Andreas Vollenweider's 1985 effort White Winds, subtitled "Seeker's Journey," features the composer's modified electric harp in pieces that are much more experimental than what would later emerge as the prevailing sound of new age…

This album sounds very much like a sequel to his first album "Eine Art Suite" from 1979…

The legendary, Grammy Award-winning harpist takes some truly blessed left turns on what could have been just another pedestrian new age Christmas collection…

Andreas Vollenweider's Grammy-winning 1987 effort is dominated by the Swiss musician's electrically modified harp. Its distinctive sound runs throughout the album, supported by the usual tinkering synthesizer effects and light percussion. After an extended introductory interlude, the title track zips into a vaguely Caribbean-styled rhythm…

Andreas Vollenweider's Cosmopoly finds the Swiss harpist collaborating with artists like Carlos Nunez, Abdulla Ibrahim, and Ray Anderson, and exploring the music of Africa, Brazil, China, Ireland, and the U.S. Fittingly, Vollenweider's palette of instruments on this album includes the ocarina, gu cheng, baby koto, 12-string guitar, Bavarian folk harp, Celtic harp, and Chinese harp, along with his usual custom-made rhythm harp…

2009 album from the Swiss harpist. Vollenweider revolutionized contemporary instrumental music and became the first composer/producer gaining worldwide recognition (including a Grammy Award) for instrumental music. In the process, more than 15 million albums were sold…

After the Grammy-winning 1987 effort Down to the Moon, Andreas Vollenweider returned with Dancing With the Lion, a concept album of sorts about the nature of life and death. For the first time, Vollenweider extended his creative palette, drawing on the talents of many musicians worldwide…

Swiss harpist Andreas Vollenweider continues his exploration of world fusion on this ambitious, genre-blending release. In addition to the usual presence of Vollenweider's electrified harp, on which he manages to combine the instrument's lush, classical sound with unusual rhythmic effects and uncharacteristic tones, KRYPTOS boasts a range of other instruments, including flutes, synthesizer, human choruses, and a variety of percussion…

Andreas Vollenweider's Book of Roses marries concept to contemporary instrumentalism, and blends the music of numerous cultures into the composer's already worldly sound. Separated into four chapters (where each song is an "episode"), the album chronicles the journey of a young girl from dances in grand ballrooms, through mysterious woods full of magical jugglers, to an eventual meeting with the Sphinx…

Although Caverna Magica was his second album, this 1983 release is what put Andreas Vollenweider on the space music map. The music is lightly jazzy, performed on modified harp, "rhythmanatomic acousticolors and UFO," and drums, with vocal colorings which come and go…

Andreas Vollenweider's 1985 effort White Winds, subtitled "Seeker's Journey," features the composer's modified electric harp in pieces that are much more experimental than what would later emerge as the prevailing sound of new age…

While vocals had been deployed as instruments in vintage ANDREAS VOLLENWEIDER productions, and he did engage accomplished singers to impart thematic messages on "Eolian Minstrel" and in multiple languages on "Cosmopoly", "Vox" represents the harp players first headlong venture into lead vocals. He actually possesses a pleasant voice suited to his Renaissance gentleman persona and equally dolce musical style…

Eolian Minstrel is Andreas Vollenweider's debut SBK Records release and the long awaited followup to his 1991 #1 NAC and jazz album, Book of Roses. Andreas plays a harp, but one that has been modified to produce an extraordinary range of sounds…

Behind the Gardens - Behind the Wall - Under the Tree . . . . is a studio album by new-age artist Andreas Vollenweider, released in 1981. It is almost entirely instrumental, and centers on Vollenweider on harp…