Veteran jazz pianist Amina Figarova embarks on a bold new step with her genre-bending Persistence, creating a new sound for the pianist with music that produces an electric-influenced groove mixing funk-jazz, jazz fusion, hip-hop, classical and R&B rhythms found on this new exploratory album. After two decades leading an acoustic sextet, her new quintet ensemble, Edition 113 (named after the block where she and her and husband, flautist Bart Platteau make their home) was assembled specifically to perform the eclectic new music experienced here.

We've got a fresh new project here! A cooperation between two major league instrumentalists and visionaries. Sol Monk has been in Raw Tapes for years now, featured in dozens of releases as a solo artist/producer as well as band member of LayerZ & GESHEM. Sol Monk's drums are a heavenly mixture of tightness, soul and technique. Officially joining the family is the legendary guitar & bass player Yonatan Levy. Mostly known for his mega-hit psychedelic-pop Sony BMG and 100% Records signee band - IZABO - Yonatan has been playing and exploring sound, residing in the last years in New York and recently (lucky for us) back to Tel Aviv.

Back with his fourth solo album in as many years, erstwhile Dream Theater keyboard player Derek Sherinian is once again pushing the prog metal/hard rock agenda with his ever intense, always impressive chops…

Golden-era, 1977, Brazilian jazz-funk-fusion album from the legendary, Azymuth. Lush Rhodes, soaring synths and fusion guitars from Malheiros and Bertrami combine with the inimitable drum grooves from Ivan “Mamao” Conti that create the signature Azymuth sound. The album moves from mellow soulful moods, into screaming disco-jazz-fusion, samba funk, synth boogie and ends with a tough 160bpm Batucada workout.

Vibraphonist Mike Mainieri has never garnered the same attention as Gary Burton, five years his junior, despite being equally cutting edge. Mainieri was one of fusion's early progenitors: Journey Through an Electric Tube (Solid State, 1968) and White Elephant (Solid State, 1969) explored new ways to incorporate a rock aesthetic with jazz. But while Burton has settled into a more mainstream comfort zone in recent years, Mainieri continues to test new waters. Northern Lights teams him with the "Norwegian Posse"—a veritable who's who of the contemporary Norwegian scene. The result blends the groove and ambience of nu jazz with a somewhat more emphatic approach to soloing.

Once you’ve heard Pat Metheny you will always recognise him, no matter what company he’s in or what instrument he’s playing, be it a simple acoustic guitar or some unlikely invention of his own. Beneath it all there’s a frank, open-hearted tunefulness that keeps the music airborne. This double album, recorded at the end of a year-long tour by his Unity Band, is as polished and sophisticated as any, but moments such as the opening melody of This Belongs to You or the gradual unfolding of Born are just plain elegant. There’s a similar quality about saxophonist Chris Potter’s playing, and all four are so relaxed in each other’s company that everything flows beautifully.

2-CD containing both "Hope street" and "Powerplay" albums. A highly acclaimed drummer than need no introduction in the fusion / jazz world, once behind the drums of MAHAVISHNU ORCHESTRA.

Venus Isle is the fourth studio album by guitarist Eric Johnson, released on September 3, 1996 through Capitol Records. The album reached No. 51 on the U.S. Billboard 200 and remained on that chart for six weeks. "Pavilion" was released as a single and reached No. 33 on Billboard's Mainstream Rock, while its B-side "S.R.V." is a tribute to guitarist Stevie Ray Vaughan and features his elder brother Jimmie Vaughan as a guest soloist.

Bitches Brew is a studio double album by Miles Davis, released on March 30, 1970, on Columbia Records. The album continued his experimentation with electric instruments previously featured on his critically acclaimed In a Silent Way album. With the use of these instruments, such as the electric piano and guitar, Davis rejected traditional jazz rhythms in favor of a looser, rock-influenced improvisational style. Upon release, it received a mixed response, due to the album's unconventional style and experimental sound. Later, Bitches Brew gained recognition as one of jazz's greatest albums and a progenitor of the jazz rock genre, as well as a major influence on rock and funk musicians. The album won a Grammy Award for Best Large Jazz Ensemble Album in 1971.

Jazz fusion band founded in 1982 by Josep Mas "Kitflus" on keyboards, Max Sunyer on guitars, Rafael Escoté on bass, Santi Arisa on drums and somehow the continuation or natural evolution of Iceberg, started in the 70's by the two first mentioned…

Acting, Thinking, Feeling marks the first time that psychedelic jazz ensemble The Stark Reality's Discovers Hoagy Carmichael's Music Shop album has been reissued in full (the 2003 Stones Throw Records anthology Now only contained half of the original album's music). The anthology also contains the band's out-of-print Roller Coaster Ride (first issued as 1969 on Now-Again in 2003), and a series of recently discovered, previously-unreleased tracks in a 3 CD "complete works" box set. Besides the missing Hoagy Carmichael's Music Shop songs, the most exciting additions to the Stark Reality's oeuvre are the three songs recorded between the earliest incarnation of the band the big band that recorded "Theme To Say Brother" and "Acting, Thinking, Feeling" in 1968 - and the slimmed down combo that recorded the Roller Coaster Ride and The Stark Reality Discovers Hoagy Carmichael's Music Shop. These recordings display a band in flux, and color the development of Stark's genius. We hear the signature sound of his "plugged in" vibes for the first time; we hear an early stab at the psychedelic "Red Yellow Moonbeams" (and realize why the addition of John Abercrombie's fuzz guitar was crucial to his vision); we hear a subtle change towards a more funk and rock based sound.

In May of 2017, a ship of mighty musical warriors joined forces for a meeting of kindred spirits. Departing from the La Casa Murada launchpad (adjacent to nearby Barcelona, Spain), they embarked on a freewheeling nomadic adventure across known and unknown borders of the musical universe - and beyond! In terms of direction, these sonic pioneers relied more on instincts than any cues from a map. The seeds were planted; an air of excitement was already cultivated, in anticipation of something new and supremely unique sprouting forth. Their corporate voyage carried them through the labyrinths of alien-influenced, unpredictably imaginative musical terrain. Hari Ketiga is the logbook amassed during the exploration: an incredible array of nine tracks that weaves written scores together with full improvisation…

A much-needed look at an overlooked side of the genius of Quincy Jones – not his jazz work, not his productions for famous soul artists, but instead his huge legacy of soundtrack material – a part of Q's career that really took off in the 60s! By the time he started working in films, Jones had already had a decade under his belt as one of the hippest arrangers, leaders, and composers in jazz – and the film business really respected those talents, and allowed Quincy to bring some really fresh styles into play – modes that really opened up the vibe of American cinema, and also paved the way for the funky styles of the 70s! As that decade approached, Jones left behind the cinema to take on some more higher-profile records of his own – but all the charms of those great albums can be found here at their roots – in this stunning collection of soundtrack material, some of which has never been on CD. The package is way more than just a sampler – and includes an album's worth of material from the films The Pawnbroker, Slender Thread, Mirage, The Deadly Affair, In The Heat Of The Night, In Cold Blood, Walk Don't Run, The Italian Job, Lost Man, and John & Mary – plus two versions of the love theme from The Getaway, and a bonus CD with 18 tracks – titled Q's highlights, and featuring tracks from his Mercury records – plus more by Billy Preston, Arthur Prysock, Bill Cosby, Shirley Horn, Letta Mbulu, Toots Thielemans, and others. Even features the "Sanford & Son" and "Ironside" themes!

The Return - the highly anticipated second recording by the eclectic ensemble Deep Energy Orchestra on the 7D Media record label. Deep Energy Orchestra blends sounds and rhythms from Prog Rock, Classical, funk, Indian, and Flamenco styles and showcases the compositions of Jason Everett aka Mister E. Featured artists on the record include, Fareed Haque (Billy Cobham, Zawinal Syndicate), V. Selvaganesh (Shakti with John McLaughlin), Trey Gunn (King Crimson), Neyvili Radhakrishna (Jonas Hellborg), Ujwal Nagar (Advaita), Suhail Yusuf Khan, and the Seattle Metropolitan Chamber Orchestra…

Continuo (the follow up to the critically acclaimed At Home) displays the magic of a working band. Cohen says, ‘I’m very grateful to have two young masters (pianist Sam Barsh and drummer Mark Guiliana) of their instruments with me to convey that they are, on one hand, young in their ever thirsty minds for more information, and, on the other, old enough in their souls to emotionally express themselves on a very high level through the compositions.