![Bach - Wispelwey - Gamba Sonatas, Riddle Preludes, Baroque Perpetua (1998, Channel Classics # CCS 14198) [Repost]](https://pixhost.icu/avaxhome/01/87/00308701_medium.jpeg)
Bach - Wispelwey - Gamba Sonatas, Riddle Preludes, Baroque Perpetua (1998, Channel Classics # CCS 14198) [Repost]
![Bach - Wispelwey - Gamba Sonatas, Riddle Preludes, Baroque Perpetua (1998, Channel Classics # CCS 14198) [Repost]](https://pixhost.icu/avaxhome/01/87/00308701.jpeg)
Johann Sebastian Bach - Gamba Sonatas / Riddle Preludes / Baroque Perpetua
Pieter Wispelwey / Richard Egarr / Daniel Yeadon
EAC+LOG+CUE | FLAC (tracks): 311 MB | Artwork | 5% Recovery Info
Label/Cat#: Channel Classics # CCS 14198 | Country/Year: Netherlands 1998
Genre: Classical | Style: Baroque
MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]
my rip [ ] not my rip [X]
![Bach - Wispelwey - Gamba Sonatas, Riddle Preludes, Baroque Perpetua (1998, Channel Classics # CCS 14198) [Repost]](https://pixhost.icu/avaxhome/00/87/00308700_medium.jpeg)
Bach - Wispelwey - Gamba Sonatas, Riddle Preludes, Baroque Perpetua (1998, Channel Classics # CCS 14198) [Repost]
![Bach - Wispelwey - Gamba Sonatas, Riddle Preludes, Baroque Perpetua (1998, Channel Classics # CCS 14198) [Repost]](https://pixhost.icu/avaxhome/00/87/00308700.jpeg)
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 24. June 2010, 20:46
Wispelwey(ViolonCello Piccolo), Egarr(Harpsichord), Yeadon(Baroque Cello) / J. S, Bach - Gamba Sonatas, Riddle Preludes, Baroque Perpetua
Used drive : HL-DT-STDVDRAM GH22NS50 Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:57.48 | 0 | 8822
2 | 1:57.48 | 3:48.02 | 8823 | 25924
3 | 5:45.50 | 3:34.35 | 25925 | 42009
4 | 9:20.10 | 2:14.28 | 42010 | 52087
5 | 11:34.38 | 3:04.02 | 52088 | 65889
6 | 14:38.40 | 4:41.65 | 65890 | 87029
7 | 19:20.30 | 2:12.55 | 87030 | 96984
8 | 21:33.10 | 1:51.48 | 96985 | 105357
9 | 23:24.58 | 3:52.27 | 105358 | 122784
10 | 27:17.10 | 4:31.30 | 122785 | 143139
11 | 31:48.40 | 4:00.25 | 143140 | 161164
12 | 35:48.65 | 4:34.13 | 161165 | 181727
13 | 40:23.03 | 1:47.55 | 181728 | 189807
14 | 42:10.58 | 5:08.02 | 189808 | 212909
15 | 47:18.60 | 5:33.70 | 212910 | 237954
16 | 52:52.55 | 3:41.68 | 237955 | 254597
17 | 56:34.48 | 2:36.65 | 254598 | 266362
Track 1
Filename D:\Raos\01. Prelude and Fugue, for keyboard No. 1 in C major (WTC I,1), BWV 846 (BC L80)- Transposed to G major.wav
Pre-gap length 0:00:02.00
Peak level 92.2 %
Track quality 100.0 %
Test CRC 81950B7B
Copy CRC 81950B7B
Accurately ripped (confidence 10) [1BB7FE8F]
Copy OK
Track 2
Filename D:\Raos\02. Sonata for viola da gamba & keyboard No. 1 in G major, BWV 1027- Adagio.wav
Peak level 88.3 %
Track quality 100.0 %
Test CRC D6A11192
Copy CRC D6A11192
Accurately ripped (confidence 9) [134752B4]
Copy OK
Track 3
Filename D:\Raos\03. Sonata for viola da gamba & keyboard No. 1 in G major, BWV 1027- Allegro ma non tanto.wav
Pre-gap length 0:00:00.57
Peak level 97.9 %
Track quality 100.0 %
Test CRC E7B9F983
Copy CRC E7B9F983
Accurately ripped (confidence 10) [302432D9]
Copy OK
Track 4
Filename D:\Raos\04. Sonata for viola da gamba & keyboard No. 1 in G major, BWV 1027- Andante.wav
Pre-gap length 0:00:00.30
Peak level 56.9 %
Track quality 100.0 %
Test CRC 6E389A3A
Copy CRC 6E389A3A
Accurately ripped (confidence 9) [6FAD2EF1]
Copy OK
Track 5
Filename D:\Raos\05. Sonata for viola da gamba & keyboard No. 1 in G major, BWV 1027- Allegro moderato.wav
Peak level 97.9 %
Track quality 100.0 %
Test CRC 0E0DE56C
Copy CRC 0E0DE56C
Accurately ripped (confidence 9) [3ED4859B]
Copy OK
Track 6
Filename D:\Raos\06. Concerto for harpsichord, strings & continuo No. 2 in E major, BWV 1053- Siciliano.wav
Pre-gap length 0:00:05.20
Peak level 76.9 %
Track quality 100.0 %
Test CRC CBBA964E
Copy CRC CBBA964E
Accurately ripped (confidence 9) [23D2F047]
Copy OK
Track 7
Filename D:\Raos\07. Suite for solo cello No. 1 in G major, BWV 1007- Prelude transposed to D major.wav
Pre-gap length 0:00:06.65
Peak level 96.4 %
Track quality 100.0 %
Test CRC A56B6D9D
Copy CRC A56B6D9D
Accurately ripped (confidence 9) [A7882B3B]
Copy OK
Track 8
Filename D:\Raos\08. Sonata for viola da gamba & keyboard No. 2 in D major, BWV 1028- Adagio.wav
Peak level 55.1 %
Track quality 100.0 %
Test CRC C7D9E021
Copy CRC C7D9E021
Accurately ripped (confidence 9) [E607AB5A]
Copy OK
Track 9
Filename D:\Raos\09. Sonata for viola da gamba & keyboard No. 2 in D major, BWV 1028- Allegro.wav
Peak level 97.9 %
Track quality 100.0 %
Test CRC 4ACB246B
Copy CRC 4ACB246B
Accurately ripped (confidence 9) [6605A508]
Copy OK
Track 10
Filename D:\Raos\10. Sonata for viola da gamba & keyboard No. 2 in D major, BWV 1028- Andante.wav
Peak level 90.5 %
Track quality 100.0 %
Test CRC AC6D5236
Copy CRC AC6D5236
Accurately ripped (confidence 9) [91E8CFFA]
Copy OK
Track 11
Filename D:\Raos\11. Sonata for viola da gamba & keyboard No. 2 in D major, BWV 1028- Allegro.wav
Peak level 97.9 %
Track quality 100.0 %
Test CRC EE39F2A0
Copy CRC EE39F2A0
Accurately ripped (confidence 9) [22540FE5]
Copy OK
Track 12
Filename D:\Raos\12. Italian Concerto, for solo keyboard in F major (Clavier-Ubung II,1), BWV 971 (BC L7)- Andante.wav
Pre-gap length 0:00:04.52
Peak level 83.1 %
Track quality 100.0 %
Test CRC 62DFDFA8
Copy CRC 62DFDFA8
Accurately ripped (confidence 9) [B362F6C8]
Copy OK
Track 13
Filename D:\Raos\13. Prelude for lute in C minor, BWV 999 (BC L171)- Transposed to G minor.wav
Pre-gap length 0:00:10.58
Peak level 90.3 %
Track quality 100.0 %
Test CRC FA214130
Copy CRC FA214130
Accurately ripped (confidence 9) [F4B02696]
Copy OK
Track 14
Filename D:\Raos\14. Sonata for viola da gamba & keyboard No. 3 in G minor, BWV 1029- Vivace.wav
Peak level 97.9 %
Track quality 100.0 %
Test CRC AC9C6B91
Copy CRC AC9C6B91
Accurately ripped (confidence 9) [6793BB3A]
Copy OK
Track 15
Filename D:\Raos\15. Sonata for viola da gamba & keyboard No. 3 in G minor, BWV 1029- Adagio.wav
Pre-gap length 0:00:01.47
Peak level 81.5 %
Track quality 100.0 %
Test CRC C4C2F589
Copy CRC C4C2F589
Accurately ripped (confidence 9) [D55A21F0]
Copy OK
Track 16
Filename D:\Raos\16. Sonata for viola da gamba & keyboard No. 3 in G minor, BWV 1029- Allegro.wav
Peak level 97.9 %
Track quality 100.0 %
Test CRC 7FDE1FB5
Copy CRC 7FDE1FB5
Accurately ripped (confidence 9) [C5E853C5]
Copy OK
Track 17
Filename D:\Raos\17. Concerto for harpsichord, strings & continuo No. 5 in F minor, BWV 1056- Largo.wav
Pre-gap length 0:00:02.48
Peak level 73.5 %
Track quality 100.0 %
Test CRC D2E989D3
Copy CRC D2E989D3
Accurately ripped (confidence 9) [F9184B78]
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
EAC extraction logfile from 24. June 2010, 20:46
Wispelwey(ViolonCello Piccolo), Egarr(Harpsichord), Yeadon(Baroque Cello) / J. S, Bach - Gamba Sonatas, Riddle Preludes, Baroque Perpetua
Used drive : HL-DT-STDVDRAM GH22NS50 Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:57.48 | 0 | 8822
2 | 1:57.48 | 3:48.02 | 8823 | 25924
3 | 5:45.50 | 3:34.35 | 25925 | 42009
4 | 9:20.10 | 2:14.28 | 42010 | 52087
5 | 11:34.38 | 3:04.02 | 52088 | 65889
6 | 14:38.40 | 4:41.65 | 65890 | 87029
7 | 19:20.30 | 2:12.55 | 87030 | 96984
8 | 21:33.10 | 1:51.48 | 96985 | 105357
9 | 23:24.58 | 3:52.27 | 105358 | 122784
10 | 27:17.10 | 4:31.30 | 122785 | 143139
11 | 31:48.40 | 4:00.25 | 143140 | 161164
12 | 35:48.65 | 4:34.13 | 161165 | 181727
13 | 40:23.03 | 1:47.55 | 181728 | 189807
14 | 42:10.58 | 5:08.02 | 189808 | 212909
15 | 47:18.60 | 5:33.70 | 212910 | 237954
16 | 52:52.55 | 3:41.68 | 237955 | 254597
17 | 56:34.48 | 2:36.65 | 254598 | 266362
Track 1
Filename D:\Raos\01. Prelude and Fugue, for keyboard No. 1 in C major (WTC I,1), BWV 846 (BC L80)- Transposed to G major.wav
Pre-gap length 0:00:02.00
Peak level 92.2 %
Track quality 100.0 %
Test CRC 81950B7B
Copy CRC 81950B7B
Accurately ripped (confidence 10) [1BB7FE8F]
Copy OK
Track 2
Filename D:\Raos\02. Sonata for viola da gamba & keyboard No. 1 in G major, BWV 1027- Adagio.wav
Peak level 88.3 %
Track quality 100.0 %
Test CRC D6A11192
Copy CRC D6A11192
Accurately ripped (confidence 9) [134752B4]
Copy OK
Track 3
Filename D:\Raos\03. Sonata for viola da gamba & keyboard No. 1 in G major, BWV 1027- Allegro ma non tanto.wav
Pre-gap length 0:00:00.57
Peak level 97.9 %
Track quality 100.0 %
Test CRC E7B9F983
Copy CRC E7B9F983
Accurately ripped (confidence 10) [302432D9]
Copy OK
Track 4
Filename D:\Raos\04. Sonata for viola da gamba & keyboard No. 1 in G major, BWV 1027- Andante.wav
Pre-gap length 0:00:00.30
Peak level 56.9 %
Track quality 100.0 %
Test CRC 6E389A3A
Copy CRC 6E389A3A
Accurately ripped (confidence 9) [6FAD2EF1]
Copy OK
Track 5
Filename D:\Raos\05. Sonata for viola da gamba & keyboard No. 1 in G major, BWV 1027- Allegro moderato.wav
Peak level 97.9 %
Track quality 100.0 %
Test CRC 0E0DE56C
Copy CRC 0E0DE56C
Accurately ripped (confidence 9) [3ED4859B]
Copy OK
Track 6
Filename D:\Raos\06. Concerto for harpsichord, strings & continuo No. 2 in E major, BWV 1053- Siciliano.wav
Pre-gap length 0:00:05.20
Peak level 76.9 %
Track quality 100.0 %
Test CRC CBBA964E
Copy CRC CBBA964E
Accurately ripped (confidence 9) [23D2F047]
Copy OK
Track 7
Filename D:\Raos\07. Suite for solo cello No. 1 in G major, BWV 1007- Prelude transposed to D major.wav
Pre-gap length 0:00:06.65
Peak level 96.4 %
Track quality 100.0 %
Test CRC A56B6D9D
Copy CRC A56B6D9D
Accurately ripped (confidence 9) [A7882B3B]
Copy OK
Track 8
Filename D:\Raos\08. Sonata for viola da gamba & keyboard No. 2 in D major, BWV 1028- Adagio.wav
Peak level 55.1 %
Track quality 100.0 %
Test CRC C7D9E021
Copy CRC C7D9E021
Accurately ripped (confidence 9) [E607AB5A]
Copy OK
Track 9
Filename D:\Raos\09. Sonata for viola da gamba & keyboard No. 2 in D major, BWV 1028- Allegro.wav
Peak level 97.9 %
Track quality 100.0 %
Test CRC 4ACB246B
Copy CRC 4ACB246B
Accurately ripped (confidence 9) [6605A508]
Copy OK
Track 10
Filename D:\Raos\10. Sonata for viola da gamba & keyboard No. 2 in D major, BWV 1028- Andante.wav
Peak level 90.5 %
Track quality 100.0 %
Test CRC AC6D5236
Copy CRC AC6D5236
Accurately ripped (confidence 9) [91E8CFFA]
Copy OK
Track 11
Filename D:\Raos\11. Sonata for viola da gamba & keyboard No. 2 in D major, BWV 1028- Allegro.wav
Peak level 97.9 %
Track quality 100.0 %
Test CRC EE39F2A0
Copy CRC EE39F2A0
Accurately ripped (confidence 9) [22540FE5]
Copy OK
Track 12
Filename D:\Raos\12. Italian Concerto, for solo keyboard in F major (Clavier-Ubung II,1), BWV 971 (BC L7)- Andante.wav
Pre-gap length 0:00:04.52
Peak level 83.1 %
Track quality 100.0 %
Test CRC 62DFDFA8
Copy CRC 62DFDFA8
Accurately ripped (confidence 9) [B362F6C8]
Copy OK
Track 13
Filename D:\Raos\13. Prelude for lute in C minor, BWV 999 (BC L171)- Transposed to G minor.wav
Pre-gap length 0:00:10.58
Peak level 90.3 %
Track quality 100.0 %
Test CRC FA214130
Copy CRC FA214130
Accurately ripped (confidence 9) [F4B02696]
Copy OK
Track 14
Filename D:\Raos\14. Sonata for viola da gamba & keyboard No. 3 in G minor, BWV 1029- Vivace.wav
Peak level 97.9 %
Track quality 100.0 %
Test CRC AC9C6B91
Copy CRC AC9C6B91
Accurately ripped (confidence 9) [6793BB3A]
Copy OK
Track 15
Filename D:\Raos\15. Sonata for viola da gamba & keyboard No. 3 in G minor, BWV 1029- Adagio.wav
Pre-gap length 0:00:01.47
Peak level 81.5 %
Track quality 100.0 %
Test CRC C4C2F589
Copy CRC C4C2F589
Accurately ripped (confidence 9) [D55A21F0]
Copy OK
Track 16
Filename D:\Raos\16. Sonata for viola da gamba & keyboard No. 3 in G minor, BWV 1029- Allegro.wav
Peak level 97.9 %
Track quality 100.0 %
Test CRC 7FDE1FB5
Copy CRC 7FDE1FB5
Accurately ripped (confidence 9) [C5E853C5]
Copy OK
Track 17
Filename D:\Raos\17. Concerto for harpsichord, strings & continuo No. 5 in F minor, BWV 1056- Largo.wav
Pre-gap length 0:00:02.48
Peak level 73.5 %
Track quality 100.0 %
Test CRC D2E989D3
Copy CRC D2E989D3
Accurately ripped (confidence 9) [F9184B78]
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.
Detect mode (0..40 with 0 = most accurate): 8 (default)
––––––––––––––––––––––––––––––
[Pieter Wispelwey - Concerto for harpsichord, strings & continuo No. 2 in E major, BWV 1053.wav]
Detected average hi-boundary frequency: 2.040561e+004 Hz
Detected average lo-boundary frequency: 1.238845e+004 Hz
Detected average hi-cut frequency: 2.079451e+004 Hz
Detected average lo-cut frequency: 1.039986e+004 Hz
Maximum probablis boundary frequency: 2.190200e+004 Hz
Coefficient of nonlinearity of a phase: 2.181630e+000
First order smothness: 2.781065e-001
Second order smothness: 7.958580e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[Pieter Wispelwey - Concerto for harpsichord, strings & continuo No. 5 in F minor, BWV 1056.wav]
Detected average hi-boundary frequency: 2.025679e+004 Hz
Detected average lo-boundary frequency: 1.517548e+004 Hz
Detected average hi-cut frequency: 2.070955e+004 Hz
Detected average lo-cut frequency: 8.808411e+003 Hz
Maximum probablis boundary frequency: 2.189600e+004 Hz
Coefficient of nonlinearity of a phase: 2.247107e+000
First order smothness: 3.085106e-001
Second order smothness: 6.595745e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 99%.
––––––––––––––––––––––––––––––
[Pieter Wispelwey - Italian Concerto, for solo keyboard in F major, BWV 971.wav]
Detected average hi-boundary frequency: 2.032155e+004 Hz
Detected average lo-boundary frequency: 1.355301e+004 Hz
Detected average hi-cut frequency: 2.083966e+004 Hz
Detected average lo-cut frequency: 9.518595e+003 Hz
Maximum probablis boundary frequency: 2.189600e+004 Hz
Coefficient of nonlinearity of a phase: 2.209135e+000
First order smothness: 2.835366e-001
Second order smothness: 6.920732e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 99%.
––––––––––––––––––––––––––––––
[Pieter Wispelwey - Prelude and Fugue, for keyboard No. 1 in C major, BWV 846.wav]
Detected average hi-boundary frequency: 2.029616e+004 Hz
Detected average lo-boundary frequency: 1.479553e+004 Hz
Detected average hi-cut frequency: 2.112787e+004 Hz
Detected average lo-cut frequency: 6.576343e+003 Hz
Maximum probablis boundary frequency: 2.171900e+004 Hz
Coefficient of nonlinearity of a phase: 2.132696e+000
First order smothness: 2.553191e-001
Second order smothness: 7.021277e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 99%.
––––––––––––––––––––––––––––––
[Pieter Wispelwey - Prelude for lute in C minor, BWV 999.wav]
Detected average hi-boundary frequency: 2.052147e+004 Hz
Detected average lo-boundary frequency: 1.416383e+004 Hz
Detected average hi-cut frequency: 2.093884e+004 Hz
Detected average lo-cut frequency: 4.728368e+003 Hz
Maximum probablis boundary frequency: 2.190200e+004 Hz
Coefficient of nonlinearity of a phase: 2.244195e+000
First order smothness: 4.031008e-001
Second order smothness: 5.271318e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 99%.
––––––––––––––––––––––––––––––
[Pieter Wispelwey - Sonata for viola da gamba & keyboard No. 1 in G major, BWV 1027.wav]
Detected average hi-boundary frequency: 2.030426e+004 Hz
Detected average lo-boundary frequency: 1.423680e+004 Hz
Detected average hi-cut frequency: 2.085819e+004 Hz
Detected average lo-cut frequency: 9.235809e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.946893e+000
First order smothness: 2.963776e-001
Second order smothness: 7.080132e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[Pieter Wispelwey - Sonata for viola da gamba & keyboard No. 2 in D major, BWV 1028.wav]
Detected average hi-boundary frequency: 2.033611e+004 Hz
Detected average lo-boundary frequency: 1.411912e+004 Hz
Detected average hi-cut frequency: 2.079586e+004 Hz
Detected average lo-cut frequency: 9.476654e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.398512e+000
First order smothness: 3.076172e-001
Second order smothness: 7.060547e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[Pieter Wispelwey - Sonata for viola da gamba & keyboard No. 3 in G minor, BWV 1029.wav]
Detected average hi-boundary frequency: 2.042124e+004 Hz
Detected average lo-boundary frequency: 1.503758e+004 Hz
Detected average hi-cut frequency: 2.130437e+004 Hz
Detected average lo-cut frequency: 1.594893e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.480470e+000
First order smothness: 2.437137e-001
Second order smothness: 8.539652e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[Pieter Wispelwey - Suite for solo cello No. 1 in G major, BWV 1007.wav]
Detected average hi-boundary frequency: 2.033673e+004 Hz
Detected average lo-boundary frequency: 1.326698e+004 Hz
Detected average hi-cut frequency: 2.111592e+004 Hz
Detected average lo-cut frequency: 8.387470e+003 Hz
Maximum probablis boundary frequency: 2.174600e+004 Hz
Coefficient of nonlinearity of a phase: 2.110559e+000
First order smothness: 3.081761e-001
Second order smothness: 7.232704e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.
Detect mode (0..40 with 0 = most accurate): 8 (default)
––––––––––––––––––––––––––––––
[Pieter Wispelwey - Concerto for harpsichord, strings & continuo No. 2 in E major, BWV 1053.wav]
Detected average hi-boundary frequency: 2.040561e+004 Hz
Detected average lo-boundary frequency: 1.238845e+004 Hz
Detected average hi-cut frequency: 2.079451e+004 Hz
Detected average lo-cut frequency: 1.039986e+004 Hz
Maximum probablis boundary frequency: 2.190200e+004 Hz
Coefficient of nonlinearity of a phase: 2.181630e+000
First order smothness: 2.781065e-001
Second order smothness: 7.958580e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[Pieter Wispelwey - Concerto for harpsichord, strings & continuo No. 5 in F minor, BWV 1056.wav]
Detected average hi-boundary frequency: 2.025679e+004 Hz
Detected average lo-boundary frequency: 1.517548e+004 Hz
Detected average hi-cut frequency: 2.070955e+004 Hz
Detected average lo-cut frequency: 8.808411e+003 Hz
Maximum probablis boundary frequency: 2.189600e+004 Hz
Coefficient of nonlinearity of a phase: 2.247107e+000
First order smothness: 3.085106e-001
Second order smothness: 6.595745e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 99%.
––––––––––––––––––––––––––––––
[Pieter Wispelwey - Italian Concerto, for solo keyboard in F major, BWV 971.wav]
Detected average hi-boundary frequency: 2.032155e+004 Hz
Detected average lo-boundary frequency: 1.355301e+004 Hz
Detected average hi-cut frequency: 2.083966e+004 Hz
Detected average lo-cut frequency: 9.518595e+003 Hz
Maximum probablis boundary frequency: 2.189600e+004 Hz
Coefficient of nonlinearity of a phase: 2.209135e+000
First order smothness: 2.835366e-001
Second order smothness: 6.920732e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 99%.
––––––––––––––––––––––––––––––
[Pieter Wispelwey - Prelude and Fugue, for keyboard No. 1 in C major, BWV 846.wav]
Detected average hi-boundary frequency: 2.029616e+004 Hz
Detected average lo-boundary frequency: 1.479553e+004 Hz
Detected average hi-cut frequency: 2.112787e+004 Hz
Detected average lo-cut frequency: 6.576343e+003 Hz
Maximum probablis boundary frequency: 2.171900e+004 Hz
Coefficient of nonlinearity of a phase: 2.132696e+000
First order smothness: 2.553191e-001
Second order smothness: 7.021277e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 99%.
––––––––––––––––––––––––––––––
[Pieter Wispelwey - Prelude for lute in C minor, BWV 999.wav]
Detected average hi-boundary frequency: 2.052147e+004 Hz
Detected average lo-boundary frequency: 1.416383e+004 Hz
Detected average hi-cut frequency: 2.093884e+004 Hz
Detected average lo-cut frequency: 4.728368e+003 Hz
Maximum probablis boundary frequency: 2.190200e+004 Hz
Coefficient of nonlinearity of a phase: 2.244195e+000
First order smothness: 4.031008e-001
Second order smothness: 5.271318e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 99%.
––––––––––––––––––––––––––––––
[Pieter Wispelwey - Sonata for viola da gamba & keyboard No. 1 in G major, BWV 1027.wav]
Detected average hi-boundary frequency: 2.030426e+004 Hz
Detected average lo-boundary frequency: 1.423680e+004 Hz
Detected average hi-cut frequency: 2.085819e+004 Hz
Detected average lo-cut frequency: 9.235809e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.946893e+000
First order smothness: 2.963776e-001
Second order smothness: 7.080132e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[Pieter Wispelwey - Sonata for viola da gamba & keyboard No. 2 in D major, BWV 1028.wav]
Detected average hi-boundary frequency: 2.033611e+004 Hz
Detected average lo-boundary frequency: 1.411912e+004 Hz
Detected average hi-cut frequency: 2.079586e+004 Hz
Detected average lo-cut frequency: 9.476654e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.398512e+000
First order smothness: 3.076172e-001
Second order smothness: 7.060547e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[Pieter Wispelwey - Sonata for viola da gamba & keyboard No. 3 in G minor, BWV 1029.wav]
Detected average hi-boundary frequency: 2.042124e+004 Hz
Detected average lo-boundary frequency: 1.503758e+004 Hz
Detected average hi-cut frequency: 2.130437e+004 Hz
Detected average lo-cut frequency: 1.594893e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.480470e+000
First order smothness: 2.437137e-001
Second order smothness: 8.539652e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[Pieter Wispelwey - Suite for solo cello No. 1 in G major, BWV 1007.wav]
Detected average hi-boundary frequency: 2.033673e+004 Hz
Detected average lo-boundary frequency: 1.326698e+004 Hz
Detected average hi-cut frequency: 2.111592e+004 Hz
Detected average lo-cut frequency: 8.387470e+003 Hz
Maximum probablis boundary frequency: 2.174600e+004 Hz
Coefficient of nonlinearity of a phase: 2.110559e+000
First order smothness: 3.081761e-001
Second order smothness: 7.232704e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2014-08-28 05:57:12
––––––––––––––––––––––––––––––––––––––––
Statistics for: 06-Siciliano
Number of samples: 12430320
Duration: 4:42
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -2.28 dB –- -3.71 dB
Avg RMS: -19.42 dB –- -19.95 dB
DR channel: 12.86 dB –- 12.35 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 670 kbps
Codec: FLAC
================================================================================
foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2014-08-28 05:57:13
––––––––––––––––––––––––––––––––––––––––
Statistics for: 17-Largo
Number of samples: 6917820
Duration: 2:37
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -3.40 dB –- -2.67 dB
Avg RMS: -18.89 dB –- -19.74 dB
DR channel: 12.32 dB –- 12.34 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 664 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Statistics for: 12-Andante
Number of samples: 12091044
Duration: 4:34
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -1.60 dB –- -3.03 dB
Avg RMS: -20.07 dB –- -20.86 dB
DR channel: 12.54 dB –- 12.61 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 635 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Statistics for: 01-Prelude transposed to G major
Number of samples: 5187924
Duration: 1:58
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -0.71 dB –- -1.46 dB
Avg RMS: -16.71 dB –- -17.78 dB
DR channel: 12.54 dB –- 12.82 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 682 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Statistics for: 13-Prelude transposed to G minor
Number of samples: 4751040
Duration: 1:48
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -3.16 dB –- -0.89 dB
Avg RMS: -19.53 dB –- -19.52 dB
DR channel: 11.25 dB –- 12.76 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 624 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Pieter Wispelwey / Sonata for viola da gamba & keyboard No. 1 in G major, BWV 1027
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -1.08 dB -17.05 dB 3:48 02-Adagio
DR13 -0.18 dB -15.73 dB 3:34 03-Allegro ma non tanto
DR11 -4.89 dB -19.72 dB 2:14 04-Andante
DR13 -0.18 dB -15.28 dB 3:04 05-Allegro moderato
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 4
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 731 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Pieter Wispelwey / Sonata for viola da gamba & keyboard No. 2 in D major, BWV 1028
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -5.17 dB -21.57 dB 1:52 08-Adagio
DR12 -0.18 dB -15.53 dB 3:52 09-Allegro
DR13 -0.87 dB -19.10 dB 4:31 10-Andante
DR12 -0.18 dB -15.52 dB 4:00 11-Allegro
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 4
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 731 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Pieter Wispelwey / Sonata for viola da gamba & keyboard No. 3 in G minor, BWV 1029
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -0.18 dB -16.06 dB 5:08 14-Vivace
DR12 -1.77 dB -22.37 dB 5:34 15-Adagio
DR13 -0.18 dB -16.47 dB 3:42 16-Allegro
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 3
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 830 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Statistics for: 07-Prelude transposed to D major
Number of samples: 5853540
Duration: 2:13
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -0.31 dB –- -2.68 dB
Avg RMS: -19.06 dB –- -19.81 dB
DR channel: 13.01 dB –- 12.40 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 670 kbps
Codec: FLAC
================================================================================
log date: 2014-08-28 05:57:12
––––––––––––––––––––––––––––––––––––––––
Statistics for: 06-Siciliano
Number of samples: 12430320
Duration: 4:42
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -2.28 dB –- -3.71 dB
Avg RMS: -19.42 dB –- -19.95 dB
DR channel: 12.86 dB –- 12.35 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 670 kbps
Codec: FLAC
================================================================================
foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2014-08-28 05:57:13
––––––––––––––––––––––––––––––––––––––––
Statistics for: 17-Largo
Number of samples: 6917820
Duration: 2:37
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -3.40 dB –- -2.67 dB
Avg RMS: -18.89 dB –- -19.74 dB
DR channel: 12.32 dB –- 12.34 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 664 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Statistics for: 12-Andante
Number of samples: 12091044
Duration: 4:34
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -1.60 dB –- -3.03 dB
Avg RMS: -20.07 dB –- -20.86 dB
DR channel: 12.54 dB –- 12.61 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 635 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Statistics for: 01-Prelude transposed to G major
Number of samples: 5187924
Duration: 1:58
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -0.71 dB –- -1.46 dB
Avg RMS: -16.71 dB –- -17.78 dB
DR channel: 12.54 dB –- 12.82 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 682 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Statistics for: 13-Prelude transposed to G minor
Number of samples: 4751040
Duration: 1:48
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -3.16 dB –- -0.89 dB
Avg RMS: -19.53 dB –- -19.52 dB
DR channel: 11.25 dB –- 12.76 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 624 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Pieter Wispelwey / Sonata for viola da gamba & keyboard No. 1 in G major, BWV 1027
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -1.08 dB -17.05 dB 3:48 02-Adagio
DR13 -0.18 dB -15.73 dB 3:34 03-Allegro ma non tanto
DR11 -4.89 dB -19.72 dB 2:14 04-Andante
DR13 -0.18 dB -15.28 dB 3:04 05-Allegro moderato
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 4
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 731 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Pieter Wispelwey / Sonata for viola da gamba & keyboard No. 2 in D major, BWV 1028
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -5.17 dB -21.57 dB 1:52 08-Adagio
DR12 -0.18 dB -15.53 dB 3:52 09-Allegro
DR13 -0.87 dB -19.10 dB 4:31 10-Andante
DR12 -0.18 dB -15.52 dB 4:00 11-Allegro
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 4
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 731 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Pieter Wispelwey / Sonata for viola da gamba & keyboard No. 3 in G minor, BWV 1029
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -0.18 dB -16.06 dB 5:08 14-Vivace
DR12 -1.77 dB -22.37 dB 5:34 15-Adagio
DR13 -0.18 dB -16.47 dB 3:42 16-Allegro
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 3
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 830 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Statistics for: 07-Prelude transposed to D major
Number of samples: 5853540
Duration: 2:13
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -0.31 dB –- -2.68 dB
Avg RMS: -19.06 dB –- -19.81 dB
DR channel: 13.01 dB –- 12.40 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 670 kbps
Codec: FLAC
================================================================================
CD Info:
Johann Sebastian Bach - Gamba Sonatas / Riddle Preludes / Baroque Perpetua
Pieter Wispelwey / Richard Egarr / Daniel Yeadon
Label: Channel Classics
Catalog#: CCS 14198
Format: CD, Album
Country: Netherlands
Released: 1998
Genre: Classical
Style: Baroque
Tracklist:
Prelude and Fugue, for keyboard No. 1 in C major, BWV 846:
01. Prelude transposed to G major (1:58)
Sonata for viola da gamba & keyboard No. 1 in G major, BWV 1027:
02. Adagio (3:48)
03. Allegro ma non tanto (3:34)
04. Andante (2:14)
05. Allegro moderato (3:04)
Concerto for harpsichord, strings & continuo No. 2 in E major, BWV 1053:
06. Siciliano (4:42)
Suite for solo cello No. 1 in G major, BWV 1007:
07. Prelude transposed to D major (2:13)
Sonata for viola da gamba & keyboard No. 2 in D major, BWV 1028:
08. Adagio (1:52)
09. Allegro (3:52)
10. Andante (4:31)
11. Allegro (4:00)
Italian Concerto, for solo keyboard in F major, BWV 971:
12. Andante (4:34)
Prelude for lute in C minor, BWV 999:
13. Prelude transposed to G minor (1:48)
Sonata for viola da gamba & keyboard No. 3 in G minor, BWV 1029:
14. Vivace (5:08)
15. Adagio (5:34)
16. Allegro (3:42)
Concerto for harpsichord, strings & continuo No. 5 in F minor, BWV 1056:
17. Largo (2:37)
Pieter Wispelwey – cello [piccolo]
Daniel Yeadon – cello [baroque] (tracks: 2 to 5, 14 to 16)
Richard Egarr – organ (tracks: 2 to 5), harpsichord (tracks: 14 to 16), piano (tracks: 8 to 11)
On this disc we celebrate three main aspects of Bach’s art. The G major and the G minor preludes represent his powerful harmonic language, which is as far-reaching in small scale pieces as it is in bigger. In the process of transcribing them for piccolo cello I thought I’d include a little riddle, more or less in the spirit of his riddle canons. (The secrets behind this riddle shouldn’t of course be revealed, but lets just say that they have to do with creative scordatura tuning). In the G major one, apart from the adventure of endless modulating, particularly appealing to me was the compelling descent from the silvery high register, through the umbrageous middle range, down to the mystical pond of the lowest register. Seemingly simple means, highly suggestive outcome and just one example out of thousands of Bach’s mastery of musical alchemy….
Dit is een Bach-uitgave om de speler op de replay te zetten en oneindig te laten draaien. (…) (..) En wat een geslaagde, frisse en overtuigende transcripties zijn het geworden! (…) (…) Een geslaagder begin van het Bachjaar vol vermoeiend 'complete' edities is niet denkbaar. Luister
(…) muziek die onder zijn speelse, liefkozende handen gaat blozen door zoveel koestering (…) Tijdschrift Oude Muziek
(…) echte spannende combinatie met de fortepiano (…) (…) De lol in de muziek straalt er vanaf. (…) (…) Muziek, van absolute schoonheid, voorzien van een schat aan compositorisch puzzlewerk: dus voor puzzlelaars betekent deze cd dubbel luisterplezier. (…) Zwolse Courant
(…) hij speelt met bravoure waar het kan en teder waar het moet (…) (…) Wispelwey toont met verve dat werkelijk eerbetoon aan een groot componist nooit onderdanig, maar altijd vrijmoedig van karakter is. Klassieke Zaken Wispelwey weer meesterlijk (…) (…) op een adembenemende subtiele manier vindt hij de prachtigste klank voor elke expressieve buiging van Bachs muziek (…) (…) na de eerste verbazing blijkt het een meesterlijke vondst (…) De Standaard
(…) a musician true to the improvisatory spirit of the baroque age. The Times
(…) Zoals gebruikelijk bij de Amsterdamse cellist wordt alles puntgaaf en met grote intensiteit gespeeld. (…) (…) dergelijke transcripties kan je wel degelijk stijl- en smaakvol brengen (…) Volkskrant
Pieter Wispelwey gelingt er mit atemberaubender Virtuosität und spielerischer Freude an wissenschaftlich fundierten Experimenten, Bach als kompositorischen Kosmopoliten in den Vordergrund zu rücken. Dabei standen ihm bei seiner Aufnahme zwei weitere hervorragende Instrumentalisten zur Seite: Richard Egarr und Daniel Yeadon. Thüringer Kulturspiegel
(…) Any performance so lovingly prepared and so committed deserves to be most heartily recommended. For those familiar with Pieter Wispelwey, you know you need not hesitate. (…) The Flying Inkpot
(…) Another disc of surprises from the Wispelwey school of wizardry. (…) (…) All together, this is a very effective concept disc, played with Wispelwey’s customary virtuosity and stylistic sensitivity. International Record Review (…) fuelled by Wispelwey’s flair for finding the delicate line between baroque mannerism and individual expression. Edmonton Journal
(…) He and his mates produce ravishing sounds that nonetheless are never outsized for the music, or excessively romantic. (…) Fanfare
(…) Een genot om naar te luisteren (…) (…) De musici brengen het werk met veel overtuiging. Trouw
(…) an hour of wonderfull Bachplaying on an assortment of ‘wrong’ instruments (…) (…) This is an unusual Bach disc, but one which both revels in the music of the moment and reveals its timelessness Gramophone
(…) fantastisch en overtuigend (…) (…) Wispelwey koppelt het plezier in muziekmaken aan goede smaak en verbluffende techniek. (…) Beeld en Geluid
(…) One has to marvel at Wispelwey’s natural and eloquent delivery of these works. (…) (…) The most compelling disc of the gamba sonatas to date. Classic CD
(…) Don’t miss it!! BBC Music Magazine
Thanks to the original releaser & miksobarbar.
![Bach - Wispelwey - Gamba Sonatas, Riddle Preludes, Baroque Perpetua (1998, Channel Classics # CCS 14198) [Repost]](https://pixhost.icu/avaxhome/ff/86/003086ff_medium.jpeg)
Bach - Wispelwey - Gamba Sonatas, Riddle Preludes, Baroque Perpetua (1998, Channel Classics # CCS 14198) [Repost]
![Bach - Wispelwey - Gamba Sonatas, Riddle Preludes, Baroque Perpetua (1998, Channel Classics # CCS 14198) [Repost]](https://pixhost.icu/avaxhome/ff/86/003086ff.jpeg)
Dvorák - Pieter Wispelwey - Cello Concerto
all of my uploads in my blog