A jack of all trades with collaborations including Chance The Rapper, Vic Mensa, Pharrell and more, singer, songwriter and producer Darius Scott musically known as DIXSON, has made a huge impact in entertainment making his mark across multiple genres.

Carlos Kleiber's recordings are rare events, almost invariably worth the wait. This performance of the Unfinished is typical: direct, unfussy, superbly played, and unflaggingly intense.

I Draw Slow is one of the most unique bands on the Americana scene. Fronted by brother/sister songwriting team Dave Holden (guitar/vocals) and Louise Holden (vocals), this Dublin, Ireland-based group sits squarely at the crossroads of Irish and Appalachian music and has received critical praise for an original sound that bridges the gap between traditional Irish and American roots music. Joining Dave and Louise for this journey are bandmates Konrad Liddy (upright bass), Colin Derham (banjo), and Adrian Hart (fiddle).

New concert recordings (2008-2017) by the legendary (fusion) rock formation KRAAN in the trio line-up HATTLER, WOLBRANDT & FRIDE. "The Trio Years - Encore" will be released as a CD in three-part digipack format and as a vinyl edition on 36MUSIC.

Bààn is a Belgian instrumental duo, formed in 2016 in Brussels by Pascal N. Paulus (keyboards) and Jean-Philippe De Gheest (drums). In their music they interweave ambient, psych, jazz and rock and they create an infectious atmosphere that immediately transports the listener to distant places.

Soft Ffog started as one-off gig commissioned by Kongsberg Jazzfestival in 2016. Despite the success of this event, the band did not get the momentum it needed to be a proper working band. This combined with the busy schedules for the musicians in other bands and projects, the band only played gigs every now and then. These gigs did help refining their sound, so bandleader Tom Hasslan decided in 2020 that the time was right to record their first album with all Hasslan compositions.

In February 2021, the uniquely self-crafted instrumentation and DIY spirit of Congolese electronic collective KOKOKO! is coming to a record store near you. Handmade in Kinshasa, DRC ahead of their 2019 world tour, KOKOKO! built 8 bespoke 12" "playable sleeves" to house an upcoming Fongola Instrumentals white label release.

You can trace the seeds of Fongola back to so many different places. It began in Kinshasa, in the Ngwaka neighbourhood where DIY experimental musical instruments are made, and the Lingwala neighbourhood where Makara Bianko sings every night on electronic loops with his dancers and where the band first met. We spent our tours across Europe dreaming about what we wanted to tell the world. It was recorded in makeshift studios we built out of ping pong tables and mattresses in Kinshasa and Brussels. Finally, I spent months putting it all together in Abattoir, Anderlecht like a giant electronic puzzle with pieces that don’t fit and no blueprint.” - Débruit

Eye Escapes is a collection of recordings from 2016 - 2021 primarily from a lost album between Path and View No Country. Brought to you by Mutual Skies.

17 versions of the same beat + an extremely eclectic crew of vocalists as the new Bug album = commercial industry suicide…17 versions of the same beat, mutated, modified and sometimes mutilated to suit each guest i invited, to jump this heavyweight rhythm. So if you arent feelin the beat, you may as well jump off from the get go.. And trust, this album is an absolute tribute to the dancehall one riddim albums that endlessly emerge from Jamaica, and in fact hooked me since the mid 90's, as a black wax addict.

Paul Eakins (September 2, 1913-October 10, 1990) was a musician.

Compiled and edited by Amy Porter, Treasures for Flute and Piano is a collection of Philippe Gaubert’s shorter works for flute and piano. Gaubert was a multi-talented musician, a marvelous flutist as well as a composer, teacher, and master conductor.

Lissie's Carving Canyons shows the acclaimed singer-songwriter digging deep to survive life's many uncertainties

Energetic contemporary jazz and intricate compositions cloaked in pop-like simplicity lead the way in the latest release from Danish pianist Morten Schantz and his trio, out 16th Sept on April Records.