Burn the Night / Bruciare la Notte: Original Recordings, 1983–1989 is the first archival collection of music by the Italian minimalist composer Tiziano Popoli. In his music, Popoli framed the Italian avant-garde and New Wave of the 80s through an architectural aesthetic distinctly detailed by a Yamaha DX7 synthesizer, Roland TR909 drum machine, and early sampling technology. These fourteen pieces represent unreleased recordings for installations, theater, and radio broadcasts, and they each beam with unusual melody, radiant color, and generative life.

Technodon is the eighth and final studio album to date by Yellow Magic Orchestra and released in 1993, a decade after the band's original breakup. Because the name Yellow Magic Orchestra was owned by former record label Alfa Records, the band were forced to release the album under the name YMO (typically stylized as the "YMO" initialism crossed out by a large "X"). For the tour that followed, they were billed as Not YMO. Future releases by the band would be made under the names Human Audio Sponge and HASYMO. At the time of recording, Haruomi Hosono and Ryuichi Sakamoto were incorporating many world music elements into their sound, which is still evident on Technodon, though slightly pared down and featuring simpler technopop arrangements. Yukihiro Takahashi mainly used drum machines for the record as opposed to a drum kit.

One of the finest pop albums of its time, Walls Have Ears remains one of many overlooked gems from the new wave era. This mysterious trio wrote pure and unabashed pop songs heavily influenced by the '60s and '70s and dressed them up in '80s clothing. Guitars float and shimmer above a synth foundation, allowing vocal harmonies (and some bits of brass) to roam freely in and out of each song. The haunting "Say You Will" is drop-dead gorgeous with its acoustic guitar riff and pained vocals. "Yo-Yo" could have been a massive hit with its classic hook bouncing around the room. "Remember Me and You," "Tell Me Baby" and "Love Me Too" contain all the elements that make pop music so enchanting and enticing. When BOS get all gooey on ballads such as "Lovers," "Close to Me" and "Photograph," the effects are mesmerizing. An album to love and embrace your whole life through. – AllMusic Review by Stephen Schnee

Hard to find LP from New Zealand 80s pop group.

On this album, Was (Not Was) explores various blends of funk, rock, dance and pop styles with delightful results. There is much quirky humour in a song like I Feel Better Than James Brown, an addictive tune with a hypnotic beat that pays tribute to James Brown's masterpiece I Feel Good. The lyrics are just priceless! Unusually for Was (Not Was), they also explore the dark side of life in Maria Novarro, a powerful song with a nervous beat and disturbing lyrics about domestic violence: "In the city of Angels, there's no mercy and there's no tomorrow for Maria Novarro …". Adding to the charms of this multifaceted album is Leonard Cohen who contributes the main vocal on Elvis' Rolls Royce over a jazzy background. The next track Dressed To Be Killed is a jerky rap number with lovely sax infusions, whilst Just Another Couple Broken Hearts is a mellow ballad.

Mummy Calls is the debut album released by British band Mummy Calls, released in 1986. Two singles were issued from the album, "Let's Go" and "Beauty Has Her Way". The latter single was used in the film The Lost Boys and also appears on that film's soundtrack. The band split shortly after the release of their debut.

This 2 CD collection brings together the entire 1980’s recorded output of synth pop pioneers, Fiat Lux. The original “Hired History” album – and indeed all of the bonus tracks – are appearing on CD for the very first time.

After a three-year wait, this album was a bit of a disappointment. Musically, it is his best yet, but it lacked a certain energy that the others had. The songs seemed to replace vivacity with length. The album didn't do very well on the charts; the number 13 single (U.S.), "Everlasting Love," was the biggest hit. Ironically, the best song on this album, "Out of Thin Air," does not use a single synthesizer but instead is a solo piano piece performed by Jones himself. After all those years of electronic music, a song featuring a real instrument is a welcome relief.

Originally released in 1983 as an EP, this is the soundtrack to the live video of Ultravox, from their 1983 tour (hence the subtitle, "The Soundtrack"). This is Ultravox at their live best, and thankfully the reissued CD is expanded, containing all of the songs from the video (but still not the entire concert). "Reap the Wild Wind" is brilliant live and comes screaming at the listener with an extreme amount of energy and emotion. The same can be said for "The Voice." Midge Ure gives his all throughout, but here he is the voice. "Vienna" sounds wonderful and is certainly a crowd-pleaser. Fans will enjoy this live collection.

Twist of Shadows is Xymox's third full-length album, released in 1989 on Wing Records (PolyGram) and produced by Peter Walsh (acclaimed producer of Simple Minds's New Gold Dream album). The album captured Billboard's 'Hot Shot Debut" honor and charted in the United States at #165 on the Billboard 200. Twist of Shadows launched several charting singles in the United States. In March 1989 "Obsession" shot up to #16 on Billboard's Alternative Songs chart. By June 1989 it had also reached #12 on Billboard's Hot Dance Club Songs (also known as Club Play Singles, and formerly known as Hot Dance Club Play). The second single, "Blind Hearts", reached #9 on the Dance Music/Club Play chart. The third single taken from the album, "Imagination" (with Anka Wolbert on lead vocals) reached #85 on Billboard Hot 100 and remains Xymox's biggest commercial success to date.