The Return of Pachyman is a supernatural force from a brave new world that’s a little bit San Juan, a little L.A., and a whole lot of Studio One in Kingston, Jamaica. Designed to be a resurrection of sound systems from the past through which we can celebrate a post-Trump future, the record shows that blasting off into reggae’s deep space has never gone out of style.

Read all about it. Our new WAIRUNGA album features five fresh Freddy songs and we revisit two classics, all captured during a secret outdoor performance sans audience with wild weather elements playing an important creative role. WAIRUNGA digital release out the gate 20th Aug with vinyl to follow.

Khruangbin are no slouches when it comes to the remix. They’ve been reworked before, in 2016, with the highly collectible EP on Boogiefuturo. But this time, they’re taking it a step further with an album dedicated to the art. Entering the tight-knit world of a Khruangbin song can be a little daunting.

his 12” features two reggae remixes each of “Jokerman” and “I And I” by Doctor Dread. The original versions of both tracks appeared on Dylan’s ‘Infidels’ album with Sly & Robbie as the rhythm section. The two “I And I” remixes were previously released on ‘Is It Rolling Bob: A Reggae Tribute To Bob Dylan’ (2003) while the ‘Jokerman’ remixes are newly commissioned and previously unreleased.

'Blue Versions' contains 11 instrumentals/dubs extracted from last year's The Bug ft Dis Fig 'In Blue' album on Hyperdub. Sillicon yard, destroyed dancehall rhythms. Filtered / fuzzed / f-cked science friction versions. Heavy on emotion and even heavier on sheer sub weight. This is haunted ragga made for paranoid androids. A tunnel sound for dread heads.

KMFDM, commonly regarded as one of the driving forces in what we generally term industrial/rock since their formation in 1984, the band has been so much more, incorporating elements of so many musical styles to result in what they themselves refer to as the Ultra Heavy Beat. The 2019 release of PARADISE was a bold statement on the precarious state of the world, with the heaviest infusion of funk and dub sounds the band has exhibited since such landmark albums as 1988’s UAIOE and 1990’s NAÏVE.

Lee "Scratch" Perry OD is a Jamaican record producer and singer noted for his innovative studio techniques and production style. Perry was a pioneer in the 1970s development of dub music with his early adoption of remixing and studio effects to create new instrumental or vocal versions of existing reggae tracks. He has worked with and produced for a wide variety of artists, including Bob Marley and the Wailers, Junior Murvin, the Congos, Max Romeo, Adrian Sherwood, the Beastie Boys, Ari Up, the Clash, the Orb, and many others.

Spirals , the slow reveal, cyclical but eventually coming to a point . ‘Realm of Spells ‘ is for me the point . Maybe the last time I will get to work with Bill. For me personally, this record embodies and contains a lot of the basic approach I had right from the beginning , especially in regard to playing the bass. The circumstances of our trip led to me using a Fender P bass for the first time in years. All the early PiL stuff plus Full circle with Holger and Jaki was played on Fender P. I was taken back to that beautiful naive beginning . At that juncture some pristine mathematical truth shot like a ray of vajra light from deep space.

Incendiary debut album on Nyege Nyege Tapes by HHY & The Kampala Unit. Initiated by musician and artist Jonathan Saldanha (HHY & The Macumbas) during his Nyege Nyege residency, HHY & The Kampala Unit is a futuristic exploration of a fresh, yet submerse territory in music mixing up dub, techno, traditional drumming and elements of trance over ghostly and unnerving cinematic passages.

Incendiary collaboration between EK and former Dot and present dubmaster Ryan Moore.

Inspired by the Thames. Especially walking by the Thames. Once you have done that your mind can always take you back to there. There’s no centre to you mind no boundary. So all is possible.

A Newbury Comics exclusive color vinyl pressing. Orange In Clear With Green Splatter. Limited to 500 copies. Dub Side of the Moon is a dub reggae tribute to the 1973 Pink Floyd album, The Dark Side of the Moon, co-produced by Easy Star All-Stars founders Michael G (Michael Goldwasser) and Ticklah (Victor Axelrod).

In the roaring 70s Red Hills Road in St Andrew played host to an endless number of night clubs and was the acknowledged hip strip for city Kingston. In fact, two of Jamaica’s musical legends trace their genesis to Red Hills Road and the clubs with unforgettable names, which were the hub for live bands.

The Bug aka Kevin Richard Martin, and Berlin based, American producer/vocalist, Dis Fig aka Felicia Chen, refer to their style on the album In Blue as ’Tunnel Sound’. A foggy, melancholic meltdown of narco-dancehall, zoned soul and dread drenched, electronic dub.

Dubbed 'The hardest working band in music' Barry Ashworth and Dub Pistols have released 8 studio albums to date and they're back with perhaps their most audacious yet; 'Addict'. Dub Pistols have added a much-needed swagger to the UK dance scene in recent years and new album 'Addict' finds the band at their most creative; reggae, jungle, drum n bass, breaks and beats are all rolled into one for a very intoxicating package. Known for their genre-mashing abilities, they have worked with some of their biggest heroes including The Specials, Horace Andy, Madness and Gregory Isaacs. After 26 years in the business, the Dub Pistols certainly show no signs of slowing down.