Wolfgang Rübsam - Johann Sebastian Bach: Clavierübung III, Vol. 1 (1994)
Wolfgang Rübsam - Johann Sebastian Bach: Clavierübung III, Vol. 1 (1994)
EAC | FLAC | Image (Cue & Log) ~ 280 Mb | Total time: 61:21 | Scans included
Classical | Label: Naxos | 8.550929 | Recorded: 1993
EAC | FLAC | Image (Cue & Log) ~ 280 Mb | Total time: 61:21 | Scans included
Classical | Label: Naxos | 8.550929 | Recorded: 1993
The third volume of the Clavierübung, a collection of various chorale preludes described as on the catechism and other songs, was assembled in 1739 in Leipzig. Known as the Organ Mass, corresponding as it does, in part, to the movements of the Mass, the work is framed by the Prelude and Fugue in E flat major, BWV 552, the fugue known to English audiences as the St. Anne Fugue, because of the resemblance of the opening of the fugal subject to the well known Croft hymn-tune of that name usually coupled with the words O God, our help in ages past. The dotted rhythms of the Prelude make an impressive opening, with its concerto grosso contrasts of dynamics. The elaboration of the Kyrie, Gott Vater in Ewigkeit (Kyrie, God, the Father eternal) has the cantus firmus in the upper part, prefigured in the earlier entry of tenor, alto and bass in a quicker diminution of the chant. What in vocal terms would have been a threefold Kyrie is followed, in due liturgical form, by a treatment of the Christe eleison, Christe, aller Welt Trost (Christ, trust of all the world). Here the prolonged notes of the chant, already suggested by the earlier entries, are heard in the tenor. The final threefold Kyrie, Gottheiliger Geist (Kyrie, God the Holy Ghost) has the delayed entry of the chant in the bass, its contour already suggested by alto and tenor and inverted in the soprano. A second version of the Kyrie, Gott Vater in Ewigkeit, Christe, aller Welt Trost and Kyrie, Gott heiliger Geist is now given for manuals only in much less elaborate form, all three in livelier triple rhythms.
The Gloria of the Mass has its counterpart in Allein Gott in der Hoh' sei Ehr' (Glory be to God alone on high). The first version, for manuals only, is in a three-voice texture, with a triple time version of the chant appearing in the alto, after appearing in varied outline in the soprano and bass. The second version, using two manuals and pedals, again suggests the melody, in the upper part in rapid figuration and in the pedals in a series of slow, separate notes, before it emerges in clearer form in the middle voice. There follows a Fughetta, a miniature fugue, for manuals only, on a subject derived from the melody.
The Lutheran Dies sind die heil'gen zehn Gebot' (These are the holy ten commandments), with a five-voice texture, introduces the solemn theme in canon at the octave between the fourth and third voice, the order of entry reversed for the second line, but restored in the concluding lines. The melody is then adapted to form a fugal subject for a four-voice fughetta, introduced by the tenor, followed by alto, soprano and bass.
The Credo, for full organ, is provided by Wir glauben all' an einen Gott (We believe all in one God), based on contrapuntal entries, at first in alto and soprano, followed by a new element in the pedals, a phrase that is to recur as new keys are established. An alternative version, for manuals only, follows, now in E minor, instead of the preceding D minor, a fughetta that is much ornamented and very much shorter than the first version.
Performer:
Wolfgang Rübsam, organ
Tracklist:
Johann Sebastian Bach (1685-1750)
01. Prelude in E flat major, BWV 552, "St. Anne"
02. Kyrie, Gott Vater in Ewigkeit, BWV 669
03. Christe, aller Welt Trost, BWV 670
04. Kyrie, Gott heiliger Geist, BWV 671
05. Kyrie, Gott Vater in Ewigkeit, BWV 672
06. Christe, aller Welt Trost, BWV 673
07. Kyrie, Gott heiliger Geist, BWV 674
08. Allein Gott in der Höh sei Ehr, BWV 675
09. Allein Gott in der Höh sei Ehr, BWV 676
10. Fughetta on Allein Gott in der Hoh sei Ehr, BWV 677
11. Dies sind die heilgen zehn Gebot, BWV 678
12. Fughetta on Dies sind die heilgen zehn Gebot, BWV 679
13. Wir glauben all an einen Gott, BWV 680
14. Fughetta on Wir glauben all an einen Gott, BWV 681
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 21. October 2024, 15:40
Wolfgang Rübsam / Bach: Clavierübung III, Vol. 1
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Filename D:\ArlegZ\Bach - Clavierübung III - Wolfgang Rübsam, Vol. 1.wav
Peak level 100.0 %
Extraction speed 8.3 X
Range quality 99.9 %
Test CRC 58FCF492
Copy CRC 58FCF492
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