Bruce Springsteen & The E Street Band: Hammersmith Odeon, London '75 (2006)
Bruce Springsteen & The E Street Band: Hammersmith Odeon, London '75 (2006)
2CD | Rock | EAC Rip | Flac (Track's) + Cue + Log | MP3 CBR 320Kbps | 9 + 7 Tracks
Columbia | 77995-2 | ~904 + 295 Mb | 3% Recovery | HF + FS + SM
2CD | Rock | EAC Rip | Flac (Track's) + Cue + Log | MP3 CBR 320Kbps | 9 + 7 Tracks
Columbia | 77995-2 | ~904 + 295 Mb | 3% Recovery | HF + FS + SM
This excellent two-disc concert set captures Bruce Springsteen and the E Street Band performing in London for the first time in 1975. Recorded just after the release of BORN TO RUN–which would ensure the Boss's place on the rock-&-roll map for all eternity–the HAMMERSMITH ODEON concert represents a young band bursting with ambition, attitude, and energy, and ripping through a set with the hunger that has rightfully conferred legendary status upon Springsteen concerts.
From the spare opening version of "Thunder Road" to the rollicking "Rosalita (Come Out Tonight)," Bruce is in fine form here, and his band–shifting between soulful R&B, jazzy explorations, and spit-fire rock–plays like a monster. In fact, there is a ragged leanness to the band's style that would begin to ebb some years later, and while Springsteen's backing ensembles have remained powerful and ferocious up into the 2000s, there is something pure and beautiful about this particular group. As such, it is a genuine must-have for any rock-&-roll fan.
Bruce Springsteen & The E Street Band: Hammersmith Odeon, London '75 (2006)
Bruce Springsteen:
Born: 23 September 1949
Birthplace: Freehold, New Jersey
Best Known As: Working-class singer/songwriter/guitarist
Name at birth: Bruce Frederick Joseph Springsteen
Bruce Springsteen released his first album in 1973, but it was his second album, The Wild, The Innocent & The E Street Shuffle in 1974 that led a rock critic to call him "the future of rock'n'roll." A year later Springsteen released Born to Run to critical and popular success, and he was a bona fide rock star, nicknamed "The Boss." In the '80s he released The River to huge success, and his 1984 album, Born in the U.S.A. was on top of the charts for seven weeks. In the '90s Springsteen left his back-up band and recorded solo, but by the end of the decade was touring with them again. Known for his songs about working-class Americans and for his generous and frequent live performances, Springsteen has been one of the top rock acts for nearly three decades. His 2005 album, Devils & Dust earned five Grammy nominations, winning one for best solo rock performance.
Bruce Springsteen:
In the decades following his emergence on the national scene in 1975, Bruce Springsteen proved to be that rarity among popular musicians, an artist who maintained his status as a frontline recording and performing star, consistently selling millions of albums and selling out arenas and stadiums around the world year after year, as well as retaining widespread critical approbation, with ecstatic reviews greeting those discs and shows. Although there were a few speed bumps along the way in Springsteen's career, the wonder of his nearly unbroken string of critical and commercial success is that he achieved it while periodically challenging his listeners by going off in unexpected directions, following his muse even when that meant altering the sound of his music or the composition of his backup band, or making his lyrical message overtly political. Of course, it may have been these very sidesteps that kept his image and his music fresh, especially since he always had the fallback of returning to what his fans thought he did best, barnstorming the country with a marathon rock & roll show using his longtime bandmates.
Bruce Springsteen was born September 23, 1949, in Freehold, NJ, the son of Douglas Springsteen, a bus driver, and Adele (Zirilli) Springsteen, a secretary. He became interested in music after seeing Elvis Presley perform on The Ed Sullivan Show in 1956 and obtained a guitar, but he didn't start playing seriously until 1963. In 1965, he joined his first band, the Beatles-influenced Castiles. They got as far as playing in New York City, but broke up in 1967 around the time Springsteen graduated from high school and began frequenting clubs in Asbury Park, NJ. From there, he briefly joined Earth, a hard rock band in the style of Cream. Also in the hard rock vein was his next group, Child (soon renamed Steel Mill), which featured keyboard player Danny Federici and drummer Vini Lopez. (Later on, guitarist Steve Van Zandt joined on bass.) Steel Mill played in California in 1969, drawing a rave review in San Francisco and even a contract offer from a record label. But they broke up in 1971, and Springsteen formed a big band, the short-lived Dr. Zoom & the Cosmic Boom, quickly superseded by the Bruce Springsteen Band. Along with Federici, Lopez, and Van Zandt (who switched back to guitar), this group also included pianist David Sancious and bassist Garry Tallent, plus a horn section that didn't last long before being replaced by a single saxophonist, Clarence Clemons. Due to a lack of work, however, Springsteen broke up the band and began playing solo shows in New York City. It was as a solo performer that he acquired a manager, Mike Appel, who arranged an audition for legendary Columbia Records talent scout John Hammond. Hammond signed Springsteen to Columbia in 1972.
In preparing his debut LP, Greetings from Asbury Park, N.J., Springsteen immediately re-hired most of his backup band, Federici, Lopez, Sancious, Tallent, and Clemons. (Van Zandt, on tour with the Dovells, was mostly unavailable.) The album went unnoticed upon its initial release in January 1973 (although Manfred Mann's Earth Band would turn its leadoff track, "Blinded by the Light," into a number one hit four years later, and the LP itself has since gone double platinum). The Wild, the Innocent & the E Street Shuffle (September 1973) also failed to sell despite some rave reviews. (It too has gone double platinum.) The following year, Springsteen revised his backup group – now dubbed the E Street Band – as Lopez and Sancious left, and Max Weinberg (drums) and Roy Bittan (piano) joined. (In 1975, Van Zandt returned to the group.) With this unit he toured extensively while working on the LP that represented his last chance with Columbia. By the time Born to Run (August 1975) was released, the critics and a significant cult audience were with him, and the title song became a Top 40 hit while the album reached the Top Ten, going on to sell six million copies.
Despite this breakthrough, Springsteen's momentum was broken by a legal dispute, as he split from Appel and brought in Jon Landau (a rock critic who had famously called him the "rock & roll future" in a 1974 concert review) as his new manager. The legal issues took until 1977 to resolve, during which time Springsteen was unable to record. (One beneficiary of this problem was Patti Smith, to whom Springsteen gave the composition "Because the Night," which, with some lyrical revisions by her, became her only Top 40 hit in the spring of 1978.) He finally returned in June 1978 with Darkness on the Edge of Town. By then, he had to rebuild his career. Record labels had recruited their own versions of the Springsteen "heartland" rock sound, in such similar artists as Bob Seger & the Silver Bullet Band (who actually preceded Springsteen but achieved national recognition in his wake), Johnny Cougar (aka John Mellencamp), Tom Petty & the Heartbreakers, Meat Loaf, Eddie Money, and even fellow Jersey Shore residents Southside Johnny & the Asbury Jukes, to name only some of the more successful ones. At the same time, the punk/new wave trend had become the new focus of critical devotion, making Springsteen seem unfashionable. Notwithstanding these challenges, Darkness earned its share of good reviews and achieved Top Ten status, selling three million copies as the single "Prove It All Night" hit the Top 40. (In early 1979, the Pointer Sisters took Springsteen's composition "Fire" into the Top Ten.)
Springsteen fully consolidated his status with his next album, the two-LP set The River (October 1980), which hit number one, sold five million copies, and spawned the Top Ten hit "Hungry Heart" and the Top 40 hit "Fade Away." (In 1981-1982, Gary U.S. Bonds reached the Top 40 with two Springsteen compositions, "This Little Girl" and "Out of Work.") But having finally topped the charts, Springsteen experimented on his next album, preferring the demo recordings of the songs he had made for Nebraska (September 1982) to full-band studio versions, especially given the dark subject matter of his lyrics. The stark LP nevertheless hit the Top Ten and sold a million copies without benefit of a hit single or a promotional tour. (Van Zandt amicably left the E Street Band for a solo career at this point and was replaced by Nils Lofgren.)
But then came Born in the U.S.A. (June 1984) and a two-year international tour. The album hit number one, threw off seven Top Ten hits ("Dancing in the Dark," which earned Springsteen his first Grammy Award for Best Male Rock Vocal Performance, "Cover Me," "Born in the U.S.A.," "I'm on Fire," "Glory Days," "I'm Goin' Down," and "My Hometown"), and sold 15 million copies, putting Springsteen in the pop heavens with Michael Jackson and Prince. For his next album, he finally exploited his reputation as a live performer by releasing the five-LP/three-CD box set Bruce Springsteen & the E Street Band Live/1975-85 (November 1986), which topped the charts, was certified platinum 13 times, and spawned a Top Ten hit in a cover of Edwin Starr's "War." (In March 1987, "the Barbusters" – actually Joan Jett & the Blackhearts, took Springsteen's composition "Light of Day," written for the movie of the same name, into the Top 40.)
Characteristically, Springsteen returned to studio work with a more introverted effort, Tunnel of Love (October 1987), which presaged his 1989 divorce from his first wife, actress Julianne Phillips. (He married a second time to singer/songwriter/guitarist Patti Scialfa, who had joined the E Street Band in 1991.) The album was another number one hit, selling three million copies and producing two Top Ten singles, "Brilliant Disguise" and the title song, as well as the Top 40 hit "One Step Up." The album earned him a second male rock vocal Grammy. (In the spring of 1988, Natalie Cole covered the Springsteen B-side "Pink Cadillac" for a Top Ten hit.)
Springsteen retreated from public view in the late '80s, breaking up the E Street Band in November 1989. He returned to action in March 1992 with a new backup band, simultaneously releasing two albums, Human Touch and Lucky Town, which entered the charts at numbers two and three, respectively, each going platinum. A double-sided single combining "Human Touch" and "Better Days" was a Top 40 hit. Of course, this was a relative fall-off from the commercial heights of the mid-'80s, but Springsteen was undeterred. He next contributed the moody ballad "Streets of Philadelphia" to the soundtrack of Philadelphia, film director Jonathan Demme's 1993 depiction of a lawyer fighting an unjust termination for AIDS. The recording became a Top Ten hit, and the song went on to win Springsteen four Grammys (Song of the Year, Best Rock Song, best song written for a motion picture or television, and another for male rock vocal) and the Academy Award for best song.
In early 1995, Springsteen reconvened the E Street Band to record a few new tracks for his Greatest Hits (February 1995). The album topped the charts and sold four million copies, with one of the new songs, "Secret Garden," eventually reaching the Top 40. Despite this success, Springsteen resisted the temptation to reunite with the E Street Band on an ongoing basis at this point, instead recording another low-key, downcast, near-acoustic effort in the style of Nebraska, The Ghost of Tom Joad (November 1995) and embarking on a solo tour to promote it. The LP won a Grammy for best contemporary folk album, but it missed the Top Ten and only went gold.
A much more prolific songwriter and recording artist than what was reflected in his legitimately released discography, Springsteen went into his vault of unreleased material and assembled the four-CD box set Tracks (November 1998), which went platinum. Whether inspired by the playing he heard on those recordings, bowing to constant fan pressure, or simply recognizing the musicians with whom he had made his most successful music, Springsteen finally reunited the E Street Band in 1999, beginning with a performance at his induction into the Rock & Roll Hall of Fame. All the members from the 1974-1989 edition of the group returned. (Characteristically, Springsteen sidestepped the question of whether to use Van Zandt or Lofgren in the guitar position by rehiring both of them.) They embarked on a world tour that lasted until mid-2000, its final dates resulting in the album Live in New York City, which hit the Top Ten and sold a million copies.
Springsteen's writing process in coming up with a new rock album to be recorded with members of the E Street Band was given greater impetus in the wake of the terrorist attacks of September 11, 2001, and the resulting disc, The Rising (July 2002), contained songs that reflected on the tragedy. The album hit number one and sold two million copies, winning the Grammy for rock album, as the title song won for rock song and male rock vocal. Following another lengthy tour with the E Street Band, Springsteen again returned to the style and mood of Nebraska on another solo recording, Devils & Dust (April 2005), taking to the road alone to promote it. The album hit number one and went gold, winning a Grammy for Best Solo Rock Vocal Performance. One year later, Springsteen unveiled another new musical approach when he presented We Shall Overcome: The Seeger Sessions (April 2006), an album on which he played new arrangements of folk songs associated with Pete Seeger, played by a specially assembled Sessions Band. The album reached the Top Ten and went gold as Springsteen toured with the group. It also won the Grammy for Best Traditional Folk Album. The tour led to a concert recording, Live in Dublin (June 2007), which reached the Top 40.
Once again, Springsteen recorded a new rock album, Magic (October 2007), as a precursor to re-forming the E Street Band and going out on another long tour. The album hit number one and went platinum, with the song "Radio Nowhere" earning Grammys for rock song and solo rock vocal. (Another track from the album, "Girls in Their Summer Clothes," won the rock song Grammy the following year.) Sadly, longtime E Street Band keyboardist Danny Federici succumbed to a three-year battle with melanoma on April 17, 2008, his death causing the first irrevocable change in the group's personnel. He was replaced by Charles Giordano who had played with Springsteen previously in the Sessions Band.
Springsteen finished the tour in 2008 and held several additional shows in support of Senator Barack Obama, whose presidential campaign had kicked into hyperdrive earlier that year. While playing an Obama rally in early November, Springsteen debuted material from his forthcoming album, Working on a Dream, whose tracks had been recorded with the E Street Band during breaks in the group's previous tour. The resulting album, which was the last to feature contributions from Federici (as well as his son, Jason), arrived on January 27, 2009, one week after Obama's historic inauguration. It immediately hit number one, Springsteen's ninth album to top the charts over a period of three decades, and it went on to win him another Grammy for solo rock vocal and to go gold. In February, Springsteen and the E Street Band provided the half-time entertainment at Super Bowl XLIII. The group's tour, which featured full-length performances of some of Springsteen's classic albums at selected shows, ran through November 22, 2009. In December, the 60-year-old was ranked fourth among the top touring acts of the first decade of the 21st century, behind only the Rolling Stones, U2, and Madonna. The same month he was a recipient of the Kennedy Center Honors.
~ William Ruhlmann, All Music Guide
In the decades following his emergence on the national scene in 1975, Bruce Springsteen proved to be that rarity among popular musicians, an artist who maintained his status as a frontline recording and performing star, consistently selling millions of albums and selling out arenas and stadiums around the world year after year, as well as retaining widespread critical approbation, with ecstatic reviews greeting those discs and shows. Although there were a few speed bumps along the way in Springsteen's career, the wonder of his nearly unbroken string of critical and commercial success is that he achieved it while periodically challenging his listeners by going off in unexpected directions, following his muse even when that meant altering the sound of his music or the composition of his backup band, or making his lyrical message overtly political. Of course, it may have been these very sidesteps that kept his image and his music fresh, especially since he always had the fallback of returning to what his fans thought he did best, barnstorming the country with a marathon rock & roll show using his longtime bandmates.
Bruce Springsteen was born September 23, 1949, in Freehold, NJ, the son of Douglas Springsteen, a bus driver, and Adele (Zirilli) Springsteen, a secretary. He became interested in music after seeing Elvis Presley perform on The Ed Sullivan Show in 1956 and obtained a guitar, but he didn't start playing seriously until 1963. In 1965, he joined his first band, the Beatles-influenced Castiles. They got as far as playing in New York City, but broke up in 1967 around the time Springsteen graduated from high school and began frequenting clubs in Asbury Park, NJ. From there, he briefly joined Earth, a hard rock band in the style of Cream. Also in the hard rock vein was his next group, Child (soon renamed Steel Mill), which featured keyboard player Danny Federici and drummer Vini Lopez. (Later on, guitarist Steve Van Zandt joined on bass.) Steel Mill played in California in 1969, drawing a rave review in San Francisco and even a contract offer from a record label. But they broke up in 1971, and Springsteen formed a big band, the short-lived Dr. Zoom & the Cosmic Boom, quickly superseded by the Bruce Springsteen Band. Along with Federici, Lopez, and Van Zandt (who switched back to guitar), this group also included pianist David Sancious and bassist Garry Tallent, plus a horn section that didn't last long before being replaced by a single saxophonist, Clarence Clemons. Due to a lack of work, however, Springsteen broke up the band and began playing solo shows in New York City. It was as a solo performer that he acquired a manager, Mike Appel, who arranged an audition for legendary Columbia Records talent scout John Hammond. Hammond signed Springsteen to Columbia in 1972.
In preparing his debut LP, Greetings from Asbury Park, N.J., Springsteen immediately re-hired most of his backup band, Federici, Lopez, Sancious, Tallent, and Clemons. (Van Zandt, on tour with the Dovells, was mostly unavailable.) The album went unnoticed upon its initial release in January 1973 (although Manfred Mann's Earth Band would turn its leadoff track, "Blinded by the Light," into a number one hit four years later, and the LP itself has since gone double platinum). The Wild, the Innocent & the E Street Shuffle (September 1973) also failed to sell despite some rave reviews. (It too has gone double platinum.) The following year, Springsteen revised his backup group – now dubbed the E Street Band – as Lopez and Sancious left, and Max Weinberg (drums) and Roy Bittan (piano) joined. (In 1975, Van Zandt returned to the group.) With this unit he toured extensively while working on the LP that represented his last chance with Columbia. By the time Born to Run (August 1975) was released, the critics and a significant cult audience were with him, and the title song became a Top 40 hit while the album reached the Top Ten, going on to sell six million copies.
Despite this breakthrough, Springsteen's momentum was broken by a legal dispute, as he split from Appel and brought in Jon Landau (a rock critic who had famously called him the "rock & roll future" in a 1974 concert review) as his new manager. The legal issues took until 1977 to resolve, during which time Springsteen was unable to record. (One beneficiary of this problem was Patti Smith, to whom Springsteen gave the composition "Because the Night," which, with some lyrical revisions by her, became her only Top 40 hit in the spring of 1978.) He finally returned in June 1978 with Darkness on the Edge of Town. By then, he had to rebuild his career. Record labels had recruited their own versions of the Springsteen "heartland" rock sound, in such similar artists as Bob Seger & the Silver Bullet Band (who actually preceded Springsteen but achieved national recognition in his wake), Johnny Cougar (aka John Mellencamp), Tom Petty & the Heartbreakers, Meat Loaf, Eddie Money, and even fellow Jersey Shore residents Southside Johnny & the Asbury Jukes, to name only some of the more successful ones. At the same time, the punk/new wave trend had become the new focus of critical devotion, making Springsteen seem unfashionable. Notwithstanding these challenges, Darkness earned its share of good reviews and achieved Top Ten status, selling three million copies as the single "Prove It All Night" hit the Top 40. (In early 1979, the Pointer Sisters took Springsteen's composition "Fire" into the Top Ten.)
Springsteen fully consolidated his status with his next album, the two-LP set The River (October 1980), which hit number one, sold five million copies, and spawned the Top Ten hit "Hungry Heart" and the Top 40 hit "Fade Away." (In 1981-1982, Gary U.S. Bonds reached the Top 40 with two Springsteen compositions, "This Little Girl" and "Out of Work.") But having finally topped the charts, Springsteen experimented on his next album, preferring the demo recordings of the songs he had made for Nebraska (September 1982) to full-band studio versions, especially given the dark subject matter of his lyrics. The stark LP nevertheless hit the Top Ten and sold a million copies without benefit of a hit single or a promotional tour. (Van Zandt amicably left the E Street Band for a solo career at this point and was replaced by Nils Lofgren.)
But then came Born in the U.S.A. (June 1984) and a two-year international tour. The album hit number one, threw off seven Top Ten hits ("Dancing in the Dark," which earned Springsteen his first Grammy Award for Best Male Rock Vocal Performance, "Cover Me," "Born in the U.S.A.," "I'm on Fire," "Glory Days," "I'm Goin' Down," and "My Hometown"), and sold 15 million copies, putting Springsteen in the pop heavens with Michael Jackson and Prince. For his next album, he finally exploited his reputation as a live performer by releasing the five-LP/three-CD box set Bruce Springsteen & the E Street Band Live/1975-85 (November 1986), which topped the charts, was certified platinum 13 times, and spawned a Top Ten hit in a cover of Edwin Starr's "War." (In March 1987, "the Barbusters" – actually Joan Jett & the Blackhearts, took Springsteen's composition "Light of Day," written for the movie of the same name, into the Top 40.)
Characteristically, Springsteen returned to studio work with a more introverted effort, Tunnel of Love (October 1987), which presaged his 1989 divorce from his first wife, actress Julianne Phillips. (He married a second time to singer/songwriter/guitarist Patti Scialfa, who had joined the E Street Band in 1991.) The album was another number one hit, selling three million copies and producing two Top Ten singles, "Brilliant Disguise" and the title song, as well as the Top 40 hit "One Step Up." The album earned him a second male rock vocal Grammy. (In the spring of 1988, Natalie Cole covered the Springsteen B-side "Pink Cadillac" for a Top Ten hit.)
Springsteen retreated from public view in the late '80s, breaking up the E Street Band in November 1989. He returned to action in March 1992 with a new backup band, simultaneously releasing two albums, Human Touch and Lucky Town, which entered the charts at numbers two and three, respectively, each going platinum. A double-sided single combining "Human Touch" and "Better Days" was a Top 40 hit. Of course, this was a relative fall-off from the commercial heights of the mid-'80s, but Springsteen was undeterred. He next contributed the moody ballad "Streets of Philadelphia" to the soundtrack of Philadelphia, film director Jonathan Demme's 1993 depiction of a lawyer fighting an unjust termination for AIDS. The recording became a Top Ten hit, and the song went on to win Springsteen four Grammys (Song of the Year, Best Rock Song, best song written for a motion picture or television, and another for male rock vocal) and the Academy Award for best song.
In early 1995, Springsteen reconvened the E Street Band to record a few new tracks for his Greatest Hits (February 1995). The album topped the charts and sold four million copies, with one of the new songs, "Secret Garden," eventually reaching the Top 40. Despite this success, Springsteen resisted the temptation to reunite with the E Street Band on an ongoing basis at this point, instead recording another low-key, downcast, near-acoustic effort in the style of Nebraska, The Ghost of Tom Joad (November 1995) and embarking on a solo tour to promote it. The LP won a Grammy for best contemporary folk album, but it missed the Top Ten and only went gold.
A much more prolific songwriter and recording artist than what was reflected in his legitimately released discography, Springsteen went into his vault of unreleased material and assembled the four-CD box set Tracks (November 1998), which went platinum. Whether inspired by the playing he heard on those recordings, bowing to constant fan pressure, or simply recognizing the musicians with whom he had made his most successful music, Springsteen finally reunited the E Street Band in 1999, beginning with a performance at his induction into the Rock & Roll Hall of Fame. All the members from the 1974-1989 edition of the group returned. (Characteristically, Springsteen sidestepped the question of whether to use Van Zandt or Lofgren in the guitar position by rehiring both of them.) They embarked on a world tour that lasted until mid-2000, its final dates resulting in the album Live in New York City, which hit the Top Ten and sold a million copies.
Springsteen's writing process in coming up with a new rock album to be recorded with members of the E Street Band was given greater impetus in the wake of the terrorist attacks of September 11, 2001, and the resulting disc, The Rising (July 2002), contained songs that reflected on the tragedy. The album hit number one and sold two million copies, winning the Grammy for rock album, as the title song won for rock song and male rock vocal. Following another lengthy tour with the E Street Band, Springsteen again returned to the style and mood of Nebraska on another solo recording, Devils & Dust (April 2005), taking to the road alone to promote it. The album hit number one and went gold, winning a Grammy for Best Solo Rock Vocal Performance. One year later, Springsteen unveiled another new musical approach when he presented We Shall Overcome: The Seeger Sessions (April 2006), an album on which he played new arrangements of folk songs associated with Pete Seeger, played by a specially assembled Sessions Band. The album reached the Top Ten and went gold as Springsteen toured with the group. It also won the Grammy for Best Traditional Folk Album. The tour led to a concert recording, Live in Dublin (June 2007), which reached the Top 40.
Once again, Springsteen recorded a new rock album, Magic (October 2007), as a precursor to re-forming the E Street Band and going out on another long tour. The album hit number one and went platinum, with the song "Radio Nowhere" earning Grammys for rock song and solo rock vocal. (Another track from the album, "Girls in Their Summer Clothes," won the rock song Grammy the following year.) Sadly, longtime E Street Band keyboardist Danny Federici succumbed to a three-year battle with melanoma on April 17, 2008, his death causing the first irrevocable change in the group's personnel. He was replaced by Charles Giordano who had played with Springsteen previously in the Sessions Band.
Springsteen finished the tour in 2008 and held several additional shows in support of Senator Barack Obama, whose presidential campaign had kicked into hyperdrive earlier that year. While playing an Obama rally in early November, Springsteen debuted material from his forthcoming album, Working on a Dream, whose tracks had been recorded with the E Street Band during breaks in the group's previous tour. The resulting album, which was the last to feature contributions from Federici (as well as his son, Jason), arrived on January 27, 2009, one week after Obama's historic inauguration. It immediately hit number one, Springsteen's ninth album to top the charts over a period of three decades, and it went on to win him another Grammy for solo rock vocal and to go gold. In February, Springsteen and the E Street Band provided the half-time entertainment at Super Bowl XLIII. The group's tour, which featured full-length performances of some of Springsteen's classic albums at selected shows, ran through November 22, 2009. In December, the 60-year-old was ranked fourth among the top touring acts of the first decade of the 21st century, behind only the Rolling Stones, U2, and Madonna. The same month he was a recipient of the Kennedy Center Honors.
~ William Ruhlmann, All Music Guide
Bruce Springsteen & The E Street Band: Hammersmith Odeon, London '75 (2006) CD1:
Bruce Springsteen & The E Street Band: Hammersmith Odeon, London '75 (2006)
Tracklist:
01. Thunder Road {5:50}
02. Tenth Avenue Freeze-Out {3:50}
03. Spirit In The Night {7:36}
04. Lost In The Flood {6:15}
05. She's The One {5:23}
06. Born To Run {4:17}
07. The E Street Shuffle / Having A Party {12:51}
08. It's Hard To Be A Saint In The City {5:28}
09. Backstreets {7:22}
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 1. October 2008, 19:46
Bruce Springsteen & The E Street Band / Hammersmith Odeon, London '75 (Disc-1)
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Null samples used in CRC calculations : Yes
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Gap handling : Appended to previous track
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Peak level 99.0 %
Track quality 100.0 %
Test CRC 2BD9F250
Copy CRC 2BD9F250
Accurately ripped (confidence 15) [948A9F64]
Copy OK
Track 8
Filename H:\Stuff\EAC\08 - It's Hard To Be A Saint In The City.wav
Peak level 99.3 %
Track quality 100.0 %
Test CRC DA3607BF
Copy CRC DA3607BF
Accurately ripped (confidence 15) [70E98A85]
Copy OK
Track 9
Filename H:\Stuff\EAC\09 - Backstreets.wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC F20DD1A3
Copy CRC F20DD1A3
Accurately ripped (confidence 14) [91B759DC]
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
EAC extraction logfile from 1. October 2008, 19:46
Bruce Springsteen & The E Street Band / Hammersmith Odeon, London '75 (Disc-1)
Used drive : _NEC DVD+-RW ND-3450A Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:50.36 | 0 | 26285
2 | 5:50.36 | 3:50.19 | 26286 | 43554
3 | 9:40.55 | 7:35.68 | 43555 | 77747
4 | 17:16.48 | 6:15.30 | 77748 | 105902
5 | 23:32.03 | 5:23.02 | 105903 | 130129
6 | 28:55.05 | 4:16.64 | 130130 | 149393
7 | 33:11.69 | 12:51.23 | 149394 | 207241
8 | 46:03.17 | 5:27.58 | 207242 | 231824
9 | 51:31.00 | 7:22.09 | 231825 | 264983
Track 1
Filename H:\Stuff\EAC\01 - Thunder Road.wav
Pre-gap length 0:00:02.00
Peak level 92.3 %
Track quality 100.0 %
Test CRC 18E9A879
Copy CRC 18E9A879
Accurately ripped (confidence 16) [85B61B75]
Copy OK
Track 2
Filename H:\Stuff\EAC\02 - Tenth Avenue Freeze-Out.wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC 09566C8C
Copy CRC 09566C8C
Accurately ripped (confidence 16) [ED5302E4]
Copy OK
Track 3
Filename H:\Stuff\EAC\03 - Spirit In The Night.wav
Peak level 100.0 %
Track quality 99.9 %
Test CRC 93D65E86
Copy CRC 93D65E86
Accurately ripped (confidence 15) [8BA3FFA0]
Copy OK
Track 4
Filename H:\Stuff\EAC\04 - Lost In The Flood.wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC F68EE1CB
Copy CRC F68EE1CB
Accurately ripped (confidence 15) [8A09811C]
Copy OK
Track 5
Filename H:\Stuff\EAC\05 - She's The One.wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC 5ED9DB4F
Copy CRC 5ED9DB4F
Accurately ripped (confidence 15) [B8348D1A]
Copy OK
Track 6
Filename H:\Stuff\EAC\06 - Born To Run.wav
Peak level 99.4 %
Track quality 100.0 %
Test CRC 6C5BF01A
Copy CRC 6C5BF01A
Accurately ripped (confidence 15) [31F1DB91]
Copy OK
Track 7
Filename H:\Stuff\EAC\07 - The E Street Shuffle , Having A Party.wav
Peak level 99.0 %
Track quality 100.0 %
Test CRC 2BD9F250
Copy CRC 2BD9F250
Accurately ripped (confidence 15) [948A9F64]
Copy OK
Track 8
Filename H:\Stuff\EAC\08 - It's Hard To Be A Saint In The City.wav
Peak level 99.3 %
Track quality 100.0 %
Test CRC DA3607BF
Copy CRC DA3607BF
Accurately ripped (confidence 15) [70E98A85]
Copy OK
Track 9
Filename H:\Stuff\EAC\09 - Backstreets.wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC F20DD1A3
Copy CRC F20DD1A3
Accurately ripped (confidence 14) [91B759DC]
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: …\CD1
01 -=- 01 - Thunder Road.flac -=- CDDA (99%)
02 -=- 02 - Tenth Avenue Freeze-Out.flac -=- CDDA (100%)
03 -=- 03 - Spirit In The Night.flac -=- CDDA (100%)
04 -=- 04 - Lost In The Flood.flac -=- CDDA (99%)
05 -=- 05 - She's The One.flac -=- CDDA (100%)
06 -=- 06 - Born To Run.flac -=- CDDA (100%)
07 -=- 07 - The E Street Shuffle , Having A Party.flac -=- CDDA (100%)
08 -=- 08 - It's Hard To Be A Saint In The City.flac -=- CDDA (100%)
09 -=- 09 - Backstreets.flac -=- CDDA (100%)
Summary 99,78% CDDA
204843476
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: …\CD1
01 -=- 01 - Thunder Road.flac -=- CDDA (99%)
02 -=- 02 - Tenth Avenue Freeze-Out.flac -=- CDDA (100%)
03 -=- 03 - Spirit In The Night.flac -=- CDDA (100%)
04 -=- 04 - Lost In The Flood.flac -=- CDDA (99%)
05 -=- 05 - She's The One.flac -=- CDDA (100%)
06 -=- 06 - Born To Run.flac -=- CDDA (100%)
07 -=- 07 - The E Street Shuffle , Having A Party.flac -=- CDDA (100%)
08 -=- 08 - It's Hard To Be A Saint In The City.flac -=- CDDA (100%)
09 -=- 09 - Backstreets.flac -=- CDDA (100%)
Summary 99,78% CDDA
204843476
Bruce Springsteen & The E Street Band: Hammersmith Odeon, London '75 (2006) CD2:
Bruce Springsteen & The E Street Band: Hammersmith Odeon, London '75 (2006)
Tracklist:
01. Kitty's Back {17:14}
02. Jungleland {9:36}
03. Rosalita (Come Out Tonight) {9:52}
04. 4th Of July, Asbury Park (Sandy) {7:03}
05. Detroit Medley {7:03}
06. For You {8:26}
07. Quarter To Three {6:45}
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 1. October 2008, 20:26
Bruce Springsteen & The E Street Band / Hammersmith Odeon, London '75 (Disc-2)
Used drive : _NEC DVD+-RW ND-3450A Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 17:14.32 | 0 | 77581
2 | 17:14.32 | 9:35.70 | 77582 | 120776
3 | 26:50.27 | 9:51.46 | 120777 | 165147
4 | 36:41.73 | 7:03.15 | 165148 | 196887
5 | 43:45.13 | 7:02.42 | 196888 | 228579
6 | 50:47.55 | 8:26.08 | 228580 | 266537
7 | 59:13.63 | 6:44.63 | 266538 | 296900
Track 1
Filename H:\Stuff\EAC\01 - Kitty's Back.wav
Pre-gap length 0:00:02.00
Peak level 98.6 %
Track quality 100.0 %
Test CRC 321E2A47
Copy CRC 321E2A47
Accurately ripped (confidence 16) [9B36E434]
Copy OK
Track 2
Filename H:\Stuff\EAC\02 - Jungleland.wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC E4040715
Copy CRC E4040715
Accurately ripped (confidence 16) [E53EA207]
Copy OK
Track 3
Filename H:\Stuff\EAC\03 - Rosalita (Come Out Tonight).wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC AE8F12BE
Copy CRC AE8F12BE
Accurately ripped (confidence 16) [7565AB79]
Copy OK
Track 4
Filename H:\Stuff\EAC\04 - 4th Of July, Asbury Park (Sandy).wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC BC3A0E21
Copy CRC BC3A0E21
Accurately ripped (confidence 16) [625D7B98]
Copy OK
Track 5
Filename H:\Stuff\EAC\05 - Detroit Medley.wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC A4ED1821
Copy CRC A4ED1821
Accurately ripped (confidence 16) [D0661DD3]
Copy OK
Track 6
Filename H:\Stuff\EAC\06 - For You.wav
Peak level 96.8 %
Track quality 100.0 %
Test CRC 2ACB3423
Copy CRC 2ACB3423
Accurately ripped (confidence 16) [D8EC6597]
Copy OK
Track 7
Filename H:\Stuff\EAC\07 - Quarter To Three.wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC 2199ED5C
Copy CRC 2199ED5C
Accurately ripped (confidence 13) [E3503D0C]
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
EAC extraction logfile from 1. October 2008, 20:26
Bruce Springsteen & The E Street Band / Hammersmith Odeon, London '75 (Disc-2)
Used drive : _NEC DVD+-RW ND-3450A Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 17:14.32 | 0 | 77581
2 | 17:14.32 | 9:35.70 | 77582 | 120776
3 | 26:50.27 | 9:51.46 | 120777 | 165147
4 | 36:41.73 | 7:03.15 | 165148 | 196887
5 | 43:45.13 | 7:02.42 | 196888 | 228579
6 | 50:47.55 | 8:26.08 | 228580 | 266537
7 | 59:13.63 | 6:44.63 | 266538 | 296900
Track 1
Filename H:\Stuff\EAC\01 - Kitty's Back.wav
Pre-gap length 0:00:02.00
Peak level 98.6 %
Track quality 100.0 %
Test CRC 321E2A47
Copy CRC 321E2A47
Accurately ripped (confidence 16) [9B36E434]
Copy OK
Track 2
Filename H:\Stuff\EAC\02 - Jungleland.wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC E4040715
Copy CRC E4040715
Accurately ripped (confidence 16) [E53EA207]
Copy OK
Track 3
Filename H:\Stuff\EAC\03 - Rosalita (Come Out Tonight).wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC AE8F12BE
Copy CRC AE8F12BE
Accurately ripped (confidence 16) [7565AB79]
Copy OK
Track 4
Filename H:\Stuff\EAC\04 - 4th Of July, Asbury Park (Sandy).wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC BC3A0E21
Copy CRC BC3A0E21
Accurately ripped (confidence 16) [625D7B98]
Copy OK
Track 5
Filename H:\Stuff\EAC\05 - Detroit Medley.wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC A4ED1821
Copy CRC A4ED1821
Accurately ripped (confidence 16) [D0661DD3]
Copy OK
Track 6
Filename H:\Stuff\EAC\06 - For You.wav
Peak level 96.8 %
Track quality 100.0 %
Test CRC 2ACB3423
Copy CRC 2ACB3423
Accurately ripped (confidence 16) [D8EC6597]
Copy OK
Track 7
Filename H:\Stuff\EAC\07 - Quarter To Three.wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC 2199ED5C
Copy CRC 2199ED5C
Accurately ripped (confidence 13) [E3503D0C]
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: …\CD2
01 -=- 01 - Kitty's Back.flac -=- CDDA (100%)
02 -=- 02 - Jungleland.flac -=- CDDA (100%)
03 -=- 03 - Rosalita (Come Out Tonight).flac -=- CDDA (100%)
04 -=- 04 - 4th Of July, Asbury Park (Sandy).flac -=- CDDA (99%)
05 -=- 05 - Detroit Medley.flac -=- CDDA (100%)
06 -=- 06 - For You.flac -=- CDDA (100%)
07 -=- 07 - Quarter To Three.flac -=- CDDA (99%)
Summary 99,71% CDDA
99656916
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: …\CD2
01 -=- 01 - Kitty's Back.flac -=- CDDA (100%)
02 -=- 02 - Jungleland.flac -=- CDDA (100%)
03 -=- 03 - Rosalita (Come Out Tonight).flac -=- CDDA (100%)
04 -=- 04 - 4th Of July, Asbury Park (Sandy).flac -=- CDDA (99%)
05 -=- 05 - Detroit Medley.flac -=- CDDA (100%)
06 -=- 06 - For You.flac -=- CDDA (100%)
07 -=- 07 - Quarter To Three.flac -=- CDDA (99%)
Summary 99,71% CDDA
99656916
Live Recording
Liner Note Author: Bruce Springsteen.
Recording information: Hammersmith Odeon, London, England (1975).
Editor: Thom Zimny.
Personnel: Bruce Springsteen (vocals, guitar); Roy Bittan (vocals, piano); Clarence Clemons (saxophone, percussion); Danny Federici (keyboards); Garry Tallent (bass guitar); Max Weinberg (drums).
Audio Mixer: Bob Clearmountain.
Additional Info:
1. Covers - 6 small size jpg files, Toal size - 440Kb
Bruce Springsteen & The E Street Band: Hammersmith Odeon, London '75 (2006)
Download Bruce Springsteen & The E Street Band: Hammersmith Odeon, London '75 (2006):
HF.com - lossless:
Bruce Springsteen & The E Street Band - CD1 - part1
Bruce Springsteen & The E Street Band - CD1 - part2
Bruce Springsteen & The E Street Band - CD1 - part3
Bruce Springsteen & The E Street Band - CD1 - part4
Bruce Springsteen & The E Street Band - CD2 - part1
Bruce Springsteen & The E Street Band - CD2 - part2
Bruce Springsteen & The E Street Band - CD2 - part3
Bruce Springsteen & The E Street Band - CD2 - part4
HF.com - MP3 CBR320:
Bruce Springsteen & The E Street Band - CD1 - One file
Bruce Springsteen & The E Street Band - CD2 - One file
FS.com - lossless:
Bruce Springsteen & The E Street Band - CD1 - part1
Bruce Springsteen & The E Street Band - CD1 - part2
Bruce Springsteen & The E Street Band - CD1 - part3
Bruce Springsteen & The E Street Band - CD1 - part4
Bruce Springsteen & The E Street Band - CD2 - part1
Bruce Springsteen & The E Street Band - CD2 - part2
Bruce Springsteen & The E Street Band - CD2 - part3
Bruce Springsteen & The E Street Band - CD2 - part4
FS.com - MP3 CBR320:
Bruce Springsteen & The E Street Band - CD1 - One file
Bruce Springsteen & The E Street Band - CD2 - One file
SM.com - lossless:
Bruce Springsteen & The E Street Band - CD1 - part1
Bruce Springsteen & The E Street Band - CD1 - part2
Bruce Springsteen & The E Street Band - CD1 - part3
Bruce Springsteen & The E Street Band - CD1 - part4
Bruce Springsteen & The E Street Band - CD2 - part1
Bruce Springsteen & The E Street Band - CD2 - part2
Bruce Springsteen & The E Street Band - CD2 - part3
Bruce Springsteen & The E Street Band - CD2 - part4
SM.com - MP3 CBR320:
Bruce Springsteen & The E Street Band - CD1 - One file
Bruce Springsteen & The E Street Band - CD2 - One file
In case you encounter dead links, please send me a private message.
All thanks go to the original releaser …