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    Agnieszka Oszanca - Salvatore Lanzetti: Sonatas for Violoncello Solo and Basso Continuo, Op. 1, Vol. 1 (2019)

    Posted By: ArlegZ
    Agnieszka Oszanca - Salvatore Lanzetti: Sonatas for Violoncello Solo and Basso Continuo, Op. 1, Vol. 1 (2019)

    Agnieszka Oszanca, Maria Misiarz, Gabriele Palomba, Fabio Bonizzoni - Salvatore Lanzetti: Sonatas for Violoncello Solo and Basso Continuo, Op. 1, Vol. 1 (2019)
    EAC | FLAC | Image (Cue & Log) ~ 355 Mb | Total time: 68:55 | Scans included
    Classical | Label: Challenge Classics | # CC72794 | Recorded: 2019

    Agnieszka Oszanca presents the world premiere recording of the first volume of Salvatore Lanzetti’s Sonatas for Violincello and Basso Continuo, Opus 1. This work was composed in 1736 and displays the composer’s great imagination and full command of his instrument. Polish cellist Agnieszka Oszanca plays on a Baroque cello and is accompanied by a rich continuo, composed of a cello, a theorbo and a harpsichord.
    The protagonist of this recording, Salvatore Lanzetti, an Italian cellist and composer, was born in Naples around 1710. He studied cello and composition in his hometown. There is evidence to suggest that between 1730 and 1754, Lanzetti spent a substantial amount of time in London, where, according to Charles Burney, he helped to popularize his instrument and establish its newly acquired solo statusamongst the English music lovers. In 1736 in Amsterdam, our 12 Sonate a Violoncello Solo e Basso Continuo were published as his Opus 1, dedicated to Federico di Brunswick (Frederick, Prince of Wales). His fame as one of the first true cello virtuosi and that of a composer prone to the technical innovations of the instrument was recognized by M. Corrette in his Methode, theorique et pratique pour apprendre en peu de tems le violoncelle dans sa perfection (Paris 1741), where he refers precisely to the Sonatas op. 1.
    The beauty of the Opus 1, the subject of this recording, lays in their incredible versatility, not only in terms of technical complexity, but also character and the mixture of the French and Italian style which was popular at the time. The extensive use of double stops, shifting, explorations of the entire fingerboard, thumb position and employment of complex bowing techniques, that were until this time the reserve of violin technique, testify to Lanzetti’s extraordinary command of his instrument and fearless imagination.
    Agnieszka Oszanca studied historical cellos with Viola de Hoog at Utrecht Conservatory. She performs regularly with European orchestras and chamber music ensembles, in the most important concert venues and at Early Music festivals. Agnieszka has recorded for Decca, Sony, Glossa, Alpha, Pan Classics and Globe Records.

    Performer:
    Agnieszka Oszanca, baroque cello
    Maria Misiarz, baroque cello
    Gabriele Palomba, theorbo
    Fabio Bonizzoni, harpsichord

    Track List:
    Salvatore Lanzetti (1710-1781)
    Sonata No. 9 in A minor
    01. I. Adagio
    02. II. Allegro
    03. III. Andante
    Sonata No. 1 in G major
    04. I. Allegro
    05. II. Adagio
    06. III. Rondeau. Allegro
    Sonata No. 6 in B flat major
    07. I. Allegro
    08. II. Largo
    09. III. Gavotta: Allegro ma non presto
    Sonata No. 5 in A minor
    10. I. Adagio Cantabile
    11. II. Allegro
    12. III. Menuet Andante
    Sonata No. 2 in A major
    13. I. Andante Cantabile
    14. II. Allegro
    15. III. Menuet Cantabile
    Sonata No. 11 in F major
    16. I. Allegro
    17. II. Adagio. Allegro. Adagio
    18. III. Rondeau. Andante


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    ==== Log checksum 19D46BB1867CE8338B450A65619AA2602EB4C71B2C19F3F936AE6A6CE5A8FAFE ====

    Agnieszka Oszanca - Salvatore Lanzetti: Sonatas for Violoncello Solo and Basso Continuo, Op. 1, Vol. 1 (2019)

    Thanks to the original releaser