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Paulinho da Viola & Elton Medeiros - Samba Na Madrugada (1968) {Bomba Records Japan}

Posted By: tiburon
Paulinho da Viola & Elton Medeiros - Samba Na Madrugada (1968) {Bomba Records Japan}

Paulinho da Viola & Elton Medeiros - Samba Na Madrugada (1968) {Bomba Records Japan}
EAC 1.1 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 305MB + 5% Recovery
MP3 CBR 320 Kbps | 80MB + 5% Recovery
Genre: MPB, Samba, Bossa Nova

“O samba carioca como ele é todo lindo, cheio de graça e simplicidade”. Assim termina o texto de Herminio Bello de Carvalho sobre o disco “Samba na Madrugada” (1968), impresso no encarte do LP. O álbum, que foi lançado em 1966 com o nome “Na Madrugada”, une dois mestres do samba, Paulinho da Viola e Elton Medeiros. Esse importante registro da música nacional volta às lojas esse ano pela coleção “Clássicos em Vinil”, da Polysom, em vinil de 180 gramas. O disco traz 11 faixas, assinadas uma parte por Paulinho da Viola e outra por Elton Medeiros. Ambos contaram com grandes nomes nas composições, entre eles Candeia, Casquinha, Zé Keti e Cartola. Entre os sucessos, ora interpretado por um, ora por outro, estão “Minhas Madrugadas”, “O Sol Nascerá”, “Mascarada” e “Arvoredo”.

Sinagoga Zen - Sinagoga Zen (2014)

Posted By: Domestos
Sinagoga Zen - Sinagoga Zen (2014)

Sinagoga Zen - Sinagoga Zen (2014)
EAC Rip | FLAC (image+.cue, log) ~ 289.85 Mb + 241.60 Mb (Scans) | 46:33
Eclectic Prog | Country: Brazil | Label: Self-Released

SINAGOGA ZEN is a Brazilian progressive rock band from Bento Gonçalves, Rio Grande do Sul. It was formed in 2001 and start working on the debut album in 2006. It was finished, self-produced, and released with the financial support of the local municipal authorities in late 2014. Alison Seben (drums, percussion), Felipe C. Taborda (guitar, bass, viola), Giulia F. Dall'oglio (vocals), Rafael Teclas Vignatti (keyboards), and Wilian M. Baldasso (bass, guitar, viola, violin) perform complex and intricate prog-rock with elements of jazz and academic music, expanded instrumental passages, and classical female singing in Portuguese.

Hermeto Pascoal - Lagoa da Canoa, Município de Arapiraca (1984) {Happy Hour}

Posted By: tiburon
Hermeto Pascoal - Lagoa da Canoa, Município de Arapiraca (1984) {Happy Hour}

Hermeto Pascoal - Lagoa da Canoa, Município de Arapiraca (1984) {Happy Hour}
EAC 1.1 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 312MB + 5% Recovery
MP3 CBR 320 Kbps | 95MB + 5% Recovery
Genre: Jazz, Latin Jazz, Avant-Garde Jazz, MPB

A classic Pascoal mix of fine Luso-jazz playing, elegant moments of more traditional modes (as in a pretty song with fine accordion), and various avant-gardisms, new wave-derived and more purely personal (Pascoal even samples Brazilian radio football commentators in a pair of less-than-a-minute cuts, drawing parallels between the music at hand and the announcers' narration of the games). Far more adventurous than Nascimentos and such, it still has a very solid base of excellent musicianship.

VA - Jazz Juice #1 (1985) Complied by Gilles Peterson, Expanded Reissue 1994

Posted By: Designol
VA - Jazz Juice #1 (1985) Complied by Gilles Peterson, Expanded Reissue 1994

VA - Jazz Juice #1 (1985) Complied by Gilles Peterson, Expanded Reissue 1994
EAC | FLAC | Tracks (Cue&Log) ~ 393 Mb | Mp3 (CBR320) ~ 164 Mb | Scans included
Label: Beechwood Music, Street Sounds | # SOUNDSCD2 | Time: 00:57:45
Bop, Swing, Cool, Mainstream Jazz, Vocal Jazz, Latin Jazz, Jazz-Funk, Soul-Jazz

Compiled by the man largely responsible for the 'acid jazz' movement [a tongue in cheek answer to 'acid house'!], Jazz Juice was Gilles Peterson's first series of compilations made when he was still in his early twenties. The selections across these eight volumes were lovingly compiled and came to represent what was to be a resurgence of interest in all things 'cool' in jazz in the eighties, when jazz was brought to the club dancefloors via DJ sets for the first time and lost Afro-Cuban & Latin Jazz, rare grooves and Blue Note releases were keenly revived. Miles Davis, Art Blakey, Sergio Mendes, Jon Hendricks, Marcos Valle, Woody Herman, Dave Brubeck, and more..

Egberto Gismonti - Arvore (1973)

Posted By: tiburon
Egberto Gismonti - Arvore (1973)

Egberto Gismonti - Arvore (1973)
EAC 0.99pb5 | FLAC tracks | Cue+Log+M3U | Scans 200dpi | 150MB + 5% Recovery
MP3 CBR 320 Kbps | 76MB + 5% Recovery
Genre: Jazz, Latin Jazz

Gismonti has been amazingly prolific in making many great albums from early 70's up to mid 90's. Typically, his music is somewhat "rough" but very powerfull, emotive, rich, risky and bold during all the 70's. It is mostly acoustic work with many Gismonti's vocals too. It is a little difficult to access because of the complexity; but once you are in, it will stay with you forever. Most of this earlier work is under EMI or lately reissued under Gimsonti's CARMO labels.

Chico Buarque - Construcao (1971)

Posted By: Designol
Chico Buarque - Construcao (1971)

Chico Buarque - Construção (1971)
EAC | FLAC | Tracks (Cue&Log) ~ 227 Mb | Mp3 (CBR320) ~ 128 Mb | Scans included
Label: EmArcy, Universal Music | # 836 013-2 | Time: 00:31:11
MPB, Samba, Bossa Nova, Brazilian Jazz

Chico Buarque's fifth album for Philips is a classic, where nearly all the songs became hits. Buarque was featured in an acoustic setting, almost completely aloof from the tropicália movement (the courageous orchestration of Construção is very reminiscent of the influential work by Rogério Duprat). He delved into the Brazilian tradition of sambas and romantic or doleful songs, coming up with "Deus Lhe Pague" and "Construção," both having strong lyrics subliminally criticizing the military dictatorship; "Cotidiano," existentially thematic, revolving around the man-woman relationship routine; "Olha Maria" (written with Tom Jobim and Vinícius de Moraes), a sad separation farewell; "Samba de Orly," a reference to the French airport and city that became paradigms of the exiled Brazilians; "Valsinha," a beautiful love story; and other immortal songs in which the genius of the composer meets sensitively and reverently the heart of the Brazilian feel.

Stan Getz - Highlights (1990) 2CDs [Re-Up]

Posted By: Designol
Stan Getz - Highlights (1990) 2CDs [Re-Up]

Stan Getz - Highlights (1990) 2CDs
EAC | WV | Image (Cue&Log) ~ 691 Mb | Mp3 (CBR320) ~ 317 Mb | Scans included | 02:15:42
Swing, Cool, Bop, Hard Bop, Bossa Nova, Mainstream Jazz | Label: Verve | # 847 430-2

This two-CD sampler is most highly recommended for listeners not familiar with Stan Getz's recordings of the 1950s and '60s. Starting with a version of "Stella by Starlight" that co-stars guitarist Jimmy Raney, this set matches Getz's cool tenor with such artists as trumpeters Dizzy Gillespie and Conte Candoli, trombonist J.J. Johnson, baritonist Gerry Mulligan, pianists Oscar Peterson, Bill Evans and Chick Corea, valve trombonist Bob Brookmeyer and vibraphonist Gary Burton. Also included are his two main bossa nova hits "Desafinado" and "The Girl from Ipanema" along with a couple of tracks from Getz's highly-rated Focus album. It's a fine overview of the great tenor's middle years.

Arto Lindsay - Mundo Civilizado (1996)

Posted By: Designol
Arto Lindsay - Mundo Civilizado (1996)

Arto Lindsay - Mundo Civilizado (1996)
EAC | FLAC | Image (Cue&Log) ~ 216 Mb | Mp3 (CBR320) ~ 92 Mb | Scans ~ 210 Mb
Label: For Life Records, Rykodisc | # RCD 10410 | Time: 00:40:23
Alternative, Experimental, No Wave, Art Pop, Bossa Nova, Jazz, Downtempo

With Mundo Civilizado, downtown denizen Arto Lindsay is probably the first person to successfully integrate the sounds of techno and drum'n'bass into an already established pop music style. Others, notably David Bowie, have tried to do something similar, but although Bowie's attempt in particular was more successful than most critics give him credit for, it never sounded as natural and seamless as Lindsay's. That the former king of skronk guitar was able to achieve such a fusion while singing in Portuguese is even more impressive. Highlights include the funky female worship of "Q Samba" and the scattered herky-jerk of "Complicity" (which features the deathless couplet "Complicity, unconscious wit/Borders without borders under eyebrows"). His taste in covers is a bit more suspect – he brings as little to Prince's material as you'd expect, but is surprisingly more adept with Al Green's "Simply Beautiful." Overall, this one's a solid winner, if not quite a classic.

Morelenbaum 2 & Ryuichi Sakamoto - Albums Collection 2001-2003 (3CD) [Re-Up]

Posted By: Designol
Morelenbaum 2 & Ryuichi Sakamoto - Albums Collection 2001-2003 (3CD) [Re-Up]

Morelenbaum² / Sakamoto - Albums Collection 2001-2003 [3CD]
EAC | FLAC | Tracks (Cue&Log) ~ 1 Gb | Mp3 (CBR320) ~ 516 Mb | Scans included
Bossa Nova, Brazilian Jazz, Lounge, Experimental, World Fusion | Time: 03:01:40

Morelenbaum² / Sakamoto is a trio formed with Japanese composer and pianist Ryuichi Sakamoto by Brazilian cellist Jaques Morelenbaum and his wife, vocalist Paula Morelenbaum. In 2002, they released a debut album Casa (meaning "house" in Portuguese). The album is a tribute to Antonio Carlos Jobim with an emphasis on a lesser-known material, recorded at Jobim's home in Rio. Paula and Jaques had been touring in a band with Antonio Carlos in 1984–1994, and Sakamoto played in a bossa nova group as a teenager, returning to the genre in his mature qualification. Morelenbaum² / Sakamoto second album A Day In New York presents five more compositions of Jobim plus three extra tracks from other composers, as well as new versions of songs from Casa. Collection includes: Casa (2001); Live In Tokyo (2001) and A Day in New York (2003).

VA - Flavours Of Acoustic Jazz: Jazz Collectivo (2006) {Ajabu!} **[RE-UP]**

Posted By: TestTickles
VA - Flavours Of Acoustic Jazz: Jazz Collectivo (2006) {Ajabu!} **[RE-UP]**

VA - Flavours Of Acoustic Jazz: Jazz Collectivo (2006) {Ajabu!}
EAC Rip | FLAC with CUE and log | scans | 476 mb
MP3 CBR 320kbps | RAR | 182 mb
Genre: jazz, big band, Latin jazz

Flavours Of Acoustic Jazz: Jazz Collectivo is a 2006 compilation CD that combines the intricates of jazz with a nice natural flavour, as nature intended. This is a Ajabu! presentation.

Gilberto Gil - Fe Na Festa (2010) {EmArcy-Universal 0602527410555}

Posted By: ruskaval
Gilberto Gil - Fe Na Festa (2010) {EmArcy-Universal 0602527410555}

Gilberto Gil - Fé Na Festa (2010) {EmArcy-Universal 0602527410555}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 352 Mb | MP3 @320 -> 116 Mb
Full Artwork @ 300 dpi (jpg) -> 19 Mb | 5% repair rar
© 2010 Geléia Geral / EmArcy / Universal | 0602527410555
Jazz / Brazilian Jazz / Música popular brasileira / Brazilian Traditions / Brazilian Pop

Ten years after the live album São João Vivo on the same topic, Gilberto Gil again celebrates June's popular saints festivities on the buoyant Fé na Festa. Such festivities were brought from Portugal and became an important part of Brazilian culture, especially the cult of São João (Saint John) in the northeast region. The music associated with these festivities is typically performed with instruments brought by (or derived from) the Portuguese colons, such as the accordion, violin, triangle, cavaquinho, and sanfona. While Gilberto Gil has an international reputation as a musical revolutionary, thank to his tropicalista origins, he is also a superb classicist, as his many projects in Brazilian folk music can attest.

Cartola - Cartola (1974) {EMI--Discos Marcus Pereira 472569 2 rel 2005}

Posted By: ruskaval
Cartola - Cartola (1974) {EMI--Discos Marcus Pereira 472569 2 rel 2005}

Cartola - Cartola (1974) {EMI–Discos Marcus Pereira 472569 2 rel 2005}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 161 Mb | MP3 @320 -> 68 Mb
Full Artwork @ 300 dpi (png) -> 12 Mb | 5% repair rar
© 1974, 2005 Discos Marcus Pereira / EMI Music Brazil | 472569 2
Latin / Brazilian Traditions / Samba / Brazilian Pop

Nearly 50 years after beginning his career, Cartola, the maestro of the samba, released his first album, and it exudes the quiet grace and rural charm that the samba featured decades before it was modernized later in the century. Of course, all the songs were written by Cartola himself (just 12 of the hundreds he composed), and most are by him alone. Those with limited knowledge of Brazilian music will find Cartola's vocal style closest to the quiet and husky growl of João Gilberto, with an accompanying slow groove and textured guitars. It's a vivid document of Brazilian roots music, featuring the instruments and stylings that all of the most famed artists of the '60s (Jobim, Gilberto, Veloso, Gil) would draw upon for their artistry.

VA - The Real... Bossa Nova, The Ultimate Collection (2014) 3CDs [Re-Up]

Posted By: Designol
VA - The Real... Bossa Nova, The Ultimate Collection (2014) 3CDs [Re-Up]

VA - The Real… Bossa Nova, The Ultimate Collection (2014) 3CDs
EAC | FLAC | Tracks (Cue&Log) ~ 906 Mb | Mp3 (CBR320) ~ 396 Mb | Scans included | 02:34:53
Bossa Nova, Latin Jazz, Brazilian Jazz, MPB | Label: Columbia/Sony | # 88843058712

44 original recordings from iconic Brazilian artists and American jazz & pop legends: Antonio Carlos Jobim, Stan Getz, Astrud Gilberto, João Gilberto, Flora Purim, Nacho Méndez, Dave Brubeck, Charlie Byrd, George Benson, Sarah Vaughan, Miles Davis, Dextor Gordon, George Duke, and many many more… 3CDs, housed in a fold out card digipack case.

Gilberto Gil - Expresso 2222 (1972) 40th Anniversary Special Edition, Remastered Reissue 2012

Posted By: Designol
Gilberto Gil - Expresso 2222 (1972) 40th Anniversary Special Edition, Remastered Reissue 2012

Gilberto Gil - Expresso 2222 (1972) Remastered Reissue 2012
EAC | FLAC | Image (Cue&Log) ~ 232 Mb | Mp3 (CBR320) ~ 97 Mb | Scans included | 00:34:25
MPB, Tropicalia, Brazilian Pop, Brazilian Folk | Label: Universal Music | # 04228489392

Expresso 2222, Gilberto Gil's first album back in Brazil after spending two years in exile, is a spirited return to form, filled with driving, funky bass, hammering piano, and percussive guitar work. Gil's compositions are on par with the best of his 1968 and 1969 self-titled albums, but is a more even overall affair forsaking the outright diversity Gil showed on those previous albums for a more cohesive set of songs, and while the performances aren't as outrageously groundbreaking, with Expresso 2222 Gil had already proved how far he was capable of pushing the envelope, and so the insane arrangements were no longer necessary. This makes Expresso 2222 one of Gil's most immediately palatable releases of his entire career, and compared to the standards of global rock & roll it is of the most compelling and complex yet accessible albums released in the 20th century. Gil's compositions are melodic and beautiful, and his arrangements are imaginative as always; from using a chorus of backing vocals to great effect on "O Canto de Ema" and "Sai do Sereno" to the rhythmic interplay between Gil's guitar, vocals, and layered percussion on the title track, Gil is in top form throughout the album.

Milton Nascimento - Encontros E Despedidas (1985) {West German Polydor} **[RE-UP]**

Posted By: TestTickles
Milton Nascimento - Encontros E Despedidas (1985) {West German Polydor} **[RE-UP]**

Milton Nascimento - Encontros E Despedidas (1985) {West German Polydor}
EAC Rip | FLAC with CUE and log | scans | 267 mb
MP3 CBR 320kbps | RAR | 124 mb
Genre: world, MPB, Brazilian pop

Encontros E Despedidas is the 1985 album by Milton Nascimento. This edition was released on CD in 1985 through Polydor and was made in West Germany.