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Bach: Inventions & Sinfonias - Simone Dinnerstein (2014)

Posted By: peotuvave

Date: 13 Jun 2014 15:19:02

Simone Dinnerstein has been described as “a throwback to such high priestesses of music as Wanda Landowska and Myra Hess” by Slate magazine and praised by TIME for her “arresting freshness and subtlety”. The New York-based pianist gained an international following because of the remarkable success of her recording of Bach’s Goldberg Variations which she raised the funds to record. Released in 2007, it ranked No. 1 on the US Billboard Classical Chart in its first week of sales and was named to many ‘Best of 2007’ lists including those of The New York Times, The Los Angeles Times, and The New Yorker. Her follow-up album, The Berlin Concert, also gained the No. 1 spot on the Chart.

After Simone’s collaborative travels with folk-singer Tift Merritt on 2013 album ‘Night’, she reconnects with the foundation of her musical career and what’s she is best known for with a solo album of J.S. Bach’s keyboard works.

This album features beautiful, well-known music by one of the most popular composers of all time that appeals to a broad audience, performed by the pianist that made her name for her original interpretation of Bach.

“An utterly distinctive voice in the forest of Bach interpretation” The New York Times

Bach’s Inventions and Sinfonias (commonly known as the 3-part Inventions) are the foundation of keyboard students’ study. Likewise most musicologists will study part of the Inventions at some stage of their theoretical education. Simone is keen to reach young students, their parents and musicologists, in addition to her usual fan base and plans a series of short videos on a selection of the inventions to connect with this audience.

Simone Dinnerstein says: “The first keyboard pieces of Bach that I remember hearing were his Inventions, when I was nine years old. The music seemed impossibly expressive and virtuosic at the time, and wholly beyond my abilities. Here were two continuous and independent voices, neither of which was subservient to the other. Until then I had thought of music as melody and accompaniment. An instrumental training is as much a training in how to listen as in how to play. In the text that accompanies the Inventions, Bach calls them ‘an honest guide.’ His Inventions and Sinfonias are marvels in demonstrating just how potent counterpoint is as an aid to expression, and how powerful a cantabile voice can be when surrounded by contradiction and elaboration. These small masterpieces have snippets of dances in them, laments and celebrations, simplicity and complexity.”

Composer: Johann Sebastian Bach
Performer: Simone Dinnerstein

Reviews: My reaction to Simone Dinnerstein’s debut album of Bach’s Goldberg Variations was not a positive one, and so, not wanting to heap criticism on the head of a budding young artist, I decided to defer on reviewing it. Colleague James Reel, however, who interviewed the pianist in 31:2, had a more favorable, if guarded reaction. But exactly two years later, in 33:2, I had occasion to review Dinnerstein partnering Zuill Bailey in Beethoven’s cello sonatas on Telarc, and this time there was a happy ending.

It’s now over four years later, and Dinnerstein once again returns to Bach, having in the interim recorded a couple of the composer’s keyboard partitas, one of each of the English and French suites, and two of the concertos in mixed programs of solo and concerted works. Here she tends to the 15 Two-Part Inventions and 15 Three-Part Sinfonias, which, once upon a time, when I was growing up, were known as the 15 Three-Part Inventions.

Composed for his students as keyboard exercises for developing independence of the hands in contrapuntal playing, Bach began penning these pieces probably in 1721, completing the autograph fair copy in 1723. Like Book I of The Well-Tempered Clavier , completed one year earlier, Bach follows an almost identical plan of stepwise ascending pairs in major and parallel minor keys. The difference is that nine keys are omitted, so that we get 15 numbers instead of 24.

Ultimately, Bach’s Inventions and Sinfonias are exercises in learning to decouple the hands in order for them to function independently against each other as well as in coordination with each other. But there is more to these pieces than just the physical mechanics involved in playing them. To appreciate them fully it is necessary, I think, to hear them on two dimensions, as technique building exercises and as studies in contrapuntal composition.

Simone Dinnerstein’s performances illustrate that multi-dimensional understanding with remarkable clarity and finesse. Her impeccable finger-work makes manifest the high standards of technical execution to which Bach held his students, while at the same time, her lyrical—I’m almost tempted to say, rhapsodic—expressive readings reveal the inner beauties of these exercises, which are more musically sophisticated than they might seem in lesser hands.

Dinnerstein’s 1903 Hamburg Steinway, an instrument of grand virtues, is captured beautifully by Sony’s production team in two different venues. The Inventions were recorded in June 2012 at New York’s American Academy of Arts and Letters; the Sinfonias in July 2013, at the Performing Arts Center, Purchase College, New York. Strongly recommended.

Tracklisting:

1. Two-Part Inventions (15), BWV 772-786 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
2. Two-Part Invention no 1 in C major, BWV 772 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
3. Two-Part Invention no 2 in C minor, BWV 773 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
4. Two-Part Invention no 3 in D major, BWV 774 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
5. Two-Part Invention no 4 in D minor, BWV 775 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
6. Two-Part Invention no 5 in E flat major, BWV 776 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
7. Two-Part Invention no 6 in E major, BWV 777 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
8. Two-Part Invention no 7 in E minor, BWV 778 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
9. Two-Part Invention no 8 in F major, BWV 779 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
10. Two-Part Invention no 9 in F minor, BWV 780 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
11. Two-Part Invention no 10 in G major, BWV 781 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
12. Two-Part Invention no 11 in G minor, BWV 782 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
13. Two-Part Invention no 12 in A major, BWV 783 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
14. Two-Part Invention no 13 in A minor, BWV 784 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
15. Two-Part Invention no 14 in B flat major, BWV 785 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
16. Two-Part Invention no 15 in B minor, BWV 786 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
17. Three-Part Inventions (15), BWV 787-801 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
18. Two-Part Invention no 1 in C major, BWV 772 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
19. Three-Part Invention no 2 in C minor, BWV 788 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
20. Three-Part Invention no 3 in D major, BWV 789 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
21. Three-Part Invention no 4 in D minor, BWV 790 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
22. Three-Part Invention no 5 in E flat major, BWV 791 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
23. Three-Part Invention no 6 in E major, BWV 792 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
24. Three-Part Invention no 7 in E minor, BWV 793 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
25. Three-Part Invention no 8 in F major, BWV 794 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
26. Three-Part Invention no 9 in F minor, BWV 795 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
27. Three-Part Invention no 10 in G major, BWV 796 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
28. Three-Part Invention no 11 in G minor, BWV 797 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
29. Three-Part Invention no 12 in A major, BWV 798 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
30. Three-Part Invention no 13 in A minor, BWV 799 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
31. Three-Part Invention no 14 in B flat major, BWV 800 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany
32. Three-Part Invention no 15 in B minor, BWV 801 by Johann Sebastian Bach
Performer: Simone Dinnerstein (Piano)
Period: Baroque
Written: 1723; Cöthen, Germany

EAC

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

Отчёт EAC об извлечении, выполненном 26. марта 2014, 14:28

Simone Dinnerstein / BACH Inventions & Sinfonias

Дисковод: _NEC DVD_RW ND-4571A Adapter: 0 ID: 0

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 48
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000

Выходной формат : Пользовательский кодировщик
Выбранный битрейт : 768 kBit/s
Качество : Высокий
Добавление ID3-тэга : Нет
Утилита сжатия : C:\Program Files\Exact Audio Copy\Flac\flac.exe
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TOC извлечённого CD

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Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

Имя файла F:\EAC\Simone Dinnerstein - BACH Inventions and Sinfonias\S.Dinnerstein - BACH Inventions&Sinfonias.wav

Пиковый уровень 85.3 %
Качество диапазона 100.0 %
CRC копии 31DA7A3A
Копирование… OK

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