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Doors - Live in Boston (1970)

Posted By: uff
Doors - Live in Boston (1970)

Doors - Live in Boston (1970)
rock | 3cd | EAC Rip | Flac + Cue + Log | covers
Bright Midnight/Rhino 8122-79979-0 | rel: 2007 | 1310Mb

Several 1970 Doors concerts were officially recorded for use on the Absolutely Live album, including both of the shows they gave in Boston on April 10 of that year. This three-CD set has the early and late sets from Boston in their entirety, adding up to about three hours of music, all but two of the tracks previously unreleased. Well, three hours of mostly music, it should be clarified; it's padded by a whole lot of Jim Morrison raps and crowd reaction, to the point where it starts to seem like there's less music than speech by the end of the second show. Basically, this is the Doors very much as they sound on Absolutely Live – bluesy, a little loose and sloppy, yet still high-spirited if boozy. It's yet sloppier and looser than Absolutely Live, however, if for no reason other than it doesn't benefit from the editing together of several different performances into one double LP. That's part of the reason Doors fans want something like this, though – to hear something different from what's already in the band's official catalog, not something that's more or less a duplication of a well-known live record that's been in print since 1970. On that count, Live in Boston 1970 delivers, both in the tone of the performance and the actual set list, including several songs that aren't available in many live versions on legitimate or illegitimate releases, like "The Spy," "You Make Me Real," "Been Down So Long," and "Ship of Fools" (along with a few expected classics like "Light My Fire," "Break on Through," "Five to One," "When the Music's Over," and "Back Door Man"). There are also a bunch of unexpected covers that, as enticing as they look on paper, are rather fragmentary and half-developed (and sometimes thrown in the middle of another tune), like "Mystery Train," "Fever," "Rock Me," "Crossroads," "Summertime," and "St. James Infirmary Blues." Versions of all those songs have shown up on other live Doors releases (though not always in as good sound quality as they do here), and while they add to the value of this release by virtue of their falling outside the band's usual repertoire, they also demonstrate that the Doors weren't such a great straight blues-rock band – something that it seems like the group are changing into at times when listening to this set.
Another big part of this material's attraction (and, to some less indulgent listeners, flaws) might be the extended between-song raps, which show Morrison in even more dissolute mindset than was his frequent wont. There's banter about voting, astrology, the already-issued line "Adolf Hitler is still alive…I slept with her last night," and the taunt, "would anybody like to see my genitals?" (The crowd roars in affirmation, though Jim declines, "Forget it!") Some of that diffident toying with the audience and its worship of rock stars spills over to the performances too, with Morrison at times play-acting his way through the familiar songs the audience wants to hear most. That's especially true of the second version of "Light My Fire," where the band weaves in and out of "Fever," "Summertime," and "St. James Infirmary Blues," with Morrison wordlessly slurring rather than singing one of the verses. The band as a whole joins in the spirit on "Been Down So Long," with Ray Manzarek switching from organ to guitar, and Robbie Krieger from guitar to bass, resulting in a novel but notably out-of-tune rendition. These kind of qualities might make Live in Boston 1970 too much of a stretch for typical Doors fans, as it's not the band at their best, and certainly not the band at their tightest and most focused. For those many serious Doors fans looking for something different from what they have in their collection (official or bootleg), however, Live in Boston 1970 delivers a lot of it, in official-release-standard-sound that's far superior to what's offered on the vast majority of bootlegs.

Tracks:
Disc 1
* 1st show, 7 pm
1. "Start" - (0:07)
2. "All Right, All Right, All Right" - (0:10)
3. "Roadhouse Moan" - (1:33)
4. "Roadhouse Blues" - (4:56)
5. "Ship of Fools" (6:27)
6. "Alabama Song (Whisky Bar)" (2:02)
7. "Back Door Man" (2:16)
8. "Five To One" (9:09)
9. "When the Music's Over" (14:45)
10. "Rock Me" (7:14)
11. "Mystery Train" (7:18)
12. "Away In India" (1:54)
13. "Crossroads" (5:15)
14. "Prelude to Wake Up!" (0:48)
15. "Wake Up!" (1:33)
16. "Light My Fire" (12:32)

Disc 2
* 2nd show, 10 pm
1. "Start" (1:22)
2. "Break on Through (To the Other Side)" (8:12)
3. "I Believe In Democracy" (0:33)
4. "When The Music's Over" (14:19)
5. "Roadhouse Blues" (5:53)
6. "The Spy" (5:43)
7. "Alabama Song (Whisky Bar)" (1:40)
8. "Back Door Man" (2:27)
9. "Five to One" (7:06)
10. "Astrology Rap" (0:45)
11. "Build Me A Woman" (3:57)
12. "You Make Me Real" (3:26)
13. "Wait A Minute!" (0:44)
14. "Mystery Train" (7:52)
15. "Away In India" (2:52)
16. "Crossroads" (3:31)

Disc 3
* 2nd show, 10 pm (cont.)
1. "Band Intros" (0:35)
2. "Adolf Hitler" (0:23)
3. "Light My Fire" (5:47)
4. "Fever" [Light My Fire Cont'd] (0:23)
5. "Summertime" [Light My Fire Cont'd] (7:29)
6. "St. James Infirmary Blues" [Light My Fire Cont'd] (0:46)
7. "Graveyard Poem" [Light My Fire Cont'd] (1:13)
8. "Light My Fire" [Reprise] (2:11)
9. "More, More, More!" (0:19)
10. "Ladies & Gentlemen" (0:13)
11. "We Can't Instigate" (0:13)
12. "They Want More" (1:16)
13. "Been Down So Long" (6:13)
14. "Power Turned Off" (9:15)

Personnel:
* Jim Morrison - vocals
* Ray Manzarek - organ, keyboard bass
* Robby Krieger - electric guitar
* John Densmore - drums

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 20. March 2009, 11:51

The Doors / Live In Boston 1970 (Disc-1: First Show)

Used drive : HL-DT-STDVD-RAM GSA-H30N Adapter: 2 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 0:07.27 | 0 | 551
2 | 0:07.27 | 0:10.33 | 552 | 1334
3 | 0:17.60 | 1:33.25 | 1335 | 8334
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9 | 26:40.23 | 14:44.56 | 120023 | 186378
10 | 41:25.04 | 7:14.12 | 186379 | 218940
11 | 48:39.16 | 7:18.20 | 218941 | 251810
12 | 55:57.36 | 1:54.07 | 251811 | 260367
13 | 57:51.43 | 5:14.38 | 260368 | 283955
14 | 63:06.06 | 0:48.33 | 283956 | 287588
15 | 63:54.39 | 1:32.72 | 287589 | 294560
16 | 65:27.36 | 12:31.58 | 294561 | 350943


Range status and errors

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Filename F:\The Doors - Live In Boston 1970 (Disc-1 First Show).wav

Peak level 94.6 %
Range quality 100.0 %
Copy CRC EDB9C5D4
Copy OK

No errors occurred

End of status report
––––––-
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 21. March 2009, 14:54

The Doors / Live In Boston 1970 (Disc-2 Second Show)

Used drive : HL-DT-STDVD-RAM GSA-H30N Adapter: 2 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:21.68 | 0 | 6142
2 | 1:21.68 | 8:12.35 | 6143 | 43077
3 | 9:34.28 | 0:32.48 | 43078 | 45525
4 | 10:07.01 | 14:19.28 | 45526 | 109978
5 | 24:26.29 | 5:53.10 | 109979 | 136463
6 | 30:19.39 | 5:42.40 | 136464 | 162153
7 | 36:02.04 | 1:39.41 | 162154 | 169619
8 | 37:41.45 | 2:27.03 | 169620 | 180647
9 | 40:08.48 | 7:05.60 | 180648 | 212582
10 | 47:14.33 | 0:45.11 | 212583 | 215968
11 | 47:59.44 | 3:56.69 | 215969 | 233737
12 | 51:56.38 | 3:26.00 | 233738 | 249187
13 | 55:22.38 | 0:44.13 | 249188 | 252500
14 | 56:06.51 | 7:52.37 | 252501 | 287937
15 | 63:59.13 | 2:51.66 | 287938 | 300828
16 | 66:51.04 | 3:30.63 | 300829 | 316641


Range status and errors

Selected range

Filename F:\The Doors - Live In Boston 1970 (Disc-2 Second Show).wav

Peak level 89.8 %
Range quality 100.0 %
Copy CRC 9C62FDFA
Copy OK

No errors occurred

End of status report
––––––-
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 21. March 2009, 15:44

The Doors / Live In Boston 1970 (Disc-3 Second Show (Continued))

Used drive : HL-DT-STDVD-RAM GSA-H30N Adapter: 2 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 0:35.20 | 0 | 2644
2 | 0:35.20 | 0:22.65 | 2645 | 4359
3 | 0:58.10 | 5:47.11 | 4360 | 30395
4 | 6:45.21 | 0:23.05 | 30396 | 32125
5 | 7:08.26 | 7:28.54 | 32126 | 65779
6 | 14:37.05 | 0:46.17 | 65780 | 69246
7 | 15:23.22 | 1:12.72 | 69247 | 74718
8 | 16:36.19 | 2:11.03 | 74719 | 84546
9 | 18:47.22 | 0:18.66 | 84547 | 85962
10 | 19:06.13 | 0:13.30 | 85963 | 86967
11 | 19:19.43 | 0:13.21 | 86968 | 87963
12 | 19:32.64 | 1:15.68 | 87964 | 93656
13 | 20:48.57 | 6:12.72 | 93657 | 121628
14 | 27:01.54 | 9:15.27 | 121629 | 163280


Range status and errors

Selected range

Filename F:\The Doors - Live In Boston 1970 (Disc-3 Second Show (Continued)).wav

Peak level 93.7 %
Range quality 100.0 %
Copy CRC 3EC96AAE
Copy OK

No errors occurred

End of status report



[CUETools log; Date: 2013.05.10. 13:09:32; Version: 2.1.4]
[CTDB TOCID: euXgzl_Yx1aM0mLtKzwZpiyDMGA-] found.
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7 | (11/12) Accurately ripped
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Track [ CRC | V2 ] Status
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14 [63999dcf] (36/82) Accurately ripped
15 [2727bfd4] (35/80) Accurately ripped
16 [f1e749ef] (30/68) Accurately ripped
Offsetted by 6:
01 [c6aa8708] (00/83) No match
02 [f943b336] (00/83) No match
03 [588e2e4b] (00/81) No match
04 [68f2325d] (00/81) No match
05 [19395795] (00/82) No match
06 [1ec8bd4b] (00/82) No match
07 [683009f7] (00/82) No match
08 [395a6198] (00/82) No match
09 [bf8feba7] (00/81) No match
10 [1862ed32] (00/78) No match
11 [41d3a03b] (00/79) No match
12 [6cb535b0] (00/82) No match
13 [91e2c498] (00/80) No match
14 [bad694c4] (02/82) Accurately ripped
15 [9edc07fc] (00/80) No match
16 [a044e167] (00/68) No match

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 94,6 [EDB9C5D4] [32C3CFF0] CRC32
01 18,3 [995A1F41] [CCA626C5]
02 62,0 [87E51D8B] [E7476C43]
03 64,8 [8CFEACDC] [C6EFA98E]
04 88,9 [A34FFFBC] [D61C0593]
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06 87,4 [A1AE68D1] [3BFA42C1]
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10 89,2 [1DF18BCD] [4FEDFD2F]
11 89,0 [FE4AC779] [A51FDFA3]
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14 87,0 [D418ABDB] [2FF529DA]
15 88,7 [A11D8A23] [853CA825]
16 90,6 [703A0023] [A212DF20]

[CUETools log; Date: 2013.05.10. 13:10:26; Version: 2.1.4]
[CTDB TOCID: bnF8GbuCQLIn7eLMZva68CQdNq4-] found.
Track | CTDB Status
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3 | (10/10) Accurately ripped
4 | (10/10) Accurately ripped
5 | (10/10) Accurately ripped
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7 | (10/10) Accurately ripped
8 | (10/10) Accurately ripped
9 | (10/10) Accurately ripped
10 | (10/10) Accurately ripped
11 | (10/10) Accurately ripped
12 | ( 9/10) Accurately ripped
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Track [ CRC | V2 ] Status
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Offsetted by -132:
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05 [8a44595a] (00/78) No match (V2 was not tested)
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07 [3dbe5452] (00/77) No match (V2 was not tested)
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09 [90c0a09e] (00/79) No match (V2 was not tested)
10 [baf056aa] (00/79) No match (V2 was not tested)
11 [2491fd75] (00/78) No match (V2 was not tested)
12 [e561a6de] (00/78) No match (V2 was not tested)
13 [4e05dba5] (00/79) No match (V2 was not tested)
14 [4baa3091] (00/76) No match (V2 was not tested)
15 [f3f47259] (00/78) No match (V2 was not tested)
16 [3c3d84a9] (00/75) No match (V2 was not tested)

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 89,8 [9C62FDFA] [427E92B4] CRC32
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14 89,4 [BBB14541] [F216731A]
15 89,1 [32CB3E7B] [9D45E0A9]
16 87,9 [E2A42B79] [ECCC7DD3]
–––––-
[CUETools log; Date: 2013.05.10. 13:10:49; Version: 2.1.4]
[CTDB TOCID: f2P3IX.SlGbqeS0z0dxqnygPqlw-] found.
Track | CTDB Status
1 | (13/13) Accurately ripped
2 | (13/13) Accurately ripped
3 | (13/13) Accurately ripped
4 | (13/13) Accurately ripped
5 | (13/13) Accurately ripped
6 | (13/13) Accurately ripped
7 | (13/13) Accurately ripped
8 | (13/13) Accurately ripped
9 | (13/13) Accurately ripped
10 | (13/13) Accurately ripped
11 | (13/13) Accurately ripped
12 | (13/13) Accurately ripped
13 | (13/13) Accurately ripped
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[AccurateRip ID: 000f4f12-00a47dad-ab08810e] found.
Track [ CRC | V2 ] Status
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09 [ac4a75ca|476bb7bd] (65+10/77) Accurately ripped
10 [0046ad1b|75406f6f] (65+10/77) Accurately ripped
11 [31b93412|4bc98f78] (65+10/77) Accurately ripped
12 [cb99c07b|5d4f310e] (65+10/77) Accurately ripped
13 [479db041|9b44ba03] (65+10/77) Accurately ripped
14 [57e35509|66a3900b] (64+09/75) Accurately ripped
Offsetted by -18:
01 [422ee313] (02/79) Accurately ripped
02 [dd48ce7b] (02/79) Accurately ripped
03 [3d580c95] (02/78) Accurately ripped
04 [1f9a05c4] (02/79) Accurately ripped
05 [ee9a2867] (02/77) Accurately ripped
06 [76dee1cd] (02/79) Accurately ripped
07 [105b9182] (02/79) Accurately ripped
08 [a6de1f83] (02/77) Accurately ripped
09 [a6b0162f] (02/77) Accurately ripped
10 [c20ba95d] (02/77) Accurately ripped
11 [0c7bee30] (02/77) Accurately ripped
12 [a9b02151] (02/77) Accurately ripped
13 [a329a4a0] (02/77) Accurately ripped
14 [0c9f070e] (02/75) Accurately ripped
Offsetted by -132:
01 [c5431dbf] (00/79) No match (V2 was not tested)
02 [4a44c3f6] (00/79) No match (V2 was not tested)
03 [9209187a] (00/78) No match (V2 was not tested)
04 [bd110220] (00/79) No match (V2 was not tested)
05 [f9dc5344] (00/77) No match (V2 was not tested)
06 [9d4678f5] (00/79) No match (V2 was not tested)
07 [ad905b26] (00/79) No match (V2 was not tested)
08 [f32cd855] (00/77) No match (V2 was not tested)
09 [1b6e33a1] (00/77) No match (V2 was not tested)
10 [f462c9f6] (00/77) No match (V2 was not tested)
11 [3c6ac0dd] (00/77) No match (V2 was not tested)
12 [df98c315] (00/77) No match (V2 was not tested)
13 [57d7c8a5] (00/77) No match (V2 was not tested)
14 [8cc6adf2] (00/75) No match (V2 was not tested)

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 93,7 [3EC96AAE] [46853B98] CRC32
01 38,9 [4822C12F] [6639EE17]
02 51,7 [8558DE0C] [98E26762]
03 87,6 [B672919F] [69F48A25]
04 71,5 [4A26DE40] [69E359E1]
05 88,4 [3638D51B] [E89A0AAE]
06 41,1 [D38897B3] [85AC20DD]
07 41,3 [FC50517E] [55385339]
08 89,3 [C47B1445] [7AE23866]
09 65,2 [30606C54] [5DCB29F2]
10 34,6 [CC4B97EB] [002670FE]
11 68,6 [707692A9] [FEE0A44F]
12 78,4 [9E0B76CF] [0E4E4A41]
13 89,1 [1C7DD336] [990D291E]
14 93,7 [5461C4B6] [EF56A0B8]



Thx to the original uploader