After an uncomfortably long five-year hiatus-likely spent arguing about time signatures, chord progressions, and who forgot to bring snacks to rehearsals-Glutton is finally back. The beloved (by at least a few people) trio is ready to unleash their questionable wisdom upon an unsuspecting world with their upcoming album: "Skiva heter Vishnu!" On their latest outing, Glutton boldly ditches vocals (likely realizing that nobody was really listening to their lyrics anyway) and commits fully to an instrumental format.

Pearls & Discoveries combines works from the great clarinet repertoire by composers such as Schumann, Widor, Bassi, and Rossini with lesser-known pieces that nonetheless possess great charm and emotional and musical impact.

Bringing Down the Horse is the second album by the American rock band The Wallflowers.

For many decades, the accordion has had a reputation as an instrument of folk music, ballrooms and street players all over the world. Its technical and cultural development can be traced back to its invention and patenting by Cyrill Demian in 1829 on Mariahilfer Straße in Vienna.

30 years ago Red Hot was riding high. Our first three albums: Red Hot + Blue, Red Hot + Dance and No Alternative became successful beyond our wildest dreams. We raised enough money to donate millions to important organizations around the world fighting AIDS, including a million to ACT UP. And we worked with some of the greatest artists and musicians in the world: David Byrne, U2, George Michael, Nirvana, Madonna and many others. Next up was two new albums - one focused on communities of color, Stolen Moments: Red Hot + Cool, and the other on country music.

Jeremiah Fraites, co-founder and songwriter of the two-time Grammy Award-nominated band the Lumineers, has composed the score for Lionsgate’s “The Long Walk,” the upcoming film from director Francis Lawrence based on the first novel by Stephen King. The film will be released in theaters nationwide on Sept. 12. “The Long Walk” is billed as an intense, chilling and emotional thriller that challenges audiences to confront a haunting question: how far could you go?

Unlike anything we’ve heard from her before, Okkyung Lee returns to Shelter Press with Just Like Any Other Day (어느날): Background Music For Your Mundane Activities, a deeply intimate body of recordings at the juncture of ambient music, minimalism, and the baroque, that stands as radical intervention with what experimental music can be, and the place that organisations of sound occupy in our lives.

Jason Molina was an artist who didn’t like to look back. Throughout the singer-songwriter’s life and career, a restless and evolving creative pulse propelled him forward, training his focus on what was next. His unyielding creativity and work ethic bore sacred fruit. In his short life, Molina achieved what most musicians strive for: a sound that is instantly recognizable but rarely repeats itself.

The Finnish pianist, composer, and piano teacher Ilmari Hannikainen (1892 - 1955) wrote over one hundred solo songs. As a child, he accompanied his mother, the singer Alfhild "Alli" Hannikainen (1967 - 1949), on the piano. His own songs bear dedications to her and to many other well-known Finnish singers of the time, some of whom he also performed with. As late as the 1950s, he recorded several songs for Finnish Radio, but unfortunately, only a few of the recordings have survived.

The Viva Polonia! programme by the German-Polish musicians Ania Vegry (soprano), Roman Ohem (violin) and Oskar Jezior (piano) tells the story of the rich history of Poland. Songs and character pieces by nine Polish composers represent the arduous journey of the Polish people – from 1795 when the country vanished from maps until they regained independence in 1918. Spanning from the traditional to the modern, Viva Polonia! paints a musical portrait of Polish culture.

Emma Rawicz is an award winning young saxophonist and composer, already making waves on the UK music scene. She has been described as 'a force to be reckoned with' (Jazzwise) and 'a fast rising star' (London Jazz News). Emma is a recipient of the 2021 Drake Yolanda Award.

"Mami Wata" - A Captivating Journey through West African Rhythms. Experience the mesmerizing fusion of traditional African sounds and modern Latin house in Brian Jackson's latest single package, "Mami Wata." Drawing inspiration from the depths of West African mythology, this track takes you on a captivating sonic adventure that spans vast regions of the continent.

Dark ambient pioneer, Stygian drone legend and near-mythical entity LUSTMORD pierces the veil once more with ‘Much Unseen Is Also Here’; the artist’s latest, solo full-length release in a formidable, 40-year creative career at the forefront of industrial music.

Over the past century or so, composers have tended to see themselves as either traditionalists or modernists. The music of Joel Feigin (born in New York in 1951) bridges both worlds, combining the resources of tonality and atonality with equal relish, naturally extending the styles of the recent past. Its freewheeling energy is often tempered by an elegant restraint, sometimes revealing the warm, humanist impulse behind his sound-world. This first volume of his piano and chamber music follows a lusty piano trio and a moving tribute to a much-missed teacher with four sets of variations, three by Feigin and one an arrangement of Bach, the composer who Feigin says is the root of all his music.

Lunar Phase, the new LP from iconic alt-pop group Deep Blue Something, is at once a love letter to the genre-agnostic musical landscape of the early 90s and very much of the moment. Perhaps best known for their hit single "Breakfast at Tiffany's" which reached the top 3 on the US Billboard Hot 100 chart and became a global hit in 1995, culminating with a U.K. #1 in 1996, the band's music encompasses a range of styles, from dream-pop to alternative rock, pop, and post-grunge. Formed in Denton, Texas in 1993, Deep Blue Something is composed of Todd Pipes (vocals and bass), his brother Toby Pipes (vocals and lead guitar), Kirk Tatom (guitar and backing vocals), Clay Bergus (guitar and backing vocals), and John Kirtland (drums). The band's debut album, 11th Song, was released in 1993 followed by Home in 1995, Byzantium in 1998 and Deep Blue Something in 2000. Each album showcases the band's songwriting and musicianship, earning them a devoted fanbase and critical acclaim.