Cecilia Bartoli, Giovanni Antonini, Il Giardino Armonico - The Vivaldi Album (1999)
Cecilia Bartoli, Giovanni Antonini, Il Giardino Armonico - The Vivaldi Album (1999)
EAC | FLAC | Image (Cue & Log) ~ 325 Mb | Total time: 66:39 | Scans included
Classical | Label: DECCA | # 466 569-2 | Recorded: 1999
EAC | FLAC | Image (Cue & Log) ~ 325 Mb | Total time: 66:39 | Scans included
Classical | Label: DECCA | # 466 569-2 | Recorded: 1999
Mezzo Cecilia Bartoli could easily rest on her laurels as one of today's most charismatic, characterful singers for her lively portrayals of Mozart and Rossini heroines. But it's been particularly exciting to observe her growth as an artist in exploring the exuberant world of baroque opera, with its range of pyrotechnic demands–both vocal and emotional. Bartoli's show-stopping virtuosity in a Vivaldi aria from her Live in Italy recital gave a tantalizing sample of her finesse in that style. For The Vivaldi Album, Bartoli conducted extensive research into the composer's manuscripts. Although he's best known for his concertos–in typically baroque fashion, two of the arias in fact recycle material from The Four Seasons–Vivaldi was a ferociously prolific composer of operas for the cutting-edge theaters of his time, and the arias gathered here demonstrate the word-painting magic of his music, from the sylvan setting of dueting flageolets in "Di due rai languire costante" to the storm-tossed passions of "Anch'il mar par che sommerga," where Bartoli spins out ripples of rapid-fire coloratura with a gravity-defying accuracy that will leave your head spinning. In addition to many such examples of vocal acrobatics, Bartoli brings exquisite nuance and limpid tone to the delicate echo effects of "Zeffiretti, che sussurrate," and there's no better test for the remarkable flexibility of her range–full and dusky at the bottom and thrilling at the top–than the huge intervallic leaps of "Dopo un'orrida procella." With her naturally large voice, Bartoli can at times tend to histrionic excess (in the recitative to the short aria from "L'Orlando finto pazzo"), but the expressive color of her phrasing is wonderfully matched throughout by the Giardino Armonico's lively panache. All power to Bartoli in her goal of reviving this neglected aspect of Vivaldi's output.–Thomas May
Performer:
Cecilia Bartoli, mezzo-soprano
Arnold Schoenberg Chor
Il Giardino Armonico
Giovanni Antonini, conductor
Track List:
01. Dell'aura al sussurrar (Dorilla in Tempe, Atto I sc1 - Ninfa, pastori, coro)
02. Dopo un'orrida procella (Griselda, Atto III, sc 6 - Ottone)
03. Di due rai languir costante (Opera sconosciuta; aria in Foà 28)
04. Qual favellar? … Anderò, volerò, griderò (Orlando finto pazzo, Atto III sc 12 - Origille)
05. Zeffiretti, che sussurrate (Foà 28)
06. Alma oppressa (La fida ninfa, Atto I sc 9 - Licori)
07. Dite, oimè (La fida ninfa, Atto III sc 10 - Morasto)
08. Sventurata navicella (Giustino, Atto II sc 13 - Leocasta)
09. Sorte, che m'invitasti … Ho nel petto un cor sì forte (Giustino, Atto II sc 13 - Giustino)
10. Tra le follie … Siam navi all'onde algenti (L' Olimpiade, Atto II sc 5 - Aminta)
11. Gelido in ogni vena (Farnace, Atto II sc 6 - Farnace)
12. Anch'il mar par che sommerga (Bajazet [Il Tamerlano] Atto II sc 2 - Idaspe)
13. Di trombe guerriere (Teuzzone, Atto II sc 1 - Teuzzone)
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 16. March 2022, 12:25
Cecilia Bartoli, Giovanni Antonini, Il giardino Armonico / The Vivaldi Album
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==== Log checksum 01FC5717D896BC165CFF916BE00EF2901A7EC17D8C7B305DE8A1FC7266D18392 ====
Cecilia Bartoli, Giovanni Antonini, Il Giardino Armonico - The Vivaldi Album (1999)
