Etna - Etna (1975) [2010, Belle 101666]

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Etna - Etna (1975) [2010, Belle 101666]

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Etna were a band from Sicily who began with the name Flea In The Honey before shortening to Flea, then finally changing to Etna. They released an album under each moniker and each is a very different animal. The first was influenced by British hard rock and not very original nor beloved by progressive music fans. The second album as the band Flea was a huge jump in quality and moved firmly into RPI territory while still paying homage to hard guitar rock. Its long jamming suite is quite a monster treat for guitar lovers. Their third release as Etna was a complete change in style and prove the musicians capable artistic chameleons able to go in two different yet believable directions.

"This time they recorded a powerful instrumental fusion album fronted by guitar and electric piano, resembling Mahavishnu Orchestra or the Spanish group Iceberg." ~ Scented Garden ~

In many ways Etna is similar to other 70s stock jazz-rock and one can draw comparisons to Bella Band, Arti Mestieri, or Esagono. But just like many of these other groups, continued listening reveals depth and personality not obvious on the initial plays. All of the basics are top notch: fantastic drumming and bass guitar interplay, with occasionally fiery electric guitar solos in rock and jazz veins. There is great control and tightness but in this case it is not a dry, soulless ride. Moving away from jazz rock autopilot which many prog listeners become bored with, there is great warmth brought to Etna via interesting songs, acoustic piano, electric piano, clarinet, and even mandolin. There seems to be a conscious attempt to keep things interesting, to keep the sound from falling into predictable patterns and repetitions. "Across the Indian Ocean" is a great example with some seriously daring, spirited twists and turns in the groove. "French Picadores" is another great example of turning "jazz rock" on its head–-it's a slow, dreamy wisp of clarinet melody over a finger-picked acoustic guitar. A bit of the old Flea guitar sound breaks through on "Sentimental Lewdness" but the growl is tempered here with uplifting piano runs. Beautiful piano and mandolin are meshed together in the closer "Barbarian Serenade," which sums up the album's attempt to present jazz rock in a more emotionally appealing package. Its lovely textures build into a hypnotic listening experience. While not a masterpiece and while there are some sections that lag a bit, Etna by and large have delivered an excellent set. It's really too bad they didn't didn't stay together, this was a good band.

Fans of instrumental jazz-rock need to make the effort to find this little-known gem of the genre–-it is my feeling many of you will be pleasantly surprised by the quality and the fun level of Etna. The delivered on the 2nd Flea album and they do so again here in a completely different style.

by Finnforest, progarchives

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Etna - Etna (1975) [2010, Belle 101666]

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Having the distinction of releasing three albums under three different names but without changing their personnel, this quartet from Sicily includes the brothers Agostino and Antonio Marangolo (drums and keyboards, respectively), their cousin Carlo Pennisi on guitar, and Elio Volpini on bass and sax. Based in Rome, they played under the name FLEA ON THE HONEY and then FLEA, having released two good albums ("Flea on the Honey" in 1971 and "Topi o Uomini" in 1972) in the hard progressive rock vein. Following the release of "Topi o Uomini," bassist Elio Volpini left the band to join his keyboard-playing brother Enzi in L'UOVO DI COLOMBO. He was replaced in FLEA briefly by Fabio Pignatelli, who later left to join CHERRY FIVE and GOBLIN. FLEA then broke up for a short time.

In 1975 the original four members reunited and changed their name to ETNA. Their only eponymous album represents a major shift in musical style to Jazz Rock. The style emphasizes melodic jazz rock, similar to NOVA and IL BARICENTRO, as opposed to the lightning fast style of some of the Fusion bands of the day.

The group then broke up for the last time. Elio Volpini played with many musicians on stage and in the studio. Agostino Marangolo joined GOBLIN and was later involved in NEW PERIGEO and later in the new version of NAPOLI CENTRALE. Antonio Marangalo had a successful career as a session musician and released a solo album "Duo" in 1987. Carlo Pennisi played briefly in LIBRA, MEDITERRANEO, GOBLIN, and NEW PERIGEO. The Marangolo brothers and cousin Carlo Pennisi played together again on Agostino's 2001 solo album "Day By Day," which is supposed to be similar to WEATHER REPORT in style.

~ progarchives

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Etna - Etna (1975) [2010, Belle 101666]

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