George Hanson, Wuppertal Symphony Orchestra - Ottorino Respighi: Orchestral Works (2001)
George Hanson, Wuppertal Symphony Orchestra - Ottorino Respighi: Orchestral Works (2001)
EAC | FLAC | Image (Cue & Log) ~ 273 Mb | Total time: 69:23 | Scans included
Classical | Label: MDG | # MDG 335 1030-2 | Recorded: 2000
EAC | FLAC | Image (Cue & Log) ~ 273 Mb | Total time: 69:23 | Scans included
Classical | Label: MDG | # MDG 335 1030-2 | Recorded: 2000
These rarely heard works offer listeners an introduction to very different aspects of Respighi's orchestral oeuvre. The mighty "Metamorphoseon", a breathtaking symphonic interpretation of Bach's C minor Passacaglia, a suite on themes by Rossini as well as the world premiere recording of an early burlesque are performed by the Wuppertal Symphony Orchestra, conducted by George Hanson.
Recorded in MDG's innovative 2+2+2 technology in one of the best concert halls in Europe, the Historische Stadthalle Wuppertal is acoustically almost identical to Vienna's Musikverein, supporting the full range of dynamics that an orchestra can play.
Respighi uses different modes to vary the theme of his "Metamorphoseon" in a highly sonorous study that pulls out all the stops in the art of orchestration. His intention was to remove the archaic tonal idiom of Gregorian chant "from the Catholic liturgy and to make its artistic and human values serviceable to the modern tonal idiom" (Elsa Respighi). Each variation offers almost every instrumental group a virtuosic solo, inspiring the ambitious orchestra to unimagined heights. It is without a doubt a bravura piece in its genre.
Already quite monumental in the original, the C minor Passacaglia gains additional weight in Respighi's version, becoming more virtuosic and powerful than spiritual and introspective in character. The mighty sound of the concert organ in the Great Hall is heard in all its trembling splendour with a 64-foot stop in the pedal at the end of the piece. Warning: This magnificent "queen of instruments" may cause enthusiastic rapture!
Ottorino Respighi bequeathed an extremely multifaceted oeuvre to posterity in more than just the field of orchestral music. His music was almost completely obscured by the overwhelming success of his popular Roman tone poems and therefore for many decades was unable to command the attention it deserved. This recording redresses this imbalance and thus corrects our image of Respighi: the maestro from Bologna has to be regarded as one of the greats of the early twentieth century and one with his own unique artistic creed.
Performer:
Wuppertal Symphony Orchestra
George Hanson, conductor
Tracklist:
Ottorino Respighi (1879-1936)
Metamorphoseon. Modi XII. Tema e Variazioni (1930)
01. (Tema) Andante moderato
02. Modus 1: Moderato non troppo
03. Modus 2: Allegretto
04. Modus 3: Lento
05. Modus 4: Lento espressivo
06. Modus 5: Molto vivace
07. Modus 6: Vivo
08. Modus 7: Cadenze
09. Modus 8: Andantino mosso
10. Modus 9: Lento non troppo
11. Modus 10: Molto allegro
12. Modus 11: Molto allegro
13. Modus 12: Vivo non troppo
Rossiniana. Suite per Orchestra da "Les Riens" di G.Rossini (1925)
14. Capri e Taormina (Barcarola e Siciliana): Allegretto - Andantino
15. Lamento: Andantino maestoso
16. Intermezzo: Allegretto moderato
17. Tarantella "puro sangue": Allegro vivacissimo
18. Burlesca per Orchestra (1906): Andante - Allegretto
19. Passacaglia in do minore di Giovanni Sebastiano Bach (Interpretazione Orchestrale do Ottorini Respighi) (1930): Andante con moto
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 2. May 2023, 22:30
George Hanson / Respighi: Orchestral Works
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==== Log checksum 37BCD28597F4BC8B4E18A7221367CAC1B79CEE0C9F715C72843190431044EB2E ====
George Hanson, Wuppertal Symphony Orchestra - Ottorino Respighi: Orchestral Works (2001)
Thanks to the original releaser