Clearlight Symphony is a progressive rock album released in 1975 on Virgin Records in the UK. It is the first in a series of albums by a project led by pianist Cyrille Verdeaux with the participation of other musicians, including in this case three members of Gong on one side, and two other French musicians, Gilbert Artman (of Lard Free and later Urban Sax) and Christian Boulé (formerly with Verdeaux in the band Babylone, and a later Steve Hillage sideman) on the other. Primarily psychedelic, but also serving as a forerunner of new-age music, the album's musical style manages to blend seemingly contrary elements: the symphonic rock concept is flexible enough to permit extensive jamming in both rock and jazz fusion styles.

"Phantasmagoria, or A Different Kind of Journey" is the latest album by the Eivind Aarset 4tet, to be released September 2021 at Punkt Festival, Kristiansand. Featuring Eivind Aarset, Wetle Holte, Erland Dahlen and Audun Erlien, the album is no departure in terms of the compositional quality contained therein, as it remains gold standard. But sonically and texturally? This album features more traditional guitar sounds and techniques than can be found on almost all of his previous albums taken together, while still incorporating his signature tonal manipulations that render the guitar sound into almost unrecognizable forms. The album traverses the full gamut of the instrument's tonal possibilities, from Joe Pass tones to ambient textural soundbeds, from blistering shredding to controlled noise and signal. The line-up is augmented by Jan Bang and John Derek Bishop on several tracks, and Arve Henriksen on one.

Following on from the hard-hitting blues of their debut album, Plays On caught the Climax Chicago Blues Band in somewhat transitional waters, testing any number of different musical styles, but never really setting on any. Certainly the funk thump that characterized their better later work was still an idea waiting to be explored, as the group instead fluttered between the scurrying jazz of the opening "Flight," the psychedelic tinge of "Hey Baby, Everything's Gonna Be Alright Yeh Yeh Yeh," the semi-Santana fusion of "Cubano Chant," and the heavy blues of "So Many Roads," all interrupted by "Mum's the Word," a dynamic Moog sequence that builds out of the theme from 2001, and then freefalls into total space rock. Even amid all the other moods that litter the album, it's an unexpected find and a glorious treasure.

Santana, which was renowned for its concert work dating back to Woodstock, did not release a live album in the U.S. until this one, and it's only partially live, with studio tracks added, notably a cover of the Zombies' "She's Not There" (number 27) that became Santana's first Top 40 hit in five years. The usual comings and goings in band membership had taken place since last time; the track listing was a good mixture of the old – "Black Magic Woman," "Soul Sacrifice" – and the recent, and with the added radio play of a hit single, Moonflower went Top Ten and sold a million copies, the first new Santana album to do that since 1972 and the last until Supernatural in 1999.

Resonance Records goes out of its way again to unearth yet another significant chapter in jazz history, and once again, it's one that relatively few fans have ever heard. This performance of Jaco Pastorius' Word of Mouth Big Band was captured during George Wein's Kool Jazz Festival at Avery Fisher Hall. It was broadcast on NPR's Jazz Alive program, but this double disc contains the entire performance, with more than 40 minutes of additional music.

Music from one of the most specific science-fiction films in the history of Czechoslovak cinematography, and a unique chapter in the rich artistic output of Martin Kratochvíl. On the 35th anniversary of the recording of the material, "Temné Slunce" has finally been released. "Temné Slunce" (Dark Sun) is an adaptation of "Krakatit", a novel by Karel Čapek published in the interwar period. It tells a story of the inventor of an ultra-dangerous explosive that is trying as hard as possible to hide the formula from the great of this world, to prevent it from total destruction. The film adaptation of Otakar Vávra transposes the story to the Cold War reality, full electronics and secret agents. The film was received as a cheap propaganda trick, but also… as an unusually impressive action movie…

'The Spark That Bled: Tour '05' was recorded on the road at shows throughout the year and focuses on songs and songwriting with mostly instrumental jungle gym versions of covers, as well as, three JFJO originals.

Jordi Soler i Galí, known by the stage name Toti Soler, is a Spanish guitarist, singer and composer, one of the most important figures of contemporary music in Catalonia. His recording career started with a "nova canço" band named Els Xerracs, and later founded a pop group, Pic-Nic in 1967. He also began recording solo singles in the late '60s under his given name, Jordi Soler. After Pic-Nic broke up he co-founded the psychedelic rock group OM in 1969. In 1971 Soler met Taj Mahal and the two performed a number of concerts together. Soler's first solo album, Liebeslied, was released by Edigsa in 1972. Since then Soler has released a long string of solo albums and collaborations. Influences in Soler's music include world music (particularly Arab and Asian influences), traditional Flamenco guitar, classical and contemporary jazz.

The double album features the guitar legend live at the 11th annual Jarasum International Jazz Festival in Gapyeong-Gun, South Korea, on 5 October 2014.

Several years after the original art rock supergroup Colosseum disbanded, drummer Jon Hiseman formed Colosseum II, a more jazz fusion-oriented outfit featuring guitarist Gary Moore (Thin Lizzy) and keyboardist Don Airey. Their eclectic debut, Strange New Flesh, shows some impressive chops from all involved, with an emphasis on Moore's soulful guitar leads. Vocalist Mike Starr, while not an immensely engaging singer, does a nice job keeping up with Hiseman and bass player Neil Murray. Highlights include the technically showy but blissfully irreverent ode to Pink Floyd, "Dark Side of the Moog," a nice version of Joni Mitchell's "Down to You," and the funky "Gemini and Leo."

One Shot was created in 1999 by keyboarder Emmanuel Borghi and guitarist James McGaw, both Ex-Magma musicians. The original duo was completed by bassist Philippe Bussonnet and drummer Daniel Jeand'heur for their first self-titled record, released in 1999…