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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    Gustavo Santaolalla - 21 Grams

    Posted By: seddar
    Gustavo Santaolalla - 21 Grams

    Gustavo Santaolalla - 21 Grams
    Soundtrack | year: 2002 | mp3 | 52 mb | RS.com | 168kbit (VBR)

    It's said all humans mysteriously lose 21 grams upon their death, a notion that inspires much hard-boiled philosophizing in Mexican director Alejandro Gonzalez Inarritu's structurally ambitious follow-up to Amores Perros. As in that film, several characters’ lives become intertwined via a tragic accident, but here told via a chronologically disjointed structure that's a masterfully wrought puzzle of editing and plot construction. Given that unusual structure, the musical soundtrack by Gustavo Santolalla by necessity carries much of the film's mood and emotional undercurrents in its spare, brooding cues and occasional songs. The composer's primary instruments here are a heavy-vibrato electric guitar (its tone reminiscent of the great Ry Cooder) and an equally altered accordion, set against a ambient wash of electronics and percussion that's so murky as to often seem impenetrable. The Kronos Quartet admirably matches the mood with their closing rendition of the haunting "When Our Wings Are Cut, Can We Still Fly." The hip-hop swing of Ozomati's "Cut Chemist Suite" and R&B of Ann Sexton help anchor it in a more familiar frame of reference, while Benicio del Toro's spooky, spoken-word take on "Shake, Rattle and Roll" (a performance recorded in Memphis' legendary Sun Studios, no less) effectively channels Tom Waits by way of David Lynch. Another fine example of the evocative, genre-free possibilities of modern film music. –Jerry McCulley


    1. Do We Lose 21 Grams Listen
    2. Can Things Be Better?
    3. Did This Really Happen?
    4. Cut Chemist Suite
    5. Should I Let Her Know?
    6. Can Emptiness Be Filled
    7. Shake Rattle And Roll
    8. Can I Be Forgiven?
    9. Low Rider - War
    10. Is There A Way To Help Her?
    11. Does He Who Looks For The Truth, Deserve The Punishment For Finding It?
    12. You're Losing Me
    13. Can Dry Leaves Help Us?
    14. Can We Mix The Unmixable? (Remix)
    15. Can Light Be Found In The Darkness?
    16. When Our Wings Are Cut, Can We Still Fly? - The Kronos Quartet