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Pavlo Beznosiuk, The Avison Ensemble - Arcangelo Corelli: Opus 1 & 3 - Church Sonatas (2014)

Posted By: ArlegZ
Pavlo Beznosiuk, The Avison Ensemble - Arcangelo Corelli: Opus 1 & 3 - Church Sonatas (2014)

Pavlo Beznosiuk, The Avison Ensemble - Arcangelo Corelli: Opus 1 & 3 - Church Sonatas (2014)
EAC | FLAC | Image (Cue & Log) ~ 789 Mb | Total time: 147:63 | Scans included
Classical | Linn Records | CKD 414 | Recorded: 2011-2012

Arcangelo Corelli is a remarkable figure in music history. He belongs to the most famous composers of the baroque era, but his oeuvre is very small in comparison with that of his peers, such as Handel or Telemann: just six collections published with an opus number and some pieces which have been preserved in manuscript. Most composers of his time contributed to more than one genre: vocal music - sacred or secular -, chamber music, orchestral works and keyboard music. Corelli confined himself to chamber music and one set of 'orchestral' music, although that term is probably not the most appropriate to characterise his concerti grossi.
Corelli also hardly travelled around as so many of his peers did. He spent almost his complete life in Rome. In the late 1680s Francesco II d'Este from Modena made several moves to persuade Corelli to enter his service, but the composer refused. He dedicated his sonatas op. 3 to the Duke who showed his appreciation with some precious gifts. The other three collections of sonatas were dedicated to Corelli's various Roman patrons. The op. 1 was dedicated to Queen Christina of Sweden who had settled in Rome after her abdication and her conversion to the Roman Catholic Church. The op. 2 and op. 4 were dedicated to two clergymen who spent much money to the arts, and in particular to music: Cardinal Pamphili and Cardinal Ottoboni respectively.
Corelli was certainly one of the most influential composers in history. Many composers were under the impression of his concerti grossi when they composed their own; one of them was Handel. The trio sonata developed into one of the main genres of chamber music in the first half of the 18th century until it was replaced by other forms, such as the keyboard trio. Such pieces were written by many composers across Europe, especially for the growing market of amateurs. They were mostly modelled after Corelli, and Telemann expressed his being influenced by the Italian master with the writing of Sonates corellisantes. However, Corelli was not the inventor of the genre. Pieces for two melody instruments and basso continuo were written as early as the first decades of the 17th century. In France - independent from Corelli - Lully composed his Trios pour de coucher du roi". Corelli put various elements together and cemented the form which was to become the basic texture of the genre for the time to come.
The four sets of trio sonatas are usually divided into two subbranches: sonate da chiesa and sonate da camera. Corelli used the term sonata da camera on the title page of his op. 2, but the other three are simply called sonate a tre. The term sonata da chiesa could suggest that they were composed for liturgical use but that is not the case. Sonatas like these were intended for domestic use, in particular in the private chambers or the concert halls of the higher echelons of society, mostly the aristocracy. There is a difference between the two pairs of sets, though: the sonate da chiesa comprise of a number of movements - mostly four - with tempo indications, such as grave, largo and allegro. The sonate da camera open with a preludio which is followed by a sequence of dances to which a tempo indication is added.
Corelli himself didn't slavishly follow the texture described above. In every set there are various sonatas with more or fewer movements than four. Although the sequence of movements follows basically the order of slow-fast-slow-fast, some movements open with a fast movement, and others have three fast and one slow movement. The op. 1 is the least structured set, and one can probably see Corelli here experimenting with the texture of the trio sonata.
Although Corelli is a famous name the attention given to his oeuvre is a little unbalanced. There are plenty recordings of the concerti grossi and the op. 5 violin sonatas but not that many of his trio sonatas. Corelli's pupil Francesco Geminiani wrote about him: "His merit was not depth of learning like that of Alessandro Scarlatti, nor great fancy or rich invention in melody or harmony, but a nice ear and most delicate taste which led him to select the most pleasing harmonies and melodies and to construct the parts so as to produce the most delightful effect upon the ear". That was meant as a compliment, but is probably understood negatively in our time. Musicians know better but ensembles - and labels - may be afraid that such recordings won't sell that well.
Interpreters can contribute to this view being turned around with engaging and expressive performances. The op. 2 and op. 4 sonatas come off best by far. The dance rhythms are very well exposed, and the slow movements are more expressive than in the op. 1 and op. 3. The sound seems to me more brilliant and warmer, and generally more of an 'Italian' vein. The two pairs of sets are available separately, and I therefore recommend the sonate da camera.

Performer:
The Avison Ensemble:
Pavlo Beznosiuk, director & violin
Caroline Balding, violin
Paula Chateauneuf, archute & guitar
Richard Tunnicliffe, cello
Roger Hamilton, harpsichord & organ

Track List:
CD1: Opus 1
Sonata da chiesa a tre in F Major, No. 1
01. I. Grave
02. II. Allegro
03. III. Largo
04. IV. Allegro
Sonata da chiesa a tre in E minor, No. 2
05. I. Grave
06. II. Vivace
07. III. Adagio
08. IV. Allegro
Sonata da chiesa a tre in A Major, No. 3
09. I. Grave
10. II. Allegro
11. III. Adagio
12. IV. Allegro
Sonata da chiesa a tre in A minor, No. 4
13. I. Vivace (attacca)
14. II. Adagio
15. III. Allegro
16. IV. Presto
17. V. Allegro
Sonata da chiesa a tre in B-flat minor, No. 5
18. I. Grave
19. II. Allegro
20. III. Adagio - Allegro
21. IV. Allegro
Sonata da chiesa a tre in B minor, No. 6
22. I. Grave
23. II. Largo
24. III. Adagio
25. IV. Allegro
Sonata da chiesa a tre in C Major, No. 7
26. I. Allegro
27. II. Grave
28. III. Allegro
Sonata da chiesa a tre in C minor, No. 8
29. I. Grave
30. II. Allegro
31. III. Largo
32. IV. Vivace
Sonata da chiesa a tre in G Major, No. 9
33. I. Allegro
34. II. Allegro
35. III. Adagio
36. IV. Allegro - Adagio
Sonata da chiesa a tre in G minor, No. 10
37. I. Grave
38. II. Allegro (attacca)
39. III. Allegro
40. IV. Adagio
41. V. Allegro
Sonata da chiesa a tre in D minor, No. 11
42. I. Grave
43. II. Allegro
44. III. Adagio
45. IV. Allegro
Sonata da chiesa a tre in D Major, No. 12
46. I. Grave
47. II. Largo e puntato
48. III. Grave
49. IV. Allegro
CD2: Opus III
Sonata da chiesa a tre in F Major, No. 1
01. I. Grave
02. II. Allegro
03. III. Vivace
04. IV. Allegro
Sonata da chiesa a tre in D Major, No. 2
05. I. Grave
06. II. Allegro
07. III. Adagio
08. IV. Allegro
Sonata da chiesa a tre in B-flat Major, No. 3
09. I. Grave
10. II. Vivace
11. III. Largo
12. IV. Allegro
Sonata da chiesa a tre in B minor, No. 4
13. I. Largo
14. II. Vivace
15. III. Adagio
16. IV. Presto
Sonata da chiesa a tre in D minor, No. 5
17. I. Grave
18. II. Allegro
19. III. Largo
20. IV. Allegro
Sonata da chiesa a tre in G Major, No. 6
21. I. Vivace
22. II. Grave
23. III. Allegro
24. IV. Allegro
Sonata da chiesa a tre in E minor, No. 7
25. I. Grave
26. II. Allegro
27. III. Adagio
28. IV. Allegro
Sonata da chiesa a tre in C Major, No. 8
29. I. Largo
30. II. Allegro
31. III. Largo
32. IV. Allegro
Sonata da chiesa a tre in F minor, No. 9
33. I. Grave
34. II. Vivace
35. III. Largo
36. IV. Allegro
Sonata da chiesa a tre in A minor, No. 10
37. I. Vivace
38. II. Allegro
39. III. Adagio
40. IV. Allegro
Sonata da chiesa a tre in G minor, No. 11
41. I. Grave
42. II. Presto
43. III. Adagio
44. IV. Allegro
Sonata da chiesa a tre in A minor, No. 12
45. I. Grave
46. II. Vivace
47. III. Allegro
48. IV. Allegro
49. V. Allegro


Exact Audio Copy V1.6 from 23. October 2020

EAC extraction logfile from 10. July 2021, 17:40

The Avison Ensemble / Beznosiuk / Corelli Church Sonatas Op.1 & 3

Used drive : PIONEER BD-RW BDR-209D Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%


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Range status and errors

Selected range

Filename V:\Videos\LittleGrecy.Corelli.Church.Sonatas.The.Avision.Ensemble\CD1\The Avison Ensemble , Beznosiuk - Corelli Church Sonatas Op.1 & 3.wav

Peak level 59.9 %
Extraction speed 8.2 X
Range quality 100.0 %
Test CRC A89B1459
Copy CRC A89B1459
Copy OK

No errors occurred


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Exact Audio Copy V1.6 from 23. October 2020

EAC extraction logfile from 10. July 2021, 18:03

The Avison Ensemble / Beznosiuk / Corelli Church Sonatas Op.1 & 3

Used drive : PIONEER BD-RW BDR-209D Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%


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Range status and errors

Selected range

Filename V:\Videos\LittleGrecy.Corelli.Church.Sonatas.The.Avision.Ensemble\CD2\The Avison Ensemble , Beznosiuk - Corelli Church Sonatas Op.1 & 3.wav

Peak level 69.1 %
Extraction speed 8.3 X
Range quality 99.9 %
Test CRC ED644C37
Copy CRC ED644C37
Copy OK

No errors occurred


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End of status report

–– CUETools DB Plugin V2.1.6

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49 | (29/30) Accurately ripped

Pavlo Beznosiuk, The Avison Ensemble - Arcangelo Corelli: Opus 1 & 3 - Church Sonatas (2014)

Thanks to the original releaser