Analogue Productions (Atlantic Series) Celebrating the 75th Anniversary of Atlantic Records! Genesis's fourth album Foxtrot Includes "Watcher of the Skies" and "Supper's Ready" Hybrid Stereo SACD Mastered directly to DSD from the original master tape by Chris Bellman at Bernie Grundman Mastering Genesis' Foxtrot is the band's fourth studio album, released in 1972. Regarded as one of the seminal albums of the progressive rock genre, it marked a significant milestone in Genesis' discography.

When jazz bass virtuoso Paul Chambers recorded Bass On Top, his third and final album as a leader for Blue Note, he was only 22 years old but already well established as one of the top bassists in jazz. This brilliantly seductive album features stalwarts Hank Jones on piano, Kenny Burrell on guitar, and Art Taylor on drums. Highlights include the chamber-jazz interpretation of Jerome Kern’s “Yesterdays” and a lightly swinging version of “Dear Old Stockholm,” a tune often associated with Miles Davis who was Chambers’ employer at the time.

Autobahn is the fourth studio album by German electronic band Kraftwerk, released in November 1974. It was the band's first album to fully embrace the repetitive electronic sound they would become known for (although organic instruments still remained part of their sonic palette) and was inspired by the titular German motorway system. The radio edit of the title track became a surprise international hit, reaching number 11 in the UK, number 12 in both Canada and the Netherlands, number 25 on the US Billboard Hot 100 chart, and number 30 in the Australian chart. In 2015, the album was inducted into the Grammy Hall of Fame.

KNOBIL is a Jazz-Glitter-Songwriting in French created by the bass player/composer Louise Knobil.

Xavi de la Fuente, pianist and young musician from Barcelona. I seek to understand life with music by covering the great themes of classical music for you, I hope you enjoy them!

I'm a music nerd from a small town in South Africa. Currently living in Portugal.

We are very happy and proud to present you our new album "Sofa So Good" freshly released and ready for you.

It’s been seven strange years since The Veils’ last studio album Total Depravity, and Finn Andrews has a new double LP to show for it. …And Out Of The Void Came Love is the result of this tumultuous period of injury, isolation and new life…

Fate in a Pleasant Mood was recorded in Chicago in 1960, but not released until 1965. It was the last album featuring Sunny's band from Chicago. After a decade and a half in the Windy City, tired of local indifference by fans and the press, Sun Ra decided to take his music elsewhere—briefly to Montreal, then New York, where he settled for seven years.

Swiss-Polish-Japanese singer, composer, and pianist Yumi Ito has long been celebrated for her ability to blur boundaries between genres and cultures. Now, with the release of Lonely Island, she strips everything back to its essence. For the first time in her career, Ito performs completely solo—just voice and piano—offering a deeply personal album that is both a retreat and a revelation.

GRAMMY-nominated trumpeter, composer, and producer Theo Croker has announced the Deluxe Edition of his visionary album Dream Manifest, arriving October 24th via Dom Recs.

“Symphonic jazz – picturesque, romantic, at times rhythmically involved, at others minimalistic and harmonically abstruse,” is how Allmusic describes Eberhard Weber’s ECM debut from 1974, calling it an “ambitious”, “and influential work”.

André Popp is a French composer, arranger and conductor, born on February 19, 1924 in Fontenay-le-Comte (Vendée) and died on May 10, 2014 in Puteaux (Hauts-de-Seine).

After the freakish hard rock of The Man Who Sold the World, David Bowie returned to singer/songwriter territory on Hunky Dory. Not only did the album boast more folky songs ("Song for Bob Dylan," "The Bewlay Brothers"), but he again flirted with Anthony Newley-esque dancehall music ("Kooks," "Fill Your Heart"), seemingly leaving heavy metal behind.

"… Parker's jazz-classical fusion became a formula used repeatedly by jazz musicians to express a more relaxed, pop side and extend the music's reach …"
- JazzWax.com