Tony Bennett - All Time Greatest Hits (2011)
Tony Bennett - All Time Greatest Hits (2011)
XLD Rip | FLAC Image + Cue + Log => 396 MB | MP3 CBR @320 kbps => 167 MB | Full scans => 38.7 MB
Label: Sony Music Entertainment UK | Catalog.#: 88697985612 | Genre: Jazz, Vocal jazz
XLD Rip | FLAC Image + Cue + Log => 396 MB | MP3 CBR @320 kbps => 167 MB | Full scans => 38.7 MB
Label: Sony Music Entertainment UK | Catalog.#: 88697985612 | Genre: Jazz, Vocal jazz
Tony Bennett's career has enjoyed three distinct phases, each of them very successful. In the early '50s, he scored a series of major hits that made him one of the most popular recording artists of the time. In the early '60s, he mounted a comeback as more of an adult-album seller. And from the mid-'80s on, he achieved renewed popularity with generations of listeners who hadn't been born when he first appeared. This, however, defines Bennett more in terms of marketing than music. He himself probably would say that, in each phase of his career, he has remained largely constant to his goals of singing the best available songs the best way he knows how. Popular taste may have caused his level of recognition to increase or decrease, but he continued to sing popular standards in a warm, husky tenor, varying his timing and phrasing with a jazz fan's sense of spontaneity to bring out the melodies and lyrics of the songs effectively. By the start of the 21st century, Bennett seemed like the last of a breed, but he remained as popular as ever.Track Listing
Bennett grew up in the Astoria section of the borough of Queens in New York City under the name Anthony Dominick Benedetto. His father, a grocer, died when he was about ten after a lingering illness that had forced his mother to become a seamstress to support the family of five. By then, he was already starting to attract notice as a singer, performing beside Mayor Fiorello La Guardia at the opening of the Triborough Bridge in 1936. By his teens, Bennett had set his sights on becoming a professional singer. After briefly attending the High School of Industrial Arts (now known as the High School of Art and Design), where he gained training as a painter, he dropped out of school at 16 to earn money to help support his family, meanwhile also performing at amateur shows. Upon his 18th birthday in 1944, he was drafted into the Army, and he saw combat in Europe during World War II. Mustered out in 1946, he went back to trying to make it in music, and he attended the American Theater Wing on the GI Bill. By the end of the 1940s, he had acquired a manager and was working regularly around New York. He got a break when Bob Hope saw him performing with Pearl Bailey in Greenwich Village and put him into his stage show, also suggesting a name change to Tony Bennett. In 1950, Columbia Records A&R director Mitch Miller heard his demonstration recording of "The Boulevard of Broken Dreams" and signed him to the label.
Tony Bennett's career has enjoyed three distinct phases, each of them very successful. In the early '50s, he scored a series of major hits that made him one of the most popular recording artists of the time. In the early '60s, he mounted a comeback as more of an adult-album seller. And from the mid-'80s on, he achieved renewed popularity with generations of listeners who hadn't been born when he first appeared. This, however, defines Bennett more in terms of marketing than music. He himself probably would say that, in each phase of his career, he has remained largely constant to his goals of singing the best available songs the best way he knows how. Popular taste may have caused his level of recognition to increase or decrease, but he continued to sing popular standards in a warm, husky tenor, varying his timing and phrasing with a jazz fan's sense of spontaneity to bring out the melodies and lyrics of the songs effectively. By the start of the 21st century, Bennett seemed like the last of a breed, but he remained as popular as ever.
Bennett grew up in the Astoria section of the borough of Queens in New York City under the name Anthony Dominick Benedetto. His father, a grocer, died when he was about ten after a lingering illness that had forced his mother to become a seamstress to support the family of five. By then, he was already starting to attract notice as a singer, performing beside Mayor Fiorello La Guardia at the opening of the Triborough Bridge in 1936. By his teens, Bennett had set his sights on becoming a professional singer. After briefly attending the High School of Industrial Arts (now known as the High School of Art and Design), where he gained training as a painter, he dropped out of school at 16 to earn money to help support his family, meanwhile also performing at amateur shows. Upon his 18th birthday in 1944, he was drafted into the Army, and he saw combat in Europe during World War II. Mustered out in 1946, he went back to trying to make it in music, and he attended the American Theater Wing on the GI Bill. By the end of the 1940s, he had acquired a manager and was working regularly around New York. He got a break when Bob Hope saw him performing with Pearl Bailey in Greenwich Village and put him into his stage show, also suggesting a name change to Tony Bennett. In 1950, Columbia Records A&R director Mitch Miller heard his demonstration recording of "The Boulevard of Broken Dreams" and signed him to the label.
In 1962, Bennett introduced "I Left My Heart in San Francisco," a ballad written by two unknown songwriters, George Cory and Douglass Cross, who had pitched it to his pianist, Ralph Sharon. Released as a single, the song took time to catch on, and although it peaked only in the Top 20, it remained on one or the other of the national charts for almost nine months. It became Bennett's signature song and pushed his career to a higher level. The I Left My Heart in San Francisco album reached the Top Five and went gold, and the single won Bennett Grammy Awards for Record of the Year and Best Solo Vocal Performance, Male. Bennett's next studio album, 1963's I Wanna Be Around…, also made the Top Five, and its title track was another Top 20 hit, as was his next single, "The Good Life," also featured on the album. For the next three years, his albums consistently placed in the Top 100, along with a series of charting singles that included the Top 40 hits "Who Can I Turn To (When Nobody Needs Me)" (from the Broadway musical The Roar of the Greasepaint, the Smell of the Crowd) and "If I Ruled the World" (from the Broadway musical Pickwick).
01. I Left My Heart In San Francisco - D. Cross , G.Cory - 2:53
02. Stranger In Paradise - G. Forest , R. Wright, A. Borodin - 3:03
03. The Good Life - S. Distel , J. Reardon - 2:15
04. Fly Me To The Moon - B. Howard - 4:11
05. Rags To Riches - R. Adler , J. Ross - 2:49
06. For Once In My Life - Ronald Miller , Orlando Murden - 3:22
07. A Rainy Day - A. Schwartz, H. Dietz - 3:03
08. I Wanna Be Around - Johnny Mercer, Sadie Vimmerstedt - 2:10
09. Put On A Happy Face - C.Strouse, L .Adams - 2:38
10. Smile - C. Chaplin , J.Turner , G. Parsons - 2:50
11. Who Can I Turn To (When Nobody Needs Me) - Leslie Bricusse, Anthony Newley - 2:55
12. Just In Time - Betty Comden, Adolph Green, Jule Styne - 2:32
13. Steppin’ Out With My Baby - Irving Berlin - 2:52
14. Take The ’A’ Train/Don´t Get Around Muchany More - Duke Ellington, Bob Russell - 3:16
15. Night & Day - C. Potter - 3:35
16. Something - G. Harrison - 3:19
17. Everybody´s Talkin' - F. Neil - 3:40
18. Where Do I Begin (Love Story) - C. Sigman , F. Lai - 3:55
19. Cheek To Cheek - I. Berlin - 3:25
20. One For My Baby (And One More For The Road) - J. Mercer, H.Arlen - 3:25
21. It Had To Be You - Gus Kahn , Isham Jones - 3:16
22. Sing You Sinners - duet with John Legend - Sam Coslow , W. Franke Harling - 2:17
23. The Best Is Yet To Come - C. Coleman , C. Leigh - 2:29
X Lossless Decoder version 20130720 (144.0)
XLD extraction logfile from 2013-10-06 22:13:44 +0300
Tony Bennett / All Time Greatest Hits
Used drive : MATSHITA DVD-R UJ-898 (revision HC09)
Media type : Pressed CD
Ripper mode : XLD Secure Ripper
Disable audio cache : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction : 102
Max retry count : 20
Gap status : Analyzed, Appended
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 00:00:00 | 02:51:31 | 0 | 12855
2 | 02:51:31 | 03:05:24 | 12856 | 26754
3 | 05:56:55 | 02:15:38 | 26755 | 36917
4 | 08:12:18 | 04:11:68 | 36918 | 55810
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8 | 21:36:19 | 02:11:00 | 97219 | 107043
9 | 23:47:19 | 02:38:45 | 107044 | 118938
10 | 26:25:64 | 02:50:51 | 118939 | 131739
11 | 29:16:40 | 02:56:51 | 131740 | 144990
12 | 32:13:16 | 02:33:11 | 144991 | 156476
13 | 34:46:27 | 02:53:44 | 156477 | 169495
14 | 37:39:71 | 03:17:35 | 169496 | 184305
15 | 40:57:31 | 03:35:08 | 184306 | 200438
16 | 44:32:39 | 03:20:73 | 200439 | 215511
17 | 47:53:37 | 03:42:17 | 215512 | 232178
18 | 51:35:54 | 03:56:32 | 232179 | 249910
19 | 55:32:11 | 03:27:21 | 249911 | 265456
20 | 58:59:32 | 03:27:04 | 265457 | 280985
21 | 62:26:36 | 03:16:25 | 280986 | 295710
22 | 65:42:61 | 02:18:49 | 295711 | 306109
23 | 68:01:35 | 02:33:27 | 306110 | 317611
List of alternate offset correction values
# | Absolute | Relative | Confidence
–––––––––––––––––––––
1 | 66 | -36 | 2
AccurateRip Summary (DiscID: 00395aee-03c14996-7c108a17)
Track 01 : OK (v2, confidence 8/10)
Track 02 : OK (v2, confidence 8/10)
Track 03 : OK (v2, confidence 8/10)
Track 04 : OK (v2, confidence 8/10)
Track 05 : OK (v2, confidence 8/10)
Track 06 : OK (v2, confidence 8/10)
Track 07 : OK (v2, confidence 8/10)
Track 08 : OK (v2, confidence 8/10)
Track 09 : OK (v2, confidence 8/10)
Track 10 : OK (v2, confidence 8/10)
Track 11 : OK (v2, confidence 8/10)
Track 12 : OK (v2, confidence 8/10)
Track 13 : OK (v2, confidence 8/10)
Track 14 : OK (v2, confidence 8/10)
Track 15 : OK (v2, confidence 8/10)
Track 16 : OK (v2, confidence 8/10)
Track 17 : OK (v2, confidence 8/10)
Track 18 : OK (v2, confidence 8/10)
Track 19 : OK (v2, confidence 8/10)
Track 20 : OK (v2, confidence 8/10)
Track 21 : OK (v2, confidence 8/10)
Track 22 : OK (v2, confidence 8/10)
Track 23 : OK (v2, confidence 8/10)
->All tracks accurately ripped.
All Tracks
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No errors occurred
End of status report
[CUETools log; Date: 10/8/2013 10:33:56 PM; Version: 2.1.4]
[AccurateRip ID: 00395aee-03c14996-7c108a17] found.
Track [ CRC | V2 ] Status
01 [1aad2046|94f02fff] (00+08/10) Accurately ripped
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11 [0a23635e|526f6800] (00+08/10) Accurately ripped
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18 [442990c7|e609fe63] (00+08/10) Accurately ripped
19 [6e9b56fd|afe2b5ea] (00+08/10) Accurately ripped
20 [e3de2146|010194fc] (00+08/10) Accurately ripped
21 [a8b61dc6|0c5fadd4] (00+08/10) Accurately ripped
22 [33135ac3|27d1c02c] (00+08/10) Accurately ripped
23 [0bcf7a1d|4675e0e8] (00+08/10) Accurately ripped
Offsetted by -36:
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07 [6ce87981] (00/10) No match (V2 was not tested)
08 [4690cc01] (00/10) No match (V2 was not tested)
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14 [05662c02] (00/10) No match (V2 was not tested)
15 [b04b499e] (00/10) No match (V2 was not tested)
16 [77addf95] (00/10) No match (V2 was not tested)
17 [e309da3f] (00/10) No match (V2 was not tested)
18 [9c37b5ad] (00/10) No match (V2 was not tested)
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Track Peak [ CRC32 ] [W/O NULL]
– 100.0 [9BD5D832] [543A6CDC]
01 82.9 [ED980C6E] [E4626BC6]
02 87.0 [8A179ECF] [E0784A12]
03 87.8 [4E36DDEF] [E06FBD27]
04 90.7 [8E1EFF00] [5AED4D19]
05 100.0 [F3E1898B] [5570F7A4]
06 100.0 [88ECCF7E] [C50F73F9]
07 99.6 [4AD16077] [009E1EE8]
08 99.8 [83C57DFE] [A053D060]
09 62.8 [EDBC3EC3] [3FAF19E3]
10 72.8 [60140266] [ED4BFA54]
11 100.0 [9278817E] [93C93876]
12 74.8 [3A352DA6] [DD9C93D7]
13 100.0 [A07DD28E] [C376E4F5]
14 99.8 [14693D23] [87BE49D8]
15 77.5 [7B6781AD] [DAC1937C]
16 71.1 [9ECCA636] [017EFB21]
17 86.3 [5FFC2B13] [9B67514D]
18 68.9 [BFE62993] [FBBE76AF]
19 90.0 [71AA4F92] [9BF08AED]
20 86.6 [D730D3BD] [A6201B41]
21 87.4 [536A9011] [02D5F47C]
22 100.0 [488C33C4] [464E2E6A]
23 90.1 [58FBEAB7] [2A775A50]
CD Released Date: 2011
Format: CD, Compilation
Length: 70:34
Tony Bennett - All Time Greatest Hits (2011)
Tony Bennett - All Time Greatest Hits (2011)
CD Rip by igaann
If you have any questions about this publication, please send me a private message.
If you have any questions about this publication, please send me a private message.