Back in the early ‘70s, television was an integral tool for exposure of musical artists into the home. Completely decked out with his touring light show and stage setup in The Mothers’ private rehearsal hall, Frank Zappa attempted to commit to videotape material for his own TV production, ultimately with the intention to shop to major networks. Unfortunately, there were technical issues that ultimately contributed to the footage being shelved and stored in the Vault.

Gatefold sleeve. Live Radio Broadcast from The Palladium, New York City, 31st October 1977

Aapostrophe (‘) Turns 50!
Arguably the most popular album in the Frank Zappa catalog, apostrophe (‘) has consistently been a best-seller. It was Zappa’s first Gold Record Award in the U.S., peaking at #10 on the Billboard 200 chart. The “Don’t Eat The Yellow Snow” single also made the Billboard Top 100 Hits chart, peaking at #87. The success of Apostrophe(‘) brought along a new awareness for Zappa and through the years, the album has been a go-to for most when discovering his music.
For the 50th Anniversary, Zappa Records and UMe have compiled a 5-CD + Blu-ray Audio set featuring the original album newly remastered by Bernie Grundman, session outtakes from the Vault and two bonus concerts spanning the year of 1974. The Blu-ray contains the new remaster in hi-res formats, brand-new Dolby Atmos remixes by Karma Auger and Erich Gobel and FZ’s 1974 Quadraphonic mix, back in print for the first time in 50 years. The package features new historical essays by Simon Prentis & Vaultmeister Joe Travers, along with never-before-seen images from the archive of Sam Emerson, who shot the now iconic front cover photo."

Chunga's Revenge is the third solo album by Frank Zappa, released on October 23, 1970. Zappa's first effort of the 1970s marks the first appearance of former Turtles members Flo & Eddie on a Zappa record, and signals the dawn of a controversial epoch in Zappa's history. Chunga's Revenge represents a shift from both the satirical political commentary of his 1960s work with The Mothers of Invention, and the jazz fusion of Hot Rats.

Weasels Ripped My Flesh is the seventh studio album by the American rock group the Mothers of Invention, and the tenth overall by Frank Zappa, released in 1970. It is the second album released after the Mothers disbanded in 1969, preceded by Burnt Weeny Sandwich. In contrast to its predecessor, which almost entirely focused on studio recordings of arranged compositions, Weasels Ripped My Flesh consists of a combination of live and studio recordings and features more improvisation.

The Omnibus Wind Ensemble's interest in Frank Zappa's music dates back to the beginning of the 1980s, almost from their very beginnings. Under the motto "From Mozart to Zappa", which also became the title of their 1st, widely acclaimed release on the Opus3 label, they have had many of Frank Zappa's compositions in their repertoire over the years.

The Omnibus Wind Ensemble's interest in Frank Zappa's music dates back to the beginning of the 1980s, almost from their very beginnings. Under the motto "From Mozart to Zappa", which also became the title of their 1st, widely acclaimed CD on the Opus3 label, they have had many of Frank Zappa's compositions in their repertoire over the years.

Grammy award winner, multi-instrumentalist and lead singer of the former Frank Zappa band Napoleon Murphy Brock and the Ensemble Musikfabrik are releasing an impressive concert recording of the Zappanale 2019 with "Bad Doberan & Elsewhere".

Filmed over three nights in December of 1973 at the Roxy Theater in Hollywood, California, Roxy-The Movie is the long awaited video companion to the beloved "Roxy & Elsewhere" live album from Frank Zappa & The Mothers. "Roxy: The Movie" is a document of perhaps Frank Zappa's most accomplished band, which included George Duke (keyboards, vocals), Bruce Fowler (trombone), Napoleon Murphy Brock (sax, flute, vocals), Ruth Underwood (percussion, vibes), Tom Fowler (bass), Ralph Humphrey (drums), and Chester Thompson (drums).

This new deluxe reissue covering Frank Zappa’s 1972 ‘electric orchestra’ period features amazing new 5.1 Surround & Dolby Atmos remixes of the studio albums Waka/Jawaka and The Grand Wazoo.

This album with the strange psychedelic sci-fi cover draws a tighter circle around Duke’s fusion language. The keyboard master ventures deep into his synthesizer laboratory. Duke shows himself to be a singer with a soulful sound. Shortly before this recording he had shelved his trombone so that he could communicate more directly with the audience, as can be heard in the hymnal, dreamlike title piece. The guest list of players make for an especially exciting concoction. No less than Duke’s playing companion Frank Zappa, under the cryptic pseudonym Obdewl’l X, performs some adventuresome guitar passages on “Love” and “Old Slippers”. On the California-sunshine pop samba, “Yana Aminah”, we have a surprise visit by Brazilian Flora Purim, wife of percussionist Airto Moreira, who opens up his bag of tricks on “The Once Over”, and plays on three more tracks.

Zappa & The Mothers' Eighth Studio Album on 180g Vinyl LP! 50th Anniversary Reissue of the Classic Wazoo Period 1972 Release! All-Analog Mastering by Bernie Grundman in 2022! Analog Planet Rated 10/11 Music, 10/11 Sonics! In 1972 FZ experimented with an "Electric Orchestra" concept which resulted in two albums: Waka/Jawaka and The Grand Wazoo. Celebrating the 50th anniversary of this endeavor, The Grand Wazoo is available as a 1LP 180g black vinyl.

On June 18, Zappa’s historic, final American show will be released for the first time as the new live album, Zappa ’88: The Last U.S. Show via Zappa Records/UMe.

Studio Tan is the 24th album by American musician Frank Zappa, first released in September 1978 on his own DiscReet Records label. It reached #147 on the Billboard 200 albums chart in the United States.

Sheik Yerbouti is a double album by Frank Zappa, first released in March 1979 as the first release on Zappa Records (distributed by Phonogram Inc.). It was later released on one CD. It is mostly made up of live material recorded in 1977 and 1978, with later overdubs in the studio.