tracks & features a veritable wealth of musical collaborations with close friends including Band Of Skulls, Katie Melua, Jack Savoretti, Ed Harcourt, Starsailor's James Walsh, Joseph Arthur, Dan Mangan, Dylan Leblanc, Tomas Andersson Wij & Arum Rae.