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    The Purcell Quartet - Johann Sebastian Bach: Early Cantatas, Vol. 3 - Weimar Cantatas II (2008)

    Posted By: ArlegZ
    The Purcell Quartet - Johann Sebastian Bach: Early Cantatas, Vol. 3 - Weimar Cantatas II (2008)

    The Purcell Quartet - Johann Sebastian Bach: Early Cantatas, Vol. 3 - Weimar Cantatas II (2008)
    EAC | FLAC | Image (Cue & Log) ~ 387 Mb | Total time: 87:59 | Scans included
    Classical | Label: Chandos | CHAN0752 | Recorded: 2007

    This 2-CD set with The Purcell Quartet and a distinguished group of soloists is the third in a series devoted to Bach’s early cantatas and the second focussing on the Weimar period. On an earlier release, International Record Review wrote, ‘The Purcell Quartet and guests are most welcome: even the most distinguished of period performers with larger ensembles can’t achieve the intimacy that the forces here have at their disposal’.
    Uniquely, but following historical precedent, The Purcell Quartet employs single voices, rather than a choir. The stance is still controversial, but recreates the works as they would have been performed originally, and therefore stands out from the more conventional approach, the product of subsequent developments of massed choral singing. Accompanied by The Purcell Quartet and their guest instrumentalists are the vocal soloists Emma Kirkby, Michael Chance, Charles Daniels and Peter Harvey. Individual vocal and instrumental lines are allowed to be heard to their full effect, which greatly enhances the impact and meaning of the cantata texts.
    This programme contains three cantatas dating from 1714, the year in which Bach was promoted to the post of Konzertmeister at the ducal court in Weimar. His responsibilities now included the composition of concerted sacred vocal music, including the writing of cantatas at regular intervals for Sundays and feast days of the liturgical year. Bach performed all three works collected on this pair of discs several times. They are presented here as they would have been heard in Weimar at their 1714 performances. The first two works, Erschallet, ihr Lieder, BWV 172 and Himmelskönig, sei willkommen, BWV 182, have much in common in tone and atmosphere: both are essentially jubilant at the prospect of the heavenly eternity awaiting the good Christian at the end of his life, and the images of the Trinity led Bach to employ three trumpets in BWV 172. In BWV 182 there is, instead of trumpets and drums, an intimate conversation principally between violin and recorder. The jubilant mood of these two cantatas is juxtaposed with that of Ich hatte viel Bekümmernis, BWV 21, which exudes a feeling of despair, only for Bach to bring in trumpets and drums at the end as hope gradually begins to dawn.
    The Weimar cantatas of J.S. Bach form an exceptional body of work and it is thrilling to hear them performed in a way that Bach would have recognised, and by artists respected in the early music field.

    Performer:
    Emma Kirkby, soprano
    Michael Chance, counter-tenor
    Charles Daniels, tenor
    Peter Harvey, bass
    The Purcell Quartet

    Tracklist:
    Johann Sebastian Bach (1685-1750)
    CD1:
    Cantata No. 172, "Erschallet, ihr Lieder," BWV 172 (BC A81)
    01. 1. Coro. Erschallet, ihr Lieder, erklinget, ihr Saiten!
    02. 2. Recitativo. Wer mich liebet, der wird mein Wort halten
    03. 3. Aria. Heiligste Dreieinigkeit
    04. 4. Aria. O Seelenparadies
    05. 5. Aria (Duetto). Komm, laß mich nicht länger warten
    06. 6. Choral. Von Gott kömmt mir ein Freudenschein
    07. 7. Coro. Erschallet, ihr Lieder, erklinget, ihr Saiten!
    Cantata No. 182, "Himmelskönig, sei willkommen," BWV 182 (BC A53)
    08. 1. Sonata. Grave. Adagio
    09. 2. Coro. Himmelskönig, sei willkommen
    10. 3. Recitativo. Siehe, ich komme. [ ] - Andante
    11. 4. Aria. Starkes Lieben
    12. 5. Aria. Leget euch dem Heiland unter. Largo - Andante
    13. 6. Aria. Jesu, laß durch Wohl und Weh'
    14. 7. Choral. Jesu, deine Passion
    15. 8. Coro. So lasset uns gehen in Salem der Freuden
    CD2:
    Cantata No. 21, "Ich hatte viel Bekümmernis," BWV 21 (BC A99)
    First Part
    01. 1. Sinfonia. Adagio assai
    02. 2. Coro. Ich hatte viel Bekümmernis in meinem Herzen. Lente - Adagio - Vivace - Andante
    03. 3. Aria. Seufzer, Tränen, Kummer, Not. Molt'adagio
    04. 4. Recitativo. Wie hast du dich, mein Gott
    05. 5. Aria. Bäche von gesalznen Zähren. Largo - Un poc'allegro - Adagio
    06. 6. Coro. Was betrübst du dich, meine Seele. Adagio - Spiritoso - Adagio - [ ] - Adagio
    Second Part
    07. 7. Recitativo (Dialog). Ach Jesu, meine Ruh
    08. 8. Aria (Duetto). Komm, mein Jesu, und erquicke
    09. 9. Coro. Sei nun wieder zufrieden, meine Seele
    10. 10. Aria. Erfreue dich, Seele, erfreue dich, Herz
    11. 11. Coro. Das Lamm, das erwürget ist. Grave - Allegro


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    Exact Audio Copy V1.3 from 2. September 2016

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    ==== Log checksum E118C12BE23E74AF77307DDB5AB7B694C41CC104E6FCBC816FB1BDEDAE5BBAC4 ====

    The Purcell Quartet - Johann Sebastian Bach: Early Cantatas, Vol. 3 - Weimar Cantatas II (2008)

    Thanks to the original releaser