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Pat Metheny, Brad Mehldau - Metheny Mehldau Quartet (2007)

Posted By: gribovar
Pat Metheny, Brad Mehldau - Metheny Mehldau Quartet (2007)

Pat Metheny, Brad Mehldau - Metheny Mehldau Quartet (2007)
EAC Rip | FLAC (image+.cue+log) - 454 MB | Covers (10 MB) included
Genre: Jazz, Post-Bop, Fusion | RAR 3% Rec. | Label: Nonesuch Records (104188-2)

Guitarist Pat Metheny and pianist Brad Mehldau created a stir in 2006 with their wonderful duet recording. On that set, two of the album's ten cuts featured Mehldau's rhythm section of bassist Larry Grenadier and drummer Jeff Ballard. Quartet is a mirror image: seven of these 11 cuts are full quartet sides. The musical magic established by that collaboration sets the stage for the pair to dig deeper here. It's true that melodic and harmonic invention is the root of each of the tunes here, though that doesn't mean there isn't room to move. Metheny's Way Up recording offered ample of evidence of how compositional sophistication could accomplish virtually anything. There, the players had written parts, but also had room for improvisation within that framework. The same happens here, though the pieces are shorter. Partial evidence of this is the disc's second selection, "The Sound of Water," which has a nearly pastoral theme. But Metheny uses counterpoint on a 12-string guitar to meet Mehldau's chordal investigation. One need only go one cut further in on "Fear and Trembling," by Mehldau, to see how quickly the two can step outside their bonds while retaining their commitment. The knotty playing with distortion by Metheny moves toward the rhythm section, which establishes the kind of fluidity his sense of time requires. Mehldau's own post-bop modal solo works through the lyric frames in the tune's structure and cuts through them, finding their densities and spaces. Grenadier's elasticity as a bassist allows the time to float and shift - seemingly - without ever losing the harmonic thread even when Metheny moves outside toward the end of the cut.
The duet ballad "Don't Wait," with Metheny on acoustic guitar, comes together with all the warmth and textured lyric sensibility that their debut displayed. These two men are not at all self-conscious here; they seem to hear each other in both solo and chorus with equally gentle ears. The shimmering piano on "Towards the Light" finds Mehldau exploring those gorgeous multi-note phrases he loves so much, with Metheny reacting sparely and creating a virtual shimmering in the cut. Ballard is very impressive here as he shades his beats with cymbals and rim shots, and gives the entire cut something earthy to hang onto. There are two Latin-tinged (barely) tunes, "En la Terra Que No Olvida" (Metheny) and "Santa Cruz Slacker" (Mehldau). The former is knottier and less obvious, but the meter is one Brubeck employed a lot in the early '60s and perhaps it serves as a model here. The latter cut is more languid on the surface, but Ballard's drumming is simply out of this world as he skitters and scampers all over and in front of the band throughout. There is perhaps no surprise at how well these two communicate - especially with a rhythm section as wonderful as this one is. If there is a feeling that some tunes run together, they don't; this is not a suite, but a solid amalgam of brilliant musicianship, with a humble approach that is elegant and dignified. These guys have come up with a gorgeous and sexy creation, and listeners should be delighted to spend some time with it.
Tracklist:
01. A Night Away
02. The Sound of Water
03. Fear and Trembling
04. Don't Wait
05. Towards the Light
06. Long Before
07. En La Tierra Que No Olvida
08. Santa Cruz Slacker
09. Secret Beach
10. Silent Movie
11. Marta's Theme (from "Passagio per il Paradiso")

Total time: 01:13:15

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 31. December 2010, 17:48

Pat Metheny\Brad Mehldau / Quartet

Used drive : HL-DT-STDVD-RAM GSA-H54N Adapter: 0 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V %s


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 8:01.33 | 0 | 36107
2 | 8:01.33 | 3:57.14 | 36108 | 53896
3 | 11:58.47 | 6:59.64 | 53897 | 85385
4 | 18:58.36 | 7:13.14 | 85386 | 117874
5 | 26:11.50 | 8:13.45 | 117875 | 154894
6 | 34:25.20 | 7:00.52 | 154895 | 186446
7 | 41:25.72 | 7:45.57 | 186447 | 221378
8 | 49:11.54 | 6:12.52 | 221379 | 249330
9 | 55:24.31 | 9:10.27 | 249331 | 290607
10 | 64:34.58 | 6:08.19 | 290608 | 318226
11 | 70:43.02 | 2:31.54 | 318227 | 329605


Range status and errors

Selected range

Filename C:\EAC\Metheny Mehldau Quartet.wav

Peak level 100.0 %
Range quality 100.0 %
Test CRC 96BAE1B6
Copy CRC 96BAE1B6
Copy OK

No errors occurred


AccurateRip summary

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Track 11 accurately ripped (confidence 136) [B1D7F8FB]

All tracks accurately ripped

End of status report

[CUETools log; Date: 20.03.2021 2:12:06; Version: 2.1.4]
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2 | (546/556) Accurately ripped
3 | (546/556) Accurately ripped
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5 | (548/556) Accurately ripped
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03 [cc25d400|f525346c] (175+200/392) Accurately ripped
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04 [67c6b282] (003/389) Accurately ripped
05 [5c306610] (003/390) Accurately ripped
06 [26852d79] (003/391) Accurately ripped
07 [57c1cdf5] (003/393) Accurately ripped
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09 [058661ab] (000/391) No match (V2 was not tested)
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Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 100,0 [96BAE1B6] [E7DCDE77] CRC32
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11 89,3 [3FD55462] [71D380F4]

Thanks to Darkman