Para você querido Caé is the first album released by the Italian singer Patrizia Laquidara. It was published in 2001 by Velut Luna/Audio Records. It is dedicated to the Brazilian singer Caetano Veloso andincludes 15 songs of Brazilian music.

Longtime Pedro Almodóvar collaborator Alberto Iglesias composed the sad and gentle soundtrack to Talk to Her, the Spanish director's 2002 meditation on loss and loneliness. Aside from the violin and guitar-accented score, there are five vocal tracks sprinkled throughout, most notably "Cucurrucucú Paloma," which is performed by Tropicalia legend Caetano Veloso (who also sings it in the movie). Almodóvar has described this rendition, which he first heard live in Brazil while in support of 1995's The Flower of My Secret, as "stylized, heart-rending, and intimate." Another highlight is the lovely flamenco-style track "Raquel," from Cape Verdean string player Bau (Rufino Almeida), who leads the band that has backed Césaria Évora for the a number of years (and is featured prominently in the film's trailers). The prolific Iglesias, who has won several Goya Awards for his film work, has also composed for all of Basque director Julio Medem's films, from 1991's Vacas through 2001's Sex and Lucia.

Bossa Nova translated as the "new beat" or "the new style", grew out of Rio De Janeiro in 1958. The instigators were a handful of artists with a desire to break from tradition, developing the samba rhythms with the influence of cool American jazz to find a music with such a warm soul and natural rhythm that no-one can help but tap and sway to its beat. Bossa Nova is palm trees swaying, it is like melting sugar in hot coffee, it is the setting sun and warm sand underfoot. It is the sound and beat of Brazil, it is one of the world's coolest musical styles and it remains to this day one of the world's great musical treasures.

Gilberto Gil - São João Vivo (2000) {Warner Music Brasil 092746052-2 rel 2002}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 482 Mb | MP3 @320 -> 182 Mb
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© 2000, 2002 Warner Music Brasil | 092746052-2
Jazz / Brazilian Jazz / Música popular brasileira / Brazilian Traditions / Brazilian Pop

São João Vivo is the live version of As Canções de Eu Tu Eles, the Brazilian popular music legend Gilberto Gil's fine homage to Luiz Gonzaga and forro. This is basically the same album, though of course recorded live. Compared to the studio album, a few additional tracks have been added. Perhaps the most welcome of those tracks is Anastácia's romantic "Só Quero um Xodó," which Gil recorded with great success in the '70s. Gil also presents a different version of his own "Toda Menina Bahiana," another very fine '70s hit of his. To sum it up, though, São João Vivo is indeed a nice, enjoyable live album, but it is basically unnecessary for anyone who already owns the studio album As Canções de Eu Tu Eles.

Contains lots of very catchy and easy-to-dance-to tracks, including an interesting remake of Deodato's classic "Also Spracht Zarathustra" as well as a good rendition of classics like "Aquelas Coisas Todas" and "Chove Chuva". Quality package compiled by Dingwalls stalwart DJ Patrick Forge.

Astrud Gilberto, the Brazilian canary with the voice like honey and diction that defied belief, has been compiled many times on Verve, but rarely as well as on her entry in 2003's The Diva Series. A 21-track of her prime decade, the '60s, this one includes all of the classics associated with her: "The Girl From Ipanema," "Agua de Beber," "Corcovado (Quiet Nights of Quiet Stars)," "So Nice (Summer Samba)," and "Dindi." Not all of her LPs have been reissued on CD (in the States), so the compilers also added tracks that may surprise a few Gilberto fans, like "Eu e Voce" and "Canto de Ossanha (Let Go)."

Marcos Valle was the Renaissance man of Brazilian pop, a singer/songwriter/producer who straddled the country's music world from the early days of the bossa nova craze well into the fusion-soaked sound of '80s MPB. Though his reputation in America never quite compared to contemporaries like Caetano Veloso, Milton Nascimento, Gilberto Gil, or even Tom Ze, Valle is one of the most important and popular performers in the history of Brazilian pop.

The Story of Bossa Nova features 20 remastered original recordings from the late '50s/early '60s combined with a few modern interpretations of the genre, including 14 tracks written by composer Antonio Carlos Jobim. Taken from the vast EMI-Odeon archive of classic Brazilian music, this introductory set includes Marcos Valle's "Samba De Verao," Sylvia Telles' "Dindi," and the pre-Astrud Gilberto version of "Girl From Ipanema" by Pery Ribeiro.

Importante debutto discografico di Barbara Casini per Via Veneto Jazz, che si misura in questa produzione con il repertorio della leggendaria cantante Elis Regina, in un disco che “vuole essere un gesto d’amore e gratitudine per chi ha così tanto nutrito la mia anima canterina”. L’album è realizzato con il contributo di numerosi e importanti musicisti di formazione jazz ma estremamente versati nelle sonorità sudamericane, e gli arrangiamenti di Paolo Silvestri vestono con stile ed eleganza i brani, dando il giusto equilibrio e risalto a una delle voci più cristalline che il nostro Paese possa attualmente vantare. Un excursus attraverso brani immortali della musica brasiliana, ricchi di energia, sensualità, allegria e con il giusto pizzico di saudade. Una prova importante, come tutti gli omaggi ai grandi interpreti del passato, che Barbara Casini riesce a superare brillantemente.

It may come as a surprise to many to know that the psychedelic rock and folk movement of the late 60s and early70s was not confined to the USA and Europe. In fact, the massive cultural upheavals of the 1960s had spread far and wide and by 1967-68, musicians, artists and writers across the world were exploring new ways to express themselves. This was no less the case in South America and it was during the late 60s and early 70s that an explosion of psych rock and folk produced amazing music that still inspires half a century later.