Scott Ross - George Frideric Handel: 8 suites pour clavecin [1720] (1992)
EAC | FLAC | Image (Cue & Log) ~ 735 Mb | Total time: 57:39+53:52 | Scans included
Classical | Label: Erato | # ECD 75195 | Recorded: 1986
EAC | FLAC | Image (Cue & Log) ~ 735 Mb | Total time: 57:39+53:52 | Scans included
Classical | Label: Erato | # ECD 75195 | Recorded: 1986
In the early decades of the 18th century, Amsterdam was one of the most important publishing cities in the world. Vivaldi, Corelli, Albinoni and Locatelli all chose to publish in Amsterdam rather than in Venice because of the superior quality of Amsterdam publications. But pirate copies soon came on the market, for which the composer did not receive a penny. In 1719 – from the presses of the reputable publisher Roger no less – an unauthorised version of a number of Handel’s pieces for harpsichord appeared. In 1720 Handel responded with an edition of his own:
‘I have been obliged to publish some of the following Lessons, because surrepticious and incorrect Copies of them had got Abroad. I have added several new ones to make the Work more useful, which if it meets with a favourable Reception; I will still proceed to publish more, reckoning it my duty, with my Small Talent, to serve a Nation from which I have receiv’d so Generous a protection.’
The ‘Suites de pièces pour le clavecin – Premier volume’
Handel thus brought together new and old material, but just what was old and what was new we do not know. Probably some of the work dated from his student days in Germany, some from his years in Italy, and the new material from his time in London. The German folksongs in the Air of the Suite in d [track 5] and the Passacaille from the Suite in g [track 16] could well have been composed in his German years, as could some of the Fugues. The Suite in F, with its variation of Adagios and Allegros, takes the form of an Italian Sonata da Chiesa – could the entire Suite have been composed in Italy? Then the opening sections of the Suite in d [track 1] and the one in g [track 11] in particular sound very French. However, they could equally have been written in London.
The Suites HWV 323 to HWV 433 are known collectively as the ‘Grand Suites’. A showcase of Handel’s ability, they reveal him to be a master of every European style. The pieces were hugely popular and were even republished. Handel was apparently pleased with them himself; for one thing, he was later to use the Presto from the Suite in d [track 6] as the closing section of the Concerto Grosso Op. 3 No. 6. The harpsichord pieces are a match for the very best work for the instrument by his contemporaries.–Alexander Klapwijk
Performer:
Scott Ross, clavecin
Tracklist:
George Frideric Handel (1685-1759)
CD1:
01. Suite 1 En La Majeur: Prélude
02. Allemande
03. Courante
04. Gigue
05. Suite 2 En Fa Majeur: Adagio
06. Allegro
07. Adagio
08. Fugue
09. Suite 3 En Ré Mineur: Prélude
10. Fugue
11. Allemande
12. Courante
13. Air
14. Suite 3 En Ré Mineur: Variation 1
15. Variation 2
16. Variation 3
17. Variation 4
18. Variation 5
19. Presto
20. Suite 4 En Mi Mineur: Fugue
21. Allemande
22. Courante
23. Sarabande
24. Gigue
CD2:
01. Suite 5 En Mi Majeur: Prélude
02. Allemande
03. Courante
04. Air Con Variazioni
05. Suite 5 En Mi Majeur: Variation 1
06. Variation 2
07. Variation 3
08. Variation 4
09. Variation 5
10. Suite 6 En Fa Dièse Majeur: Prélude
11. Largo, Fugue
12. Gigue
13. Suite 7 En Sol Mineur: Ouverture
14. Andante
15. Allegro
16. Sarabande
17. Gigue
18. Passacaglia
19. Suite 8 En Fa Mineur: Prélude
20. Fuga
21. Allemande
22. Courante
23. Gigue
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 8. April 2019, 18:02
Scott Ross / Handel - 8 Suites pour Clavecin (1720) (Disc 1)
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==== Log checksum C12DE91025BD8A1EE279FADB6A606B4F6CE7FC74E38BE8494FAA3E87CA1D8C32 ====
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 8. April 2019, 18:47
Scott Ross / Handel - 8 Suites pour Clavecin (1720) (Disc 2)
Used drive : ATAPI iHAS124 F Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
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==== Log checksum 3EDBA4365AD55C471256D8F624FB63EBCFAB36B461C51564D31300A9253A316D ====
Thanks to the original releaser