Four of the five original members of The Byrds appear on Younger Than Yesterday, their fourth album recorded in 1966 and released in 1967. Time has shown it to be among the most durable of the band's albums. David Crosby, Roger McGuinn, and Chris Hillman come into their own as songwriters and Michael Clarke continued to mature into an impressive drummer. The album successfully expands their musical styles into several different directions yet remains a focused set blending folk-rock, heavy psychedelia, jazz influences and early indicators of the country rock direction the band later pursued.
While there's a somber, brooding tone that hangs over many of the songs, the album has a fresh playful quality capturing new musical textures, including reverse tape effects and brass instruments…

Live albums are dangerous things. While the good ones capture the raw excitement of a show, all too often they expose a band's weaknesses, the ones that get covered in the studio – a singer who's not so good and instrumentalists who really can't cut it. But Colosseum, by the time they made their live album (the CD version comes with an extra track, "I Can't Live Without You," that wasn't on the original vinyl), were a seasoned outfit with some top-notch performers. In veteran Chris Farlowe they had a blues belter who could also turn his hand to jazz. Dave "Clem" Clempson was a rock guitarist first and foremost, but not limited to that, and bassist Mark Clarke was exactly the elastic foil drummer Jon Hiseman needed in the rhythm section.

As well as being one of the finest rock singers of the 1960s, Janis Joplin was also a great blues singer, making her material her own with her wailing, raspy, supercharged emotional delivery. First rising to stardom as the frontwoman for San Francisco psychedelic band Big Brother & the Holding Company, she left the group in the late '60s for a brief and uneven (though commercially successful) career as a solo artist. Although she wasn't always supplied with the best material or most sympathetic musicians, her best recordings, with both Big Brother and on her own, are some of the most exciting performances of the era. She also did much to redefine the role of women in rock with her assertive, sexually forthright persona and raunchy, electrifying on-stage presence.

Rochester, NY, garage rock legends The Chesterfield Kings, with their new album We're Still All The Same. Fronted by Andy Babiuk (guitar historian/consultant and esteemed author of 'Beatles Gear: All the Fab Four's Instruments from Stage to Studio', 'Rolling Stones Gear' and other acclaimed books), The Chesterfield Kings' new 14-track album features the recent singles "Fly The Astral Plane", "Electrified" (co-written with Stevie Van Zandt), and "Meet You After Midnight." We're Still All The Same was recorded at Fab Gear Studios in Rochester, NY and produced by the legendary Ed Stasium (The Ramones, Talking Heads, The Smithereens, Mick Jagger to name a few) and serves as the band's first LP in 15 years, after a lengthy hiatus. Throughout the recording of the album, The Chesterfield Kings used over 50 vintage guitars and a massive amount of vintage amps and keyboards (culled from Babiuk's vast collection), resulting in an electrifying blend of classic tones that resonate with a timeless rock 'n' roll spirit, while maintaining a modern edge.

Originally recorded in Scotland in 1971, this album never saw a release until 1991 on the same German label that gave us the first German Oak album. This is some very good early 70’s psych/hard rock somewhat in the Budgie vein though much sludgier. Unfortunately not much seems to be known about this group. One track is over 10 minutes, the other five clock in around 5 to 6 minutes. Obscure gem that will appeal to most lovers of early 70’s rock.

Sailor is the second studio album by American rock group The Steve Miller Band, released in October 1968 by Capitol Records. Like The Steve Miller Band's previous album, Children of the Future, Sailor was produced by Glyn Johns. Unlike its predecessor which was recorded in London, England, Sailor was recorded in Los Angeles, California. It was the last Steve Miller Band album to feature contributions by original members Boz Scaggs and Jim Peterman. Scaggs went on to a successful solo career. The album features a psychedelic blues rock sound.

Beginning their career as the most popular surf band in the nation, the Beach Boys finally emerged by 1966 as America's preeminent pop group, the only act able to challenge (for a brief time) the overarching success of the Beatles with both mainstream listeners and the critical community. From their 1961 debut with the regional hit "Surfin'," the three Wilson brothers - Brian, Dennis, and Carl - plus cousin Mike Love and friend Al Jardine constructed the most intricate, gorgeous harmonies ever heard from a pop band. With Brian's studio proficiency growing by leaps and bounds during the mid-'60s, the Beach Boys also proved one of the best-produced groups of the '60s, exemplified by their 1966 peak with the Pet Sounds LP and the number one single "Good Vibrations"…

Before Steve Young became one of the founding fathers of country-rock with his 1969 album Rock Salt and Nails, he was a member of Stone Country, a short-lived pop group that fused country and rock in a very different way. Stone Country's sole album, released in the spring of 1968, is a polished but intriguing mixture of sunshine pop, progressive country, blue-eyed soul, and folk-rock, all wrapped up in a slick package created with the best of L.A. studio craftsmanship (producer Rick Jarrard and arranger George Tipton, who both worked on the album, were also helping Harry Nilsson create his sublime early albums at the same time). Stone Country goes in too many directions at once for its own good, but it's clear that this was a band packed with talent and full of great musical ideas; the opener, "Love Psalm," is a delightful bit of psychedelic pop punctuated with some solid bluegrass picking…

Psych', a newly compiled 64 song 3CD set celebrating an extraordinary era in British Pop and Rock music that saw an expansion of musical styles that heralded Psychedelia and the arrival of Prog (or Progressive) Rock. It coincided with the launch of the eclectic, occasionally esoteric but always interesting Deram label - the music press of the day described it as a 'hip label for groovy people'. Includes esteemed artists such as Genesis, The Moody Blues and Caravan alongside hidden gems within the catalogue.

The “Nuggets”of Krautrock?
“Cologne Curiosities” collects, for the first time on vinyl, all the otherwise unpublished/un-reissued material that firstly appeared on the three "Unknown Deutschland - The Krautrock Archive" CDs released on Virgin during 1996. These CD only releases were originally compiled by Trevor Manwaring (Paratactile, Impetus, Virgin, Harmonia Mundi) from tapes supplied to him by Toby Robinson. Toby - aka The Mad Twiddler, aka Genius P. Orridge - is well-known to Krautrock collectors as one of a number of engineers working at Stockhausen’s WDR and Dierks Studio in Cologne in the mid-1970's, where he assisted on recordings by many famous Kraut bands such as Can, Birth Control, Mythos or Dzyan. The recordings included here were made between 1972 and 1976 using studios in and around Cologne, produced by Toby Robinson for his own amusement, just having fun on the studio. Inevitably, bands would come in for practice sessions, to record demo's, and during slack periods impromptu jams would happen. Most of these sessions were recorded by Toby, and they feature Toby himself plus a revolving cast of friends and musicians (some of them apparently big Kraut names under pseudonym).

WolveSpirit merge the psychedelic 60s, the heavy rollin´70s and the now to a thundering and timeless psychedelic stoner rock! The raw, energetic and blues infused female vocals remind of a Janis Joplin and Stevie Nicks. Since their mind coloring debut in 2013 titled Dreamcatcher the US/German Heavy Rockers WolveSpirit have established themselves as one of Germanys strongest Heavy Rock bands. WolveSpirit have shared stages with bands like KADAVAR , SIENA ROOT, Brutus, Zodiac, The Flying Eyes and many many more. November 2014 they supported the legend Uriah Heep on their Germany Tour. Their new Album "Free" is now being released and already it strikes down like a bomb leaving a trail of astonishment in all the big and important music mags as well as the complete underground scene.

Grateful Dead So much more than just the archetypal jam band, the Grateful Dead grew to become an artistic and cultural institution that existed entirely on their own terms. While the band initially came out of a psychedelic revolution in the Bay Area's musically and chemically exploratory mid-'60s, they quickly evolved from their acid rock beginnings, incorporating elements of Americana and Bakersfield country into gently majestic albums like 1970's American Beauty. Their live shows were completely separate from their studio output, based on freeform improvisation borrowed from jazz and made up of extended performances and set list variations that ensured no two shows were exactly like.

On September 13, Experience Hendrix L.L.C., in partnership with Legacy Recordings, the catalog division of Sony Music Entertainment, is releasing Electric Lady Studios: A Jimi Hendrix Vision, a deluxe box set offering 39 tracks (38 previously unreleased) that were recorded by the new-look Jimi Hendrix Experience (Billy Cox on bass, Mitch Mitchell on drums) at Electric Lady Studios between June and August of 1970, just before the legendary musician’s untimely death the following month. In celebration of the forthcoming release, on August 8, the City of New York will be temporarily renaming the portion of West 8th Street between 6th Street and MacDougal Street JIMI HENDRIX WAY. This is the block on which Electric Lady Studios was built and still stands. There will also be a media screening event inside the studio that night.

This album was originally released in 1969 as "First Winter". When Johnny Winter emerged on the national scene in 1969, the hope, particularly in the record business, was that he would become a superstar on the scale of Jimi Hendrix, another blues-based rock guitarist and singer who preceded him by a few years. That never quite happened, but Winter did survive the high expectations of his early admirers to become a mature, respected blues musician with a strong sense of tradition. In 1988, he was inducted into the Blues Foundation Hall of Fame and in 2003, he was ranked 63rd in Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time".

Some bands turn into shorthand for a certain sound or style, and Pink Floyd belongs among that elite group. The very name connotes something specific: an elastic, echoing, mind-bending sound that evokes the chasms of space. Pink Floyd grounded that limitless sound with exacting explorations of mundane matters of ego, mind, memory, and heart, touching upon madness, alienation, narcissism, and society on their concept albums of the '70s.