The first album in 7 years from seminal electronic music pioneers and twice Mercury Prize Nominated, Leftfield. Currently reaching a new audience through Idris Elba’s Gucci ad, this is their 4th album in their 28 year history. It's a dancefloor album full of big sounds, big songs and a big production. It's Leftfield at their purest.

It’s not too rare that an artist would be able to timeline their own personal experiences and growth via the records they release, but very few electronic artists have done it as emotively as Gold Panda.

Landing light and fragrant on the mind, Seoul’s Salamanda grace NYC’s Human Pitch with an airspun follow-up to their ambient snacks for GMT and Métreon.

British electronic group Leftfield have reissued their 1995 debut album Leftism in May this year as Leftism 22. The reissue comes in the form of a double deluxe edition which feature the remastered album (Neil Barnes and Paul Daley have taken care of remastering duties) on the first CD and a bonus disc of the 11 album tracks remixed by a host of "top house/electronica/techno artists".

ntrospective, engaging, electronic music exploring the concept of “unfinished” in relation to oneself, art, architecture and surroundings.

The Aloof formed in 1990 and forged a reputation as one of the hardest working bands around. While other acts incorporated an electronica into a general rock sound in the early ‘90s, The Aloof were always a pioneering electronic act. Touring alongside the likes of Massive Attack and Leftfield, they released three albums with Warner’s EastWest label: Cover The Crime (1994), Sinking (1996) and Seeking Pleasure (1998). After parting ways with Warner, they were in charge of their own destiny, and formed their own ‘Screaming Target’ label as they set about making a new record.

Max D and Matt Papich's angular, post-jazz project arrives on its most satisfying and coolly lavish chapter thus far, a deconstruction of dimlite lounge, fourth world ambience, slacker techno, skewed exotica and beat scene lilt. All vibes, with assistance from Juju & Jordash's Jordan GCZ, Motion Graphics, Irreverible Enganglements' Luke Stewart, Earthen Sea's Jacob Long, 1432 R's Dawit Eklund, and more.

Suddenly is the most surprising and unpredictable Caribou album to date. Though it retains the trademark Caribou warmth and technicolor, this album is littered with swerves and left turns. Songs drop out and morph into something else entirely just as they’re hitting their stride, samples chopped up beyond all recognition burst out of nowhere. Suddenly refers to the moments of dramatic and unexpected change that occur at points in any life and within any family—universal themes that catch you off guard and change your life in a heartbeat.

The first solo album released by the former frontman of Mano Negra, Clandestino is an enchanting trip through Latin-flavored worldbeat rock, reliant on a potpourri of musical styles from traditional Latin and salsa to dub to rock & roll to French pop to experimental rock to techno…

Enduring psych-rawk survivors Ashtray Navigations continue their descent into the blotter spiral with this latest concoction, all overdriven e-guitar riffing, trance-inducing piano, doom organ, fuzzy electronix and Indian percussion. We can smell the incense from here.

Producer Lewis Roberts aka Koreless announces his much-anticipated debut album ‘Agor’, due for release on 9th July via Young. ‘Agor’ is the Welsh word for open and it’s an apt name for a recording which exists at sensory thresholds, straddling the various worlds of dance, ambient and contemporary classical while not sounding like an example of any of them.

Much is made of Detroit techno progenitors proximity to the auto plants. Similarly, overlooked electronic pioneer Jeff Phelps was raised just blocks from a Western Pennsylvania steel mill—close enough to smell the sulphur and hear the roaring blast furnace. When Tascam released their ground breaking Portastudio in 1984—allowing multi tracking on the far more financially inclusive cassette tape—Phelps purchased one immediately, and quickly added a Roland SH-101 monophonic synthesizer, Fender Rhodes suitcase piano, Roland drum machine, and a basic Radio Shack stereo mic.

In 1991, Coil released the third of their early classic full-length albums “Love’s Secret Domain”, seemingly casting aside the gloom and funereal beauty of its predecessors in favour of a painstakingly multi-layered hallucinogenic electronic beast, which unlike some of their fellow ex-industrial contemporaries’ releases of the time wasn’t an attempt at easy accessibility or (the-gods-forbid) danceability, but a vibrating psychedelic masterpiece unrivalled in their discography and still a landmark album.

Mouse on Mars, the Berlin-based duo of Jan St. Werner and Andi Toma, approach electronic music with an inexhaustible curiosity and unparalleled ingenuity. Operating in their unique orbit within dance music’s nebulous echosystem, the duo’s hyper-detailed productions are inventive, groundbreaking but always possessing a signature joyful experimentation.

'Recepticon' is a collection of 14 new songs by the prolific UK Producer Luke Vibert under his legendary alias, Wagon Christ. Packaged up with stellar new artwork by his old Cornwall mate Celyn Brazier. 'Recepticon' is here to save 2020.