Eric Milnes, Montréal Baroque - Johann Sebastian Bach: Cantatas pour La Nativité Nos. 61, 122, 123 & 182 (2008)
EAC | FLAC | Image (Cue & Log) ~ 321 Mb | Total time: 72:36 | Scans included
Classical | Label: ATMA Classique | # SACD2-2403 | Recorded: 2007
EAC | FLAC | Image (Cue & Log) ~ 321 Mb | Total time: 72:36 | Scans included
Classical | Label: ATMA Classique | # SACD2-2403 | Recorded: 2007
One of the most popular of the Nativity cantatas is certainly No. 122, performed the Sunday after Christmas, “The new-born baby,” with its motet-like opening chorus and flavored orchestral ritornellos that underline its pastoral nature. The recitative with three recorders playing the choir of angels is one of the most unusual and touching moments in all of Bach. No. 61, “Now come, Savior of the heathens” is an early Weimar cantata, dating from 1714, where the opening chorale is placed in the context of a French overture, its processional feeling perfectly suited to the first Sunday of Advent. Bach even submitted this work as an examination piece for the post of Cantor at the Thomas School; it was rejected as too theatrical.
Though the Rifkin doctrine is going to be exalted in the series, there is something delightfully unaffected about these performances that keep drawing me back to them. Perhaps it is the lack of “big” names (though Charles Daniels certainly has a following), or maybe the sense that all involved here are madly in love with the composer and his music, are not setting out to prove any points, and present these works with love and affection—I don’t know. I certainly plan to keep up with it. The sound is very expressive and lively, though some may be put off by the fact that the full “chorus” blends rather than stands out from the orchestra. Singers are one to a part, and I’ll leave it at that, while the orchestra is about 22, conductor Milnes filling in at the organ. We seem to be in the midst of a Bach cantata binge, and that is always welcome.–Steven E. Ritter
Performer:
Monika Mauch, soprano
Matthew White, alto
Charles Daniels, tenor
Harry Van Der Kamp, bass
Montréal Baroque
Eric Milnes, conductor
Tracklist:
Johann Sebastian Bach (1685-1750)
Nun komm, der Heiden Heiland, BWV 61
01 Overture - Nun komm, der Heiden Heiland (Chorus)
02 Rezitativ (Tenor): Der Heiland ist gekommen
03 Aria (Tenor): Komm Jesus, komm zu deiner Kirche
04 Rezitativ (Bass): Siehe, ich stehe vor der Tür und klopfe an
05 Aria (Soprano): Öffne dich, mein ganzes Herze
06 Choral: Amen, amen, komm du schoene Freudenkrone
Das neugeborne Kindelein, BWV 122
07 Choral: Das neugeborne Kindelein
08 Aria (Bass): O Menschen, die ihr täglich sündigt
09 Rezitativ (Soptano): Die Engel, welche sich zuvor
10 Choral (Alto) et Aria (Duetto: Soprano & Tenor): Ist Gott versöhnt und unser Freund, o wohl uns, die wir an ihn glaube
11 Rezitativ (Bass): Dies ist ein Tag, den selbst der Herr gemacht
12 Choral: Es bringt das rechte Jubeljahr
Liebster Immanuel, Herzog der Frommen, BWV 123
13 Chor: Liebster Immanuel, Herzog der Frommen
14 Rezitativ (Alto): Die Himmelssüßigkeit, der Auserwahlte
15 Aria (Tenor): Auch die harte Kreuzesreisz
16 Rezitativ (Bass): Kein Höllenfeind kan mich verschlingen
17 Aria (Bass): Lass, o Welt, mich aus Verachtung
18 Choral: Drum fahrt nur immer hin, ihr Eitelkeiten
Himmelskönig, sei willkommen, BWV 182
19 Sonata
20 Chor: Himelskönig, sei willkommen
21 Rezitativ (Bass): Siehe, ich komme, im Buch ist von mir geschrieben
22 Aria (Bass): Starkes Lieben, das dich, großer Gottessohn
23 Aria (Alto): Leget uuch dem Heiland unter
24 Aria (Tenor): Jesu, lass durch Wohl und Weh
25 Choral: Jesu, deine Passion ist mir lauter Freude
26 Chor: So lasset uns gehen in Salem der Frenden
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 13. May 2019, 4:48
Montreal Baroque / Bach - Cantatas for the Nativity
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==== Log checksum 9191216B30BC655BE98D69FCDBC99B035AD1AA70A87E6CB11626D2C07B732380 ====
Thanks to the original releaser