Capilla Flamenca, Piffaro - Jacob Obrecht: Chansons, Songs, Motets (2005)
Capilla Flamenca, Piffaro - Jacob Obrecht: Chansons, Songs, Motets (2005)
EAC | FLAC | Image (Cue & Log) ~ 300 Mb | Total time: 64:12 | Scans included
Classical | Label: Eufoda | # Eufoda 1361 | Recorded: 2004
EAC | FLAC | Image (Cue & Log) ~ 300 Mb | Total time: 64:12 | Scans included
Classical | Label: Eufoda | # Eufoda 1361 | Recorded: 2004
Jacob Obrecht was one of the primary composers responsible for significant changes in musical style during the late fifteenth century. He was especially important to the development of larger forms, as the first composer to systematically demonstrate unified formal structure and long-range cadential planning over the course of extended works. Obrecht's approach to unity and development went beyond the simple employment of a cantus firmus or unifying gesture. He consequently personifies today's mass-as-symphony ideal most decisively. Obrecht's innovations also touched the realm of sonority, where he reaffirmed the prominence of reduced scoring passages, and pioneered a lighter sound-world in which changes in the number of active voices served to continue a broader musical argument without being ends in themselves.
Obrecht left more than thirty secular songs, although some are only weakly attributed, or likely arrangements. The courtly song genre seems to have held little appeal for him, as the songs overwhelmingly survive without text, and most with light-hearted or folksy titles. Many, and perhaps most, seem to be explicitly instrumental and are of modest length.
Despite his administrative failings, Obrecht's secular pieces point to a composer concerned first with jubilation and popular celebration. Indeed, this image comes through clearly in the rhythmically animated style of his masses as well. Obrecht can be perceived as a happy - even carefree - man in his music, and it is this sense of living for the moment which must color any view of his lapses of responsibility, rather than stereotypical thoughts of the intransigent artist. In fact, Obrecht is said to have written a mass cycle in a single night. His masses are certainly his most impressive creations today, and it is his ability to animate short phrases into lengthier sections and ultimately into large-scale forms which is nearly unmatched. Obrecht's rigorous use of cantus firmus layout may be his most immediately observable trait, but it is his music's seamless progression from small- to large-scale elements & arguments, with seeming indifference to what appear on paper to! be oppressive formal constraints, which is its most compelling quality. His music is obviously made for direct appreciation, formality aside.
The remarkable vocal and instrumental ensemble Capilla Flamenca vividly bring to life the unique timbre and evocative soundscapes of the 15th-century. They present a program of compositions in which their years of experience and thorough musicological research combine to create a highly individual sound and style.
Piffaro recreates the elegant sounds of the official, professional wind bands of the late Medieval and Renaissance periods as well as the rustic entertainments of the peasantry. Audiences from Seattle to Spoleto, Italy, have marveled at the virtuosity of the ensemble, its precision and impeccable intonation, but most of all its vitality and enthusiasm.
Performer:
Capilla Flamenca
Piffaro
Tracklist:
Jacob Obrecht (c1457/8-1505)
01. Sullen wij langhe in drucke moeten leven
02. Ave Regina caelorum
Marco dall'Aquila (c1480-a1538)
03. Rececar
Jacob Obrecht
04. Fors seulement l'attente que je meure
05. Instrumental
06. Marion la doulce
07. Beata, es, Maria
08. Instrumental
09. Weet ghij wat mijnder jongher herten deert
10. Se bien fait
11. Ie weinsche alle scoene vrauwen eere
12. Wat willen wij metten budel spelen
13. Water sij di han? Wie roupt ons daer?
14. Meiskin es u cutkin ru?
15. Rompeltier
16. Als al de weerelt in vuechden leeft
17. Instrumental
18. Laet u ghenoughen liever Johan
Anonymous
19. Tandernaken al op den Rin
Jacob Obrecht
20. Tandernaken al op den Rin
Hans Neusidler (c1508-1563)
21. Tandernaken al op den Rin
Jacob Obrecht
22. Magnificat
23. Ave maris stella
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 24. February 2024, 11:48
Capilla Flamenca, Piffaro / Obrecht . Chansons, Songs, Motets
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==== Log checksum 4FE80593491BACC3F72B43CEC8D2DF76031B50FA56E76C8F1C1475D59AFD2B07 ====
Capilla Flamenca, Piffaro - Jacob Obrecht: Chansons, Songs, Motets (2005)
Thanks to the original releaser