Richard Egarr, The Academy of Ancient Music - Jan Ladislav Dussek: Messe Solemnelle (2020)
Richard Egarr, The Academy of Ancient Music - Jan Ladislav Dussek: Messe Solemnelle (2020)
EAC | FLAC | Tracks (Cue & Log) ~ 283 Mb | Total time: 60:14 | Scans included
Classical | Label: AAM | # AAM011 | Recorded: 2019
EAC | FLAC | Tracks (Cue & Log) ~ 283 Mb | Total time: 60:14 | Scans included
Classical | Label: AAM | # AAM011 | Recorded: 2019
Jan Ladislav Dussek was perhaps Europe's greatest pianist until Beethoven came along, and much of his music involves the piano. He wrote works in many genres, however, including some substantial choral music at the end of his life that, in places, looked forward to Schubert. Consider this Messe Solemnelle in G major, an hourlong work that receives not only its world premiere recording but possibly its first performance in any form; it was discovered by Academy of Ancient Music director Richard Egarr in a Florence library. Physical CD buyers will get a weighty scholarly apparatus, but even online listeners will find an enjoyable work that could easily find its way into the choral repertory. Dussek's setting of the mass text is impressively varied: he has some splendid fugues, not always in the usual places (try the Kyrie II). The Resurrexit is marked by a big trumpet-and-timpani movement reminiscent of Haydn's Lord Nelson Mass, and in general, Dussek is closer to Haydn and to Beethoven's Mass in C major, Op. 86, of just a few years before, than he is to Mozart. There are operatic solos, and for these, one might hope, given the dimensions of the work, for more powerful singing than they receive here. There are non-contrapuntal choruses that have a warm, Schubertian quality even as they maintain considerable complexity. The most impressive example is the final Dona nobis pacem, weaving all of the forces together. The period instruments of Egarr's Academy of Ancient Music bring the work brilliantly to life even if the choir of 20 is a bit underpowered. In general, this album revives a lost work of real value, and it deserves the commercial success it has had.–James Manheim
Performer:
Stefanie True, soprano
Helen Charlston, mezzo-soprano
Gwilym Bowen, tenor
Morgan Pearse, bass-baritone
Choir of the AAM
Academy of Ancient Music
Richard Egarr, conductor
Tracklist:
Jan Ladislav Dussek (1760-1812)
Messe Solemnelle in G Major, C. 256
01. First Kyrie. Andante maestoso
02. Christe. Duo: Larghetto non troppo lento
03. Kyrie. Tempo primo, Andante maestoso
04. Second Kyrie. Fuga: Allegro moderato - Più allegro e con fuoco
05. Gloria. Allegro con brio
06. Qui tollis. Larghetto ma con moto
07. Quoniam. Andantino vivace
08. Cum Sancto. Fuga: Allegro
09. Credo. Allegro moderato assai
10. Et incarnatus est. Adagio
11. Et resurrexit. Allegro assai
12. Et in Spiritum. Arietta: Larghetto con moto
13. [Qui locutus est] Tempo primo
14. Et vitam venturi. Fugato: Allegro moderato
15. Sanctus. Allegro ma non troppo - Molto allegro
16. Benedictus. Larghetto espressivo, e sostenuto
17. [Hosanna]. Allegro assai
18. Agnus Dei. Adagio con moto
19. Dona nobis pacem. Allegretto ma molto moderato
Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 16. November 2020, 16:02
Richard Egarr, The Academy of Ancient Music / Dussek - Messa Solomnelle in G Major, C. 256
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==== Log checksum 21AEFC70AF62AD9054A3E48A2E97AD48BE39D29EA0D128E32C333966E075F678 ====
Richard Egarr, The Academy of Ancient Music - Jan Ladislav Dussek: Messe Solemnelle (2020)
Thanks to the original releaser