México is a 2015 studio album of Spanish international singer Julio Iglesias released on Sony Music. It reached number 1 on Productores de Música de España (PROMUSICAE) Official Albums Chart. It also charted in a great number of European chart. The single "Fallaste corazón", a cover of Pedro Infante hit was also a charting single in Spain.

This is as close to Latin purist Mongo as we have heard in recent years, an eight-piece salsa band – including several members of the 1997 Tito Puente ensemble, like trumpeter Ray Vega, altoist Bobby Porcelli and tenorman Mitch Frohman – playing a brace of Mongo classics and Latin jazz pieces live before a hushed crowd in Seattle's Jazz Alley. There are no pop covers, one electric instrument (a bass), lots of extended jazz solos (Porcelli and Frohman really burn on the pioneering Afro-Cuban classic "Manteca"), and an unusual (for Mongo) emphasis on the timbales on many tracks, which shoves the rhythms closer to the salsified Puente manner.

In the early seventies, the British-American group Carmen broke new ground in rock music, combining the British flair for progressive rock with traditional Spanish folk themes into a very fresh, energetic and powerful new mix. The sound is centered around guitar, keyboards are used subtly but to good effect. On the whole, they are a rather hard band to describe… Some vague comparisons could be made to Jethro Tull, Mezquita (some of the Spanish themes), and Triana (the flamenco/prog combination).

On Sentir, the globetrotting, Cuban-born pianist Omar Sosa is joined not by a full band, but rather by a host of percussionists and vocalists. Sosa remains focused on communicating a kind of ecstatic, multicultural religiosity – most of these tracks are dominated by fervent chanting in one of several languages, underscored by rolling percussion grooves. Sosa's piano is the only Western instrument on the scene, a fact that somehow gives it added power. Like his previous album, Prietos, this one also has a hip-hop element, with Terence Nicholson (aka Sub-Z) contributing rap poetry on five of the tracks.

Cuban born pianist Omar Sosa completes his third recording on the Ota label with the large ensemble sound of Bembon. Sosa creates world fusion music highlighted by the combination of Afro-Cuban funk with the inventiveness of jazz. Bassist Geoff Brennan and the percussion team of Elliot Kavee and John Santos generate an invigorating rhythmic glue that keeps the improvisational elements of Bembon on track. Added into the interweaving musical blend are the voices of Bay Area singers Ledisi and Maria Marquez and the spoken word of Will Power.