August Wenzinger, Schola Cantorum Basiliensis, Regensburger Domchor - Handel: Brockes-Passion (2001)
EAC | FLAC | Image (Cue & Log) ~ 965 Mb | Total time: 62:28+61:54+58:01 | Scans included
Classical | Label: Archiv Produktion | # 463 664-2 | Recorded: 1967
EAC | FLAC | Image (Cue & Log) ~ 965 Mb | Total time: 62:28+61:54+58:01 | Scans included
Classical | Label: Archiv Produktion | # 463 664-2 | Recorded: 1967
..The least familiar work in this issue is the “Brookes“ Passion (the second of two by Handel in that form), so-called because one Barthold Heinrich Brockes, a Hamburg dignitary, supplied the text: a dramatic poem entitled “Der für die Sünde der Welt gemarterte und sterbende Jesus.“ I can claim no fluency whatever in German, but respected critics have deplored its hyperbolic verses. Nevertheless, it was quite popular in its day. Public and private readings were common, and it was set to music not only by Keiser, Mattheson, and Telemann (even Bach set parts of it) but by a number of lesser-known composers as well. Just how, why, where (England or Germany), or when (1716, 17, 18, or 19 . . . take your choice) Handel got around to it is not known for sure. (Heinz Becker, in the notes accompanying these discs, cites carelessness in prosody as evidence of haste or even that the text was set to pre-existing music, thereby favoring a later date. Unfortunately, there are similar instances in works Handel composed when he wasn't rushed.) We don't have the original score which is lost, and Chrysander had to depend on early (and conflicting) copies for his edition.
It's a longish work running a minute or two over three hours and apparently intended to be performed without intermission. Its core is, as expected, a paraphrase of the Gospels, to which Brockes added a number of characters, the most prominent being The Daughter of Zion (beautifully sung by Stader) and a quartette of Gläubige Seelen, all of whom, singly or together, comment from time to time on the action. The burden of the narrative falls to the Evangelist, but, in operatic fashion, some scenes proceed as dialogue in recitative (e.g., Jesus' meetings with Caiaphas and Pilate, the three servants accusing Peter of following Christ, which he denies, etc.). The score doesn't number the musical sections, but the libretto, which does, lists 56 vocal numbers, not counting some 50 intervening recitatives. Most are brief but some have multiple verses or are in da capo form (the singers do not ornament their arias but the oboe does during The Daughter of Zion's, “Sünder, schaut mit Furcht“), and although Wen-zinger tries not to dawdle (he has little choice in some passages) the work wears out its welcome well before its end.
Wenzinger and his choral and instrumental forces are nothing short of superb, while Stader and Jennings, the latter rather unexpectedly given the star names in the cast, walk off with the solo vocal honors. Haefliger is better as the Evangelist, whose recitatives he declaims freely and with exquisite taste, than as one of the Believers, huff-puffing his way through the aria “Erwäg', ergrimmte Natterbrut.“ Adam starts off gruffly and seems more hidebound by stave bars in recitatives than Haefliger, but his arias and his duet with Mary are sung with power and warmth. The latter role isn't very large or musically interesting, but what she is given to do, Moser does well enough. Esswood is more successful as a Believer than in his other roles which are not at all characterized or even differentiated. There is a slight echo-y quality to the recorded sound (was it recorded in the Regensburg Cathedral?) which is not at all disturbing. In fact, I rather like it. This is by no means a long-neglected masterpiece, but even minor Handel is well worth having, and I doubt a better performance of it will come along on disc very soon.– Anthony D. Coggi
Performer:
Maria Stader, soprano (Torcher Zion)
Edda Moser, soprano (Maria/Gläugige Seele/Erste Magd)
Verena Scheidegger, soprano (Zweite Magd)
Rosemarie Sommer, alto (Dritte Magd)
Paul Esswood, alto (Johannes/Judas/Kriegsknecht/Gläugige Seele)
Ernst Haefliger, tenor (Evangelist/Gläugige Seele/Jacobs)
Jerry J. Jennings, tenor (Petrus)
Theo Adam, bass (Jesus)
Jakob Stämpfli, bass (Caiphas/Pilatus/Hauptmann/Gläugige Seele)
Regensburger Domchor
Schola Cantorum Basiliensis
Conductor - August Wenzinger
Track List:
CD1:
1. Sinfonia
2. 1. "Mich vom Stricke meiner Sünden zu entbinden"
3. "Als Jesus nun zu Tische saß" (Evangelist)
4. 2. "Das ist mein Leib: kommt, nehmet, esset" (Jesus)
5. 3. "Der Gott, dem alle Himmelskreise" (Tochter Zion)
6. "Und bald hernach nahm er den Kelch" (Evangelist)
7. 4. "Das ist mein Blut im neuen Testament" (Jesus)
8. 3a. "Gott selbst, der Brunnquell alles Guten" (Tochter Zion)
9. 5. "Ach, wie hungert mein Gemüte"
10. "Drauf sagten sie dem Höchsten Dank" (Evangelist)
11. 6. "Wir wollen alle eh' erblassen"
12. "Es ist gewiß" (Jesus)
13. 7. "Weil ich den Hirten schlagen werde" (Jesus)
14. "Zum wenigsten will ich" (Petrus, Jesus)
15. 8. "Mein Vater, mein Vater! Schau wie ich mich quäle" (Jesus)
16. "Mich drückt der Sünden Zentnerlast" (Jesus)
17. 8a. "Ist's möglich, ist's möglich, daß dein Zorn sich stille" (Jesus)
18. 9. "Sünder, schaut mit Furcht und Zagen" (Tochter Zion)
19. "Die Pein vermehrte sich" (Evangelist)
20. 10. "Brich, mein Herz, zerfließ in Tränen" (Tochter Zion)
21. "Ein Engel aber kam"(Evangelist)
22. 11. "Erwachet doch!" (Johannes, Jakobus, Petrus, Jesus)
23. "Und eh' die Rede noch geendigt war" (Evangelist)
24. 12. "Greift zu, schlagt tot"
25. "Und der Verräter" (Evangelist, Judas)
26. 13. "Er soll uns nicht entlaufen"
27. "Nimm, Rabbi, diesen Kuß von mir" (Judas, Jesus)
28. 14. "Gift und Glut" (Petrus)
29. "Steck nur das Schwert an seinen Ort" (Jesus)
30. 15. "O weh, sie binden ihn mit Strick und Ketten"
31. "Wo flieht ihr hin?" (Petrus)
32. 16. "Nehmt mich mit, verzagte Scharen" (Petrus)
33. "Und Jesus ward" (Evangelist, Caiphas, Jesus, ein Kriegsknecht)
34. 17. "Was Bärentatzen, Löwenklauen trotz ihrer Wut sich nicht getrauen" (Tochter Zion)
35. Dies sah Petrus an (Evangelist, 1. Magd, Petrus, 2. Magd, 3. Magd)
CD2:
01. 18. "Ich will versinken und vergehn" (Petrus)
02. "Drauf krähete der Hahn" (Evangelist, Petrus)
03. 19. "Weh dem Fluch" (Petrus)
04. "Doch wie, soll ich verzweiflend untergeht?" (Petrus)
05. 20. "Schau, ich fall' in strenger Buße" (Petrus)
06. 21. "Ach, Gott und Herr"
07. "Als Jesus nun" (Evangelist, Caiphas, Jesus)
08. 22. "Er hat den Tod verdient"
09. 23. "Erwäg, ergrimmte Natternbrut" (Gläubige Seele, Tenore)
10. Die Nacht war kaum vorbei (Evangelist, Tochter Zion)
11. 24. "Meine Laster sind die Stricke" (Tochter Zion)
12. "O, was hab' ich verfluchter Mensch getan!" (Judas)
13. 25. "Laßt diese Tat nicht ungerochen" (Judas)
14. "Unsäglich ist mein Schmerz" (Judas)
15. 26. "Die ihr Gottes Gnad' versäumet" (Tochter Zion)
16. "Wie nun Pilatus Jesum fragt" (Evangelist, Jesus)
17. 27. "Bestrafe diesen Übeltäter"
18. "Hast du denn kein Gehör?" (Pilatus, Evangelist)
19. 28. "Sprichst du denn auf dies Verklagen" (Tochter Zion, Jesus)
20. "Pilatus wunderte sich sehr" (Evangelist)
21. 29. "Nein, diesen nicht" (Coro) "Was fang ich denn mit eurem ungekrönten König an?~(Pil
22. 30. "Weg, weg, weg! Laß ihn kreuzigen" (Coro) "Was hat er denn getan?" (Pilatus)
23. 31. "Weg, weg, weg! Laß ihn kreuzigen!"(Coro) "Wie er nun sah" (Evangelist)
24. 32. "Besinne dich, Pilatus" (Tochter Zion)
25. "Drauf zerreten die Kriegsknecht ihn hinein" (Evang.)
26. 33. "Ich seh' an einen Stein gebunden" (Gläubige Seele, Soprano)
27. "Drum, Seele, schau" (Gläubige Seele, Sopran)
28. 34. "Dem Himmel gleicht sein buntgefärbter Rücken" (Gläubige Seele, Soprano)
29. Wie nun das Blut in Strömen von ihm rann (Evangelist)
30. 35. "Die Rosen krönen sonst der rauhen Dornen Spitzen" (Tochter Zion)
31. "Verwegner Dorn, grausame Spitzen" (Tochter Zion)
32. 36. "Laß doch diese herbe Schmerzen" (Tochter Zion)
33. "Die zarten Schläfen" (Tochter Zion)
34. 37. "Jesu!Jesu, dich mit unsern Seelen zu vermählen" (Tochter Zion)
35. Drauf beugten sie aus Spoot vor ihm die Knie (Evangelist)
36. 38. "Ein jeder sei ihm untertänig"
37. "Ja, scheueten sich nicht" (Evanglelist)
38. 39. "Schäumest du, du Schaum der Welt!" (Tochter Zion)
39. "Worauf sie mit dem Rohr" (Evangelist)
40. "Bestürzter Sünder, nimm in acht" (Tochter Zion)
CD3:
01. 40. "Heil der Welt" (Tochter Zion)
02. "Wie man ihm nun genug" (Evangelist)
03. 41. "Eilt, ihr angefochten Seelen" (Tochter Zion) "Wohin? wohin?"(Coro)
04. "Ach Gott, ach Gott!" (Maria)
05. 42. "Soll mein Kind, mein Leben sterben" (Maria, Jesus)
06. Und er trug selbst sein Kreuz (Evangelist, Tochter Zion)
07. 43. "Es scheint, da den gequälten Rücken" (Gläubige Seele, Tenore)
08. "Wie sie nun and die Stätte" (Evangelist)
09. 44. "Hier erstarrt mein Herz und Blut" (Gläubige Seele, Soprano)
10. "O Anblick, o entsetzliches Gesicht" (Gläubige Seele, Sopran)
11. 45. "O Menschenkind"
12. "Sobald er nun gekreuzigt war" (Evangelist)
13. 46. "Pfui, seht mir doch den neuen König an!"
14. "Und eine dichte Finsternis" (Evangelist)
15. 47. "Was Wunder, daß der Sonnen Pracht" (Gläubige Seele, Soprano)
16. "Dies war zu neunten Stund'" (Evangelist)
17. 48. "Mein Heiland, mein Heiland, Herr und Fürst!" (Gläubige Seele, Soprano)
18. "Drauf lief ein Kriegsknecht hin" (Evangelist)
19. 49. "O Donnerwort! O schrecklich Schreien!" (Gläubige Seelen, Soprano, Alto, Basso)
20. "O selig, wer dies glaubt" (Gläubige Seele, Sopran;Evangelist)
21. 50. "Sind meiner Seelen tiefe Wunden" (Tochter Zion, Gläubige Seele, Soprano)
22. "O Großmut!" (Tochter Zion, Evangelist)
23. 51. "Brich, brüllender Abgrund" (Gläubige Seele,Tenore)
24. Ja, ja, es brüllet schon in unterird'schen Grüften (Gläubige Seele, Tenor; Hauptmann)
25. 52. "Wie kommt's, daß da der Himmel weint" (Gläubige Seele, Basso)
26. 53. "Bei Jesus' Tod und Leiden" (Gläubige Seele, Soprano)
27. 54. "Mein' Sünd' mich werden kränken sehr"
28. 55. "Wisch ab der Tränen scharfe Lauge" (Tochter Zion)
29. 56. "Ich bin ein Glied an deinem Leib"
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 15. February 2019, 15:09
Maria Stader, Edda Moser, Verena Scheidegger, Rosemarie Sommer, Paul Esswood, Ernst Haefliger, Jerry J. Jennings, Theo Adam, Ja / Handel - Brockes Passion (Disc 1)
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Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 16. February 2019, 17:53
Maria Stader, Edda Moser, Verena Scheidegger, Rosemarie Sommer, Paul Esswood, Ernst Haefliger, Jerry J. Jennings, Theo Adam, Ja / Handel - Brockes Passion (Disc 2)
Used drive : ATAPI iHAS124 F Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
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Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
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Track 9 accurately ripped (confidence 5) [46AD1BD2] (AR v2)
Track 10 accurately ripped (confidence 5) [349B58A9] (AR v2)
Track 11 accurately ripped (confidence 5) [34835EB6] (AR v2)
Track 12 accurately ripped (confidence 5) [2292D2DA] (AR v2)
Track 13 accurately ripped (confidence 5) [E921A468] (AR v2)
Track 14 accurately ripped (confidence 5) [153951D1] (AR v2)
Track 15 accurately ripped (confidence 5) [A478F95D] (AR v2)
Track 16 accurately ripped (confidence 5) [E851F0CB] (AR v2)
Track 17 accurately ripped (confidence 5) [6108D0E3] (AR v2)
Track 18 accurately ripped (confidence 5) [752F0A15] (AR v2)
Track 19 accurately ripped (confidence 5) [3AC8884F] (AR v2)
Track 20 accurately ripped (confidence 5) [B7D95393] (AR v2)
Track 21 accurately ripped (confidence 5) [BA4F110F] (AR v2)
Track 22 accurately ripped (confidence 5) [4A4E1057] (AR v2)
Track 23 accurately ripped (confidence 5) [CDCC7497] (AR v2)
Track 24 accurately ripped (confidence 5) [72020B67] (AR v2)
Track 25 accurately ripped (confidence 5) [F575DF3B] (AR v2)
Track 26 accurately ripped (confidence 5) [27952C2C] (AR v2)
Track 27 accurately ripped (confidence 5) [2AFF5DF5] (AR v2)
Track 28 accurately ripped (confidence 5) [535B46CE] (AR v2)
Track 29 accurately ripped (confidence 5) [FB3C70F5] (AR v2)
Track 30 accurately ripped (confidence 5) [823240EC] (AR v2)
Track 31 accurately ripped (confidence 5) [CC48FB0A] (AR v2)
Track 32 accurately ripped (confidence 5) [E9D877F5] (AR v2)
Track 33 accurately ripped (confidence 5) [ED1F2FE7] (AR v2)
Track 34 accurately ripped (confidence 5) [38A8EAF6] (AR v2)
Track 35 accurately ripped (confidence 5) [894C1E1E] (AR v2)
Track 36 accurately ripped (confidence 5) [EBEDC4EC] (AR v2)
Track 37 accurately ripped (confidence 5) [BF8422FB] (AR v2)
Track 38 accurately ripped (confidence 5) [1FE6E3C1] (AR v2)
Track 39 accurately ripped (confidence 5) [B8703672] (AR v2)
Track 40 accurately ripped (confidence 5) [A0AB1671] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: G94ODe_jURbshx7.pqh1liufHtg-] found
Submit result: G94ODe_jURbshx7.pqh1liufHtg- has been confirmed
Track | CTDB Status
1 | (6/6) Accurately ripped
2 | (6/6) Accurately ripped
3 | (6/6) Accurately ripped
4 | (6/6) Accurately ripped
5 | (6/6) Accurately ripped
6 | (6/6) Accurately ripped
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8 | (6/6) Accurately ripped
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17 | (6/6) Accurately ripped
18 | (6/6) Accurately ripped
19 | (6/6) Accurately ripped
20 | (6/6) Accurately ripped
21 | (6/6) Accurately ripped
22 | (6/6) Accurately ripped
23 | (6/6) Accurately ripped
24 | (6/6) Accurately ripped
25 | (6/6) Accurately ripped
26 | (6/6) Accurately ripped
27 | (6/6) Accurately ripped
28 | (6/6) Accurately ripped
29 | (6/6) Accurately ripped
30 | (6/6) Accurately ripped
31 | (6/6) Accurately ripped
32 | (6/6) Accurately ripped
33 | (6/6) Accurately ripped
34 | (6/6) Accurately ripped
35 | (6/6) Accurately ripped
36 | (6/6) Accurately ripped
37 | (6/6) Accurately ripped
38 | (6/6) Accurately ripped
39 | (6/6) Accurately ripped
40 | (6/6) Accurately ripped
==== Log checksum F6423A91C88ECDA2C651BC2B5EE1C75255AC6D94206AE3388666417701AB60F8 ====
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 17. February 2019, 8:49
Maria Stader, Edda Moser, Verena Scheidegger, Rosemarie Sommer, Paul Esswood, Ernst Haefliger, Jerry J. Jennings, Theo Adam, Ja / Handel - Brockes Passion (Disc 3)
Used drive : ATAPI iHAS124 F Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:24.60 | 0 | 24359
2 | 5:24.60 | 0:32.53 | 24360 | 26812
3 | 5:57.38 | 2:14.42 | 26813 | 36904
4 | 8:12.05 | 1:34.15 | 36905 | 43969
5 | 9:46.20 | 2:47.05 | 43970 | 56499
6 | 12:33.25 | 1:01.10 | 56500 | 61084
7 | 13:34.35 | 2:57.50 | 61085 | 74409
8 | 16:32.10 | 0:33.10 | 74410 | 76894
9 | 17:05.20 | 1:27.30 | 76895 | 83449
10 | 18:32.50 | 1:13.68 | 83450 | 88992
11 | 19:46.43 | 0:38.30 | 88993 | 91872
12 | 20:24.73 | 0:31.57 | 91873 | 94254
13 | 20:56.55 | 0:31.35 | 94255 | 96614
14 | 21:28.15 | 0:35.73 | 96615 | 99312
15 | 22:04.13 | 3:08.42 | 99313 | 113454
16 | 25:12.55 | 1:39.70 | 113455 | 120949
17 | 26:52.50 | 2:28.65 | 120950 | 132114
18 | 29:21.40 | 0:37.05 | 132115 | 134894
19 | 29:58.45 | 4:10.08 | 134895 | 153652
20 | 34:08.53 | 0:47.15 | 153653 | 157192
21 | 34:55.68 | 3:38.45 | 157193 | 173587
22 | 38:34.38 | 0:35.22 | 173588 | 176234
23 | 39:09.60 | 4:42.13 | 176235 | 197397
24 | 43:51.73 | 1:20.05 | 197398 | 203402
25 | 45:12.03 | 2:37.72 | 203403 | 215249
26 | 47:50.00 | 1:38.20 | 215250 | 222619
27 | 49:28.20 | 1:02.30 | 222620 | 227299
28 | 50:30.50 | 6:21.33 | 227300 | 255907
29 | 56:52.08 | 1:08.67 | 255908 | 261074
Range status and errors
Selected range
Filename C:\EACRip\HANDEL\Handel - Brockes Passion (August Wenzinger) (2001 [1968])\CD3\Handel - Brockes Passion (Disc 3) - August Wenzinger.wav
Peak level 99.9 %
Extraction speed 8.5 X
Range quality 99.9 %
Test CRC 13A0A9F7
Copy CRC 13A0A9F7
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 5) [DF2D65F1] (AR v2)
Track 2 accurately ripped (confidence 5) [B79C1A42] (AR v2)
Track 3 accurately ripped (confidence 5) [48CF6AAA] (AR v2)
Track 4 accurately ripped (confidence 5) [C4C68905] (AR v2)
Track 5 accurately ripped (confidence 5) [274CE711] (AR v2)
Track 6 accurately ripped (confidence 5) [96628A7E] (AR v2)
Track 7 accurately ripped (confidence 5) [F65ECD7B] (AR v2)
Track 8 accurately ripped (confidence 5) [EC66C073] (AR v2)
Track 9 accurately ripped (confidence 5) [A011A6F8] (AR v2)
Track 10 accurately ripped (confidence 5) [1E9B5874] (AR v2)
Track 11 accurately ripped (confidence 5) [699FE55E] (AR v2)
Track 12 accurately ripped (confidence 5) [6F3E5353] (AR v2)
Track 13 accurately ripped (confidence 5) [419879D0] (AR v2)
Track 14 accurately ripped (confidence 5) [C38E9F9F] (AR v2)
Track 15 accurately ripped (confidence 5) [3983D453] (AR v2)
Track 16 accurately ripped (confidence 5) [E6DE0006] (AR v2)
Track 17 accurately ripped (confidence 5) [243A0207] (AR v2)
Track 18 accurately ripped (confidence 5) [B8E13667] (AR v2)
Track 19 accurately ripped (confidence 5) [EC5C150A] (AR v2)
Track 20 accurately ripped (confidence 5) [7FF673B1] (AR v2)
Track 21 accurately ripped (confidence 5) [BC419528] (AR v2)
Track 22 accurately ripped (confidence 5) [71B1A2D4] (AR v2)
Track 23 accurately ripped (confidence 5) [BE31FB0A] (AR v2)
Track 24 accurately ripped (confidence 5) [782093D9] (AR v2)
Track 25 accurately ripped (confidence 5) [3D4CFA2A] (AR v2)
Track 26 accurately ripped (confidence 5) [BB611ABF] (AR v2)
Track 27 accurately ripped (confidence 5) [A670F118] (AR v2)
Track 28 accurately ripped (confidence 5) [2FD2959F] (AR v2)
Track 29 accurately ripped (confidence 5) [E8F0478B] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: 84Upm4tUZQsWAjsp4YhM9mj_PdU-] found
Submit result: 84Upm4tUZQsWAjsp4YhM9mj_PdU- has been confirmed
Track | CTDB Status
1 | (6/6) Accurately ripped
2 | (6/6) Accurately ripped
3 | (6/6) Accurately ripped
4 | (6/6) Accurately ripped
5 | (6/6) Accurately ripped
6 | (6/6) Accurately ripped
7 | (6/6) Accurately ripped
8 | (6/6) Accurately ripped
9 | (6/6) Accurately ripped
10 | (6/6) Accurately ripped
11 | (6/6) Accurately ripped
12 | (6/6) Accurately ripped
13 | (6/6) Accurately ripped
14 | (6/6) Accurately ripped
15 | (6/6) Accurately ripped
16 | (6/6) Accurately ripped
17 | (6/6) Accurately ripped
18 | (6/6) Accurately ripped
19 | (6/6) Accurately ripped
20 | (6/6) Accurately ripped
21 | (6/6) Accurately ripped
22 | (6/6) Accurately ripped
23 | (6/6) Accurately ripped
24 | (6/6) Accurately ripped
25 | (6/6) Accurately ripped
26 | (6/6) Accurately ripped
27 | (6/6) Accurately ripped
28 | (6/6) Accurately ripped
29 | (6/6) Accurately ripped
==== Log checksum 0931048F91FA413A986565B6D07F63F2CECB4D385439B9B22939E3F404919182 ====
Thanks to the original releaser