Bruce and the E Street Band kick off the 2026 tour with a 27-song set. It’s Springsteen’s first full concert of the year, and features guest Tom Morello on 11 songs.Tour premieres include “Streets of Minneapolis,” making its E Street Band debut; “War” (written by Norman Whitfield and Barrett Strong, recorded by The Temptations and Edwin Starr), its first performance since 2003. “Chimes of Freedom” (written and recorded by Bob Dylan) closes the show.“Out in the Street,” “American Skin (41 Shots),” “The Ghost of Tom Joad,” and “Purple Rain” (written and recorded by Prince, last performed in 2016) return to the set; “House of a Thousand Guitars” is performed solo acoustic.

My Morning Jacket A cheval entre indie-rock et country alternative, My Morning Jacket, formation américaine originaire du Kentucky, mêle sonorités rurales americana aux assauts d'une guitare et d'une batterie parfois teintés de textures héritées du mouvement Shoegazing. Avec sa voix plaintive à la Neil Young et armé d'un solide sens poétique, Jim James mène le groupe qui commence à générer un buzz dès son second effort, At Dawn avant de s'imposer à un public plus large avec It Still Moves en 2003 et de livrer l'un des disques les plus remarqués de la décennie avec Z en 2005, et son single "Off the Record".

Warren Haynes et Allen Woody, tous deux ex-Allman Brothers, forment Gov't Mule en 1994 et livrent un premier album éponyme dès 1995, certificat de naissance d'un groupe naviguant entre rock sudiste, hard rock et blues avec un fort penchant psychédélique et une tendance aux jams aussi longues qu'enfièvrées. C'est ainsi sur scène que Gov't Mule dévoile tout son potentiel et bâtit sa réputation, comme en témoigne le nombre de disques live à son catalogue de Live at Roseland Ballroom (1996) à Mulennium (2010) en passant par Live…With a Little Help from Our Friends (1999) ou The Deepest End (2003). En outre, nombreux sont les musiciens de renom à avoir répondu aux invitations du groupe, parmi lesquels Billy Gibbons, Flea, Bootsy Collins, The Black Crowes, Steve Winwood ou encore Dr John, attestant du potentiel illimité de l'entreprise.

Metallica is the definitive heavy metal band, the group that brought the gnarly underground sounds of thrash metal into the mainstream, then reshaped the contours of heavy music and hard rock once they became the biggest rock band in the world after the release of their self-titled "black album" in 1991. By that point, Metallica had already experienced enough upheaval for two careers. Emerging from the feverish metal underground of the early '80s, Metallica became a word-of-mouth sensation with their indie releases Kill 'Em All and Ride the Lightning, records that helped them land a contract with Elektra.

Santana Arriving at the twilight of the 1960s, Santana were psychedelic pioneers who ushered Latin rock into the mainstream with their first three albums: Santana, Abraxas, and Santana III. Thanks to their appearance at Woodstock, their eponymous album was a smash hit right out of the gate, with its single "Evil Ways" making it into the Billboard Top Ten in 1969. They remained at the top of the charts until 1973, when leader and namesake guitarist Carlos Santana began exploring esoteric, spiritual jazz fusion on

Bruce Springsteen Among rock music's most iconic figures, Bruce Springsteen often feels like the one who loves and believes in rock & roll the most, eager to re-create the breathless emotions it brings out in him. Embracing the pleasures of the sounds of AM radio in the 1950s and '60s (garage rock, British Invasion, R&B, blue-eyed soul, emotional teen pop) with the literacy of the singer/songwriter movement and a fierce desire to document the lives of the blue-collar world in which he grew up, Springsteen's music was always a grand, ambitious amalgam. (He once said he dreamed of making an album with words like Bob Dylan, sounding like Phil Spector, and with vocals like Roy Orbison.) His sound found full flower on 1973's eclectic The Wild, The Innocent & The E Street Shuffle (which introduced his most important backing group, the E Street Band), and he rose to stardom with 1975's streetwise, sweeping Born to Run.

Bruce Springsteen Among rock music's most iconic figures, Bruce Springsteen often feels like the one who loves and believes in rock & roll the most, eager to re-create the breathless emotions it brings out in him. Embracing the pleasures of the sounds of AM radio in the 1950s and '60s (garage rock, British Invasion, R&B, blue-eyed soul, emotional teen pop) with the literacy of the singer/songwriter movement and a fierce desire to document the lives of the blue-collar world in which he grew up, Springsteen's music was always a grand, ambitious amalgam. (He once said he dreamed of making an album with words like Bob Dylan, sounding like Phil Spector, and with vocals like Roy Orbison.) His sound found full flower on 1973's eclectic The Wild, The Innocent & The E Street Shuffle (which introduced his most important backing group, the E Street Band), and he rose to stardom with 1975's streetwise, sweeping Born to Run. 1978's Darkness on the Edge of Town and 1980's The River marked a thematic shift, as his songs addressed the malaise of the working class, whose dreams had begun slipping out of reach.

Bruce Springsteen Among rock music's most iconic figures, Bruce Springsteen often feels like the one who loves and believes in rock & roll the most, eager to re-create the breathless emotions it brings out in him. Embracing the pleasures of the sounds of AM radio in the 1950s and '60s (garage rock, British Invasion, R&B, blue-eyed soul, emotional teen pop) with the literacy of the singer/songwriter movement and a fierce desire to document the lives of the blue-collar world in which he grew up, Springsteen's music was always a grand, ambitious amalgam. (He once said he dreamed of making an album with words like Bob Dylan, sounding like Phil Spector, and with vocals like Roy Orbison.) His sound found full flower on 1973's eclectic The Wild, The Innocent & The E Street Shuffle (which introduced his most important backing group, the E Street Band), and he rose to stardom with 1975's streetwise, sweeping Born to Run. 1978's Darkness on the Edge of Town and 1980's The River marked a thematic shift, as his songs addressed the malaise of the working class, whose dreams had begun slipping out of reach.

Bruce Springsteen Among rock music's most iconic figures, Bruce Springsteen often feels like the one who loves and believes in rock & roll the most, eager to re-create the breathless emotions it brings out in him. Embracing the pleasures of the sounds of AM radio in the 1950s and '60s (garage rock, British Invasion, R&B, blue-eyed soul, emotional teen pop) with the literacy of the singer/songwriter movement and a fierce desire to document the lives of the blue-collar world in which he grew up, Springsteen's music was always a grand, ambitious amalgam. (He once said he dreamed of making an album with words like Bob Dylan, sounding like Phil Spector, and with vocals like Roy Orbison.)

In the opening weeks of his Devils & Dust solo tour, Springsteen returns to the Tower Theater outside Philadelphia, site of legendary E Street Band shows in the 1970s. Accompanying himself on pump organ, traditional and electric piano, as well as acoustic guitar, Springsteen performs a virtuosic set featuring nine tracks from D&D, complemented by "My Beautiful Reward," "Empty Sky," "Incident On 57th Street," "Part Man, Part Monkey," "Wreck On The Highway," "Real World," "Further On (Up The Road)," the first tour appearance of "Ramrod" and the world premiere of the haunting Darkness outtake, "The Iceman."

Originally released on DVD 23 years ago, Barcelona 2002 has not been available in any audio format until now. This new 2026 mix from the original multitrack master recordings supplants the DVD soundtrack to provide the best audio document to date of the Rising tour. The 24-song set includes ten songs from the album, the tour debut of "Spirit In The Night," a solo piano performance of "Incident On 57th Street," "Born In The U.S.A.," "Dancing In The Dark," "Night," "Ramrod" and "Land Of Hope And Dreams" before closing with "Thunder Road." Read the full essay by Erik Flannigan.

Santana Arriving at the twilight of the 1960s, Santana were psychedelic pioneers who ushered Latin rock into the mainstream with their first three albums: Santana, Abraxas, and Santana III. Thanks to their appearance at Woodstock, their eponymous album was a smash hit right out of the gate, with its single "Evil Ways" making it into the Billboard Top Ten in 1969. They remained at the top of the charts until 1973, when leader and namesake guitarist Carlos Santana began exploring esoteric, spiritual jazz fusion on

Phish The preeminent jam band of the 1990s and early 21st century, Phish have built not only a wide-ranging and inventive body of work, but also inspired a unique and devoted fan culture similar to that of their forebears, the Grateful Dead. Formed in Vermont in the mid-'80s, Phish nurtured an ever-expanding grassroots audience who were drawn to their sterling musicianship, quirky personality, and spontaneous free-form improvisations, which included elements of psychedelia, jazz fusion, funk, progressive rock, folk, country, and blues. Building on the Dead's template, the quartet placed a greater emphasis on live performance than studio work and encouraged fans to tape and trade recordings of their concerts. By the turn of the century, Phish were one of the top-drawing live acts in the U.S., and despite their preference for the stage, they had also produced a number of strong studio efforts including Billy Breathes (1996) and Farmhouse (2000).

Trey Anastasio Since co-founding the seminal improv rock outfit Phish in 1983, guitarist, composer, and songwriter Trey Anastasio has explored a wide variety of musical pathways ranging from atonal fugues and elaborate charts with Phish to adventurous free jazz on his first solo project, Surrender to the Air (1996), to collaborations with the likes of Tom Marshall, Les Claypool, Philip Glass, Stewart Copeland, and others. Anastasio pursued many of these projects during the 2000s, a period when Phish embarked on several extended hiatuses and breakups. After releasing a shiny, pop-oriented eponymous solo album in 2002, the guitarist formed Oysterhead – a group featuring Claypool and Copeland – and instituted a large solo band that supported him both on record and in the studio. Once Phish became active again during the 2010s, Anastasio continued to pursue extracurricular musical ideas in his solo career, including Lonely Trip and Mercy, a pair of albums he largely recorded on his own during the COVID-19 pandemic.Born Ernest Joseph Anastasio III in 1964, Anastasio attended Princeton Day School in Princeton, New Jersey, where he met future songwriting partner Tom Marshall.

Lotus is an American instrumental electronic jam band formed in Indiana in 1998. Their original members included Steve Clemens, Luke Miller, Michael Rempel, Andy Parada, and Joel Jimenez. The group recruited percussionist Chuck Morris in 2001 and transitioned to instrumental music. Their debut album, Vibes (2002), is a compilation of live performances. Lotus released the albums Nomad (2004), which reached Number 1 on the Home Grown Music Network charts, and The Strength of Weak Ties (2006). In 2007, they released the live double album Escaping Sargasso Sea. Their discography includes Hammerstrike (2008), Lotus (2011), and Free Swim (2020). Morris and their son died in 2023.