Buckle up, y'all. Brent Cobb wants to rock. A master storyteller from small-town Georgia who chronicles Southern life in plain-spoken songs, Cobb's spent much of his six-album career behind the comfort of an acoustic guitar. With a hollow-bodied six-string in-hand, he's blended the time-tested gaps between country, soul and folk-rock with the ease of a clear-minded drive down a two-lane blacktop on a Sunday afternoon.

Ever since ZZ Top signed with RCA, they fitfully tried to break free of the synthesized blues that once was their savior but quickly became a straitjacket. Like any addict, it was hard for them to quit that processed, sequenced sound cold turkey, so they weaned themselves off the robo-boogie, sometimes relapsing and adding too many synths to mix, other times breaking loose with some credible boogie. Apart from the dreadful misstep of 1999's XXX, they showed signs of life on all their RCA albums, and their fourth, 2003's long-delayed Mescalero, is no exception to the rule. Billy Gibbons' fat guitar tone really has some presence here, at least on some of the album, and there are enough rhythm tracks not performed to a didactic click track to provide some real swing.

The Allman Brothers Band's fifth live release in 25 years, cut during 1994 in Raleigh, NC, and at the Garden State Arts Center in New Jersey, is a high-water mark in their Epic Records catalog. If anything, they're even better here than they were on the earlier Evening with the Allman Brothers Band, the old material getting fresh new approaches – the band was on for both nights, and presented sets, including an acoustic version of "In Memory of Elizabeth Reed" and "Jessica" (which won a Grammy Award), that soared and flowed, especially Dickey Betts and Warren Haynes' guitars. What's more, the clarity of the recording and the volume at which it was recorded make this a most rewarding 70 minutes of live music on a purely technical level – you can practically hear the action on the guitars during the acoustic set. It won't replace Live at Fillmore East or the live portions of Eat a Peach, but it deserves a place on the shelf not very far from them.

Tom Petty & The Heartbreakers famously played 20 nights at the legendary Fillmore venue in San Francisco in 1997. 6 of the shows were professionally recorded and this release features many of the high points of the residency. The small venue allowed the band to vary their sets each night; they included re-arranged and distinctive versions of their hits, deep cuts, and many cover versions – paying tribute to the artists that Tom and the band had been influenced by. The 4 CD deluxe edition includes fifty-eight tracks pulled primarily from the last six concerts performed in the residency. Those six shows were professionally recorded and tracks from the setlists in those shows have seen previously release on The Live Anthology and the 2020 expanded reissue of Petty's 1994 album Wildflowers.

Creedence Clearwater Revival was an American rock band active in the late 1960s and early 1970s. The band consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty, his brother rhythm guitarist Tom Fogerty, bassist Stu Cook and drummer Doug Clifford. Their musical style encompassed the roots rock, swamp rock, and blues rock genres. Despite their San Francisco Bay Area origins, they played in a Southern rock style, with lyrics about bayous, catfish, the Mississippi River, and other popular elements of Southern United States iconography, as well as political and socially-conscious lyrics about topics including the Vietnam War. The band performed at 1969's famed Woodstock Festival. The band has sold 26 million albums in the United States alone. Rolling Stone ranked the band 82nd on its list of the 100 greatest artists of all time.

'Million Voices Whisper' is the third 'Fantasy' solo album ('Man in Motion' and 'Ashes & Dust') by the remarkable musician/songwriter Warren Haynes. Enlisting an All-Star core of support, New Orleans native Terence Higgins on drums, organist and keyboard wiz John Medeski, Mule bassist Kevin Scott, and genius guitarist Derek Trucks, Hayneshas been inspired to craft his best work, eleven original songs that establish a high bar in a genre that could easily be termed Modern Classic Rock. 'These Changes', (co-written with Trucks and TTB member Mike Mattison), and 'Real, Real Love' (co-written with Gregg Allman, his last work with Haynes before his untimely death in 2017) are absolute highlights. Jamey Johnson and Lukas Nelson join him 'Day of Reckoning' a song co-written with Lukas. All catchy, emotional thrillers brought to life by Warren's husky, soul drenched emoting. The album was produced by Warren Haynes. He brought in his Allman Brothers bandmate Derek Trucks to co-produce and play guitar on four of the songs on the album. Deluxe Edition features 4 bonus tracks. 2-CD Softpak.

Assembled from various shows from various tours from around the world, 2016's Live: Greatest Hits from Around the World is billed as ZZ Top's first "full-length live album" – a matter of dispute considering how Eagle Rock released three CD/DVD/Blu-ray combo sets between 2008 and 2014. There is no visual component to Live: Greatest Hits from Around the World, which may be how it skates around the first live album distinction – if there's no video, this is a pure album – but the record mines a similar musical vein, collecting highlights from latter-day ZZ Top tours.

Released in the summer of 1968 – a year after the summer of love, but still in the thick of the Age of Aquarius - Creedence Clearwater Revival's self-titled debut album was gloriously out-of-step with the times, teeming with John Fogerty's Americana fascinations. While many of Fogerty's obsessions and CCR's signatures are in place – weird blues ("I Put a Spell on You"), Stax R&B (Wilson Pickett's "Ninety-Nine and a Half"), rockabilly ("Susie Q"), winding instrumental interplay, the swamp sound, and songs for "The Working Man" – the band was still finding their way. Out of all their records (discounting Mardi Gras), this is the one that sounds the most like its era, thanks to the wordless vocal harmonies toward the end of "Susie Q," the backward guitars on "Gloomy," and the directionless, awkward jamming that concludes "Walking on the Water."

The rich, lengthy, and sometimes painful history of Lynyrd Skynyrd is not only one of the true epic tales of Southern rock, but in all of rock & roll itself. The early rise to fame, the tragic loss, and eventual rebirth of the group has been well documented over and over again in the form of box sets, greatest-hits collections, and deluxe reissues. But this sampler takes the best of the best and puts it all into one disc. The greatest moments of Skynyrd's career – "Freebird," "Sweet Home Alabama," and "What's Your Name" – are all here. But what makes Family truly special is the branching out into the side projects like .38 Special, Rossington Collins Band, and Van Zant to name but a few. This might not be the most comprehensive collection available, but it is certainly one of the more enjoyable and easily accessible.

In 1970, Creedence Clearwater Revival were one of the most popular bands in the world. Since releasing their debut album just two years prior, the group had been on a nonstop tear of writing hits and prolifically releasing new material, consistently landing in the upper reaches of the charts as the Woodstock generation came into being. By the time CCR embarked on their first European tour in April 1970, their last two albums had cracked the Top Ten in the U.S., they had multiple singles getting constant radio airplay, and the Beatles had just announced their breakup, making room for this hardworking group from El Cerrito to take their place as the biggest band in all of rock.