The Patriarch Tikhon Russian-American Music Institute strives to present Russian Orthodox choral music in its highest possible form, uniting deep spirituality, a profound love for the rich traditions of Orthodox Christian singing, and an uncompromising standard of musical professionalism rooted in the great traditions of Russian choral composers.

Collecting five CDs for about the price of three, this set of Boulez recordings is without parallel among the conductor's new-music releases. Imagine getting Boulez's celebrated single CD of Luciano Berio's Sinfonia and Eindrücke and his equally impressive single CD of Arnold Schoenberg's Pelleas und Melisande and Variations for Orchestra, bundled with four pivotal Elliott Carter works, Sir Harrison Birtwistle's electrifying …AGM…, Gérard Grisey's Modulations, Iannis Xenakis's Jalons, Hugues Dufourt's Antiphysis, and Brian Ferneyhough's Funerailles, and you have an idea how far this set stretches.

Black Widow is a 2021 American action superhero film based on the Marvel Comics character of the same name, the 24th film in the superhero MCU (Marvel Cinematic Universe). The film is written by Jac Schaeffer and Ned Benson, directed by Cate Shortland, produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures, stars Scarlett Johansson (Natasha Romanoff / Black Widow), David Harbour (Alexei Shostakov / Red Guardian), Florence Pugh (Yelena Belova), O. T. Fagbenle (Mason), Rachel Weisz (Melinna Von Vostokoff / Iron Maiden), William Hurt, Ray Winstone, Olivier Richters, Ryan Kiera Armstrong, Yolanda Lynes, Ever Anderson, Violet McGraw, Michelle Lee, Shaina West, Jade Ma, Nanna Blondell, Georgia Curtis, Ione Butler, Simona Zivkovska.

Released on the 'Sony Clasical' label - "Élégie" is the second album from Anita Rachvelishvili, showcasing her in the song repertoire to which she has a special connection despite being best known as a star of the world's greatest opera houses. Accompanied by acclaimed pianist Vicenzo Scalera, this album reveals another side to the Georgian singer; the repertoire is notable for its variety featuring five languages (Russian, Georgian, Italian, French and Spanish) and, correspondingly, five very different repertoire traditions.

The Beatles Anthology is a documentary television series on the career of the Beatles. It was broadcast on UK television in six parts on ITV between 26 November and 31 December 1995, while in the United States it was seen as three feature-length episodes on ABC between 19 and 23 November 1995. It was released in greatly expanded form as an eight-volume VHS set and an eight-disc Laserdisc set on 5 September 1996. The series was re-released on DVD in 2003, with an 81-minute special-features disc…

Pokrovsky's acclaimed production, a story of early Slavs prior to christian conversion, captures the essence of the Bolshoi's traditions of drama and realism. It is complemented by Andrei Petrov's inspired choreography.

2009 collection from the acclaimed French vocalist. Patricia is the most successful French artist abroad, the proud musical descendant of Piaf, Chevalier, Montand and Co. She adopted a style perfectly suited to her warm and powerful voice. Popular at home, famous abroad, Patricia Kaas is a role model for French youth today…

Choir of the Moscow Sretensky monastery has existed for over 600 years – since the monastery was founded in 1397. Break of its activity occurred only in the years of persecution of church in Soviet era.

This CD offers a rare opportunity to hear Igor Stravinsky's opera buffa, 'Mavra.' At only 28 minutes, the opera is short, but interesting. By scoring the orchestra with full winds and just a handful of strings, Stravinsky molded the usually romantic opera genre into his cool, neoclassical form. Both the singing and the playing are highly energetic, and contain a certain wittiness. Conductor Thierry Fischer does something quite amazing: instead of the usual separation between voice and pit orchestra, Fischer puts the orchestra in direct dialogue with the stage action, creating an incredible integration. The 'Octet' and 'Concertino', more standard works, are also well played. Attacks and articulations are so very clean, and it was this cleanliness that attracted Stravinsky to wind instruments in the first place. Unlike other Stravinsky recordings, this one has the vitality and moodiness that make the notes sparkle. One always feels a sense of propulsion. In the 'Concertino', this rhythmic drive is contrasted beautifully with eerie string lines. The 'Octet' manages to achieve a perfect chamber music feel. The ensemble never forces the sound, and the result is an elegant, interesting and contagious performance. The same could be said for the whole album.

Russia’s rich tradition of art song began with early 19th-century salon pieces: lyrical ‘romances’ that evolved to embrace grander themes yet never lost their intimacy. This selection explores some fascinating but less-trodden paths through this repertoire, inspired by the theme of distant lands and encompassing the enduring themes of travel, romantic landscapes, love and loss, life and death. In this recital, Borodin meets Taneyev, a Moscow composition professor from the next generation; Shostakovich stands alongside another major symphonist, his Moscow colleague Myaskovsky, and Shostakovich’s student Boris Tchaikovsky, a prodigy widely known for his film music, passes the baton to Elena Firsova, a post-Soviet émigré to England and a distinctive lyrical voice of today. Inspired by the songs of Taneyev, Myaskovksy and Firsova, countertenor Hamish McLaren embarked on distant travels of his own, journeying to Russia where he found two previously unreleased film songs by Shostakovich, heard here in their world-premiere recordings.

Alfred Schnittke's Second Concerto Grosso is a different creature than his First. While the 1977 Concerto Grosso No. 1 for 2 Violins, Strings and Keyboards is a lithe, vicious, often comical work, the Second, finished five years later, is a weightier affair. The soloists are now violin and cello; the Baroque band is now a full orchestra with electric guitar, drum kit, and brake drum; there are four large movements rather than six smaller ones; the entire work is imbued with an air of sincere tragedy, albeit with mud on its shoes. Schnittke dedicated the work to its premiere soloists, husband-and-wife duo Oleg Kagan (violin) and Natalia Gutman (cello); famed for their flawless ensemble, the couple inspired in Schnittke a musical air of companionship – a single soul in two instruments.

One of Russia's most beloved pop stars, Alla Pugacheva was first heard at age 16 with her song "Robot," produced for a state radio program, and soon her clear mezzo-soprano was all over the country. In 1975 she won the Bulgarian Golden Orpheus Award, which brought her moderate success. Her victory at Poland's 1978 Sopot International Song Festival with the song "Kings Can Do Everything," however, was the turning point in her career, giving her worldwide fame and recognition. From then on, although for many she grew to represent the government-endorsed pop culture that was forced upon the people, her popularity skyrocketed, and Pugacheva released many albums throughout the years.

Valery Gergiev directs the Kirov Opera and Ballet in this magnificent 1998 production of Borodin’s "Prince Igor", presented in a new Mariinsky Theatre performing edition and featuring Mikhail Fokine’s original choreography in the famous Polovtsian Dances. Its four acts tell of the struggle between the Russians and Polovtsian nomads, of Prince Igor’s capture and escape from his noble opponent, Khan Konchak, and of love between Igor’s son, Vladimir, and Konchak’s daughter, Konchakovna.

There is not much to fault in this quintessentially Russian opera with the lavish staging and fantastic costumes surely a feat to the eye. You cannot find much fault on the musical side of things either as many have expressed their opinion that this remains the finest version of the opera by a mile. The charismatic and almost demonic Gergiev conducts with his systematic, unabated passion for music which is most certainly in his blood and his players definitely do him proud. The cast is also top notch on all counts with Netrebko and Gorchakova particularly impressive.

Valery Gergiev directs the Kirov Opera and Ballet in this dramatic staging of Tchaikovsky’s historical opera, based on Pushkin’s verse tale of the legendary Cossack chieftain. Tchaikovsky’s dark musical setting intertwines the political drama of Mazeppa’s ill-fated betrayal of the Tsar with the personal tragedy of his love for Maria, the young daughter of his hapless opponent, Kocubej.