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Heinrich Ignaz Franz von Biber - Andrew Manze / Richard Egarr - The Rosary Sonatas (2002) {Repost}

Posted By: luckburz
Heinrich Ignaz Franz von Biber - Andrew Manze / Richard Egarr - The Rosary Sonatas (2002) {Repost}

Heinrich Ignaz Franz von Biber - The Rosary Sonatas
Andrew Manze (violin) / Richard Egarr (organ & harpsichord)
EAC+LOG+CUE | FLAC: 690 MB (2x CD) | Full Artwork | 5% Recovery Info
Label/Cat#: Harmonia Mundi USA # HMU 907321/22 | Country/Year: Europe 2002
Genre: Classical | Style: Baroque

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

selfrip [] not my rip [X]

Heinrich Ignaz Franz von Biber - Andrew Manze / Richard Egarr - The Rosary Sonatas (2002) {Repost}


Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 23. January 2012, 23:29

Andrew Manze, Richard Egarr / Biber - The Rosary Sonatas (CD1)

Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

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2 | 2:17.45 | 2:24.58 | 10320 | 21177
3 | 4:42.28 | 1:20.37 | 21178 | 27214
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22 | 70:34.15 | 2:00.68 | 317565 | 326632


Range status and errors

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Filename Z:\NetLab\Biber - The Rosary Sonatas (Andrew Manze, Richard Egarr) (2004) {2CDs HM}\CD1\Biber - The Rosary Sonatas (CD1).wav

Peak level 62.5 %
Extraction speed 6.7 X
Range quality 100.0 %
Test CRC 5FBAD734
Copy CRC 5FBAD734
Copy OK

No errors occurred


AccurateRip summary

Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
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Track 5 not present in database
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Track 20 not present in database
Track 21 not present in database
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None of the tracks are present in the AccurateRip database

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==== Log checksum F5C4BE1622141FB36F3AB1A3984A6C8D77299F9210DBC786FBA055EBF61A49A3 ====

Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 24. January 2012, 0:55

Andrew Manze, Richard Egarr / Biber - The Rosary Sonatas (CD2)

Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.32 | 1:22.43 | 32 | 6224
2 | 1:23.00 | 3:56.20 | 6225 | 23944
3 | 5:19.20 | 4:23.57 | 23945 | 43726
4 | 9:43.02 | 2:26.63 | 43727 | 54739
5 | 12:09.65 | 3:50.55 | 54740 | 72044
6 | 16:00.45 | 1:12.37 | 72045 | 77481
7 | 17:13.07 | 0:51.68 | 77482 | 81374
8 | 18:05.00 | 1:24.37 | 81375 | 87711
9 | 19:29.37 | 3:17.18 | 87712 | 102504
10 | 22:46.55 | 3:06.12 | 102505 | 116466
11 | 25:52.67 | 3:19.43 | 116467 | 131434
12 | 29:12.35 | 1:33.15 | 131435 | 138424
13 | 30:45.50 | 1:49.10 | 138425 | 146609
14 | 32:34.60 | 1:33.20 | 146610 | 153604
15 | 34:08.05 | 2:27.52 | 153605 | 164681
16 | 36:35.57 | 7:09.00 | 164682 | 196856
17 | 43:44.57 | 1:54.18 | 196857 | 205424
18 | 45:39.00 | 5:53.32 | 205425 | 231931
19 | 51:32.32 | 1:55.00 | 231932 | 240556
20 | 53:27.32 | 2:25.33 | 240557 | 251464
21 | 55:52.65 | 9:20.65 | 251465 | 293529
22 | 65:13.55 | 3:44.52 | 293530 | 310381


Range status and errors

Selected range

Filename Z:\NetLab\Biber - The Rosary Sonatas (Andrew Manze, Richard Egarr) (2004) {2CDs HM}\CD2\Biber - The Rosary Sonatas (CD2).wav

Peak level 86.2 %
Extraction speed 8.0 X
Range quality 100.0 %
Test CRC FFD7FA9A
Copy CRC FFD7FA9A
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 6) [CE5AE96C] (AR v2)
Track 2 accurately ripped (confidence 6) [745D0B63] (AR v2)
Track 3 accurately ripped (confidence 6) [891A2F1A] (AR v2)
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Track 6 accurately ripped (confidence 6) [7AAA60F9] (AR v2)
Track 7 accurately ripped (confidence 6) [D60A49B1] (AR v2)
Track 8 accurately ripped (confidence 6) [B945F64F] (AR v2)
Track 9 accurately ripped (confidence 6) [6470B252] (AR v2)
Track 10 accurately ripped (confidence 6) [BF663ABE] (AR v2)
Track 11 accurately ripped (confidence 6) [ABE4B2A1] (AR v2)
Track 12 accurately ripped (confidence 6) [8A2FD771] (AR v2)
Track 13 accurately ripped (confidence 6) [9904090C] (AR v2)
Track 14 accurately ripped (confidence 6) [A42B4DC3] (AR v2)
Track 15 accurately ripped (confidence 6) [FF6CE67B] (AR v2)
Track 16 accurately ripped (confidence 6) [8410FF8A] (AR v2)
Track 17 accurately ripped (confidence 6) [2F6680B8] (AR v2)
Track 18 accurately ripped (confidence 6) [75BE2E23] (AR v2)
Track 19 accurately ripped (confidence 6) [493C39A3] (AR v2)
Track 20 accurately ripped (confidence 6) [FAC09547] (AR v2)
Track 21 accurately ripped (confidence 6) [8E8F7FBA] (AR v2)
Track 22 accurately ripped (confidence 6) [3AC50E29] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum 47438A0C62C664170AE7AAB3E7FB99C246C5076E8D1BED6A561D011C9BCCA36A ====

foobar2000 1.1.15 / Dynamic Range Meter 1.1.1
log date: 2012-09-27 20:04:03

––––––––––––––––––––––––––––––––––––––––
Analyzed: Andrew Manze, Richard Egarr / Biber - The Rosary Sonatas (CD1)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -4.08 dB -22.01 dB 2:18 01-The Five Joyful Mysteries Sonata I (The Annuncation); I. Praeludium
DR12 -7.90 dB -22.37 dB 2:25 02-II. Aria, Variatio
DR12 -14.45 dB -30.51 dB 1:20 03-III. [Finale]
DR11 -6.41 dB -23.01 dB 2:07 04-The Five Joyful Mysteries Sonata II (The Visitation); I. Sonata
DR12 -9.76 dB -25.52 dB 3:42 05-II. Allamanda
DR13 -4.32 dB -23.66 dB 1:00 06-III. [Finale]
DR12 -6.72 dB -24.60 dB 1:41 07-The Five Joyful Mysteries Sonata III (The Nativity); I. Sonata
DR13 -4.70 dB -21.76 dB 3:25 08-II. Courente, Double
DR11 -9.72 dB -26.02 dB 2:17 09-III. [Finale]
DR12 -4.87 dB -21.89 dB 9:02 10-The Five Joyful Mysteries Sonata IV (Presentation of Jesus in the Temple); I. Ciacona
DR12 -8.37 dB -24.47 dB 1:09 11-The Five Joyful Mysteries Sonata V (Finding of Jesus in the Temple); I. Praeludium
DR11 -7.60 dB -23.17 dB 1:23 12-II. Allamanda
DR13 -7.55 dB -24.18 dB 1:16 13-III. Gigue
DR12 -9.75 dB -25.64 dB 3:38 14-IV. Sarabanda, Double
DR12 -5.81 dB -23.47 dB 9:22 15-The Five Sorrowful Mysteries VI (The Agony in the Garden); I. Lamento
DR12 -6.37 dB -23.70 dB 5:15 16-The Five Sorrowful Mysteries VII (The Scourging at the Pillar); I. Allamanda, Variatio
DR13 -5.57 dB -21.91 dB 5:37 17-II. Sarabanda, Variatio
DR12 -5.20 dB -25.40 dB 2:28 18-The Five Sorrowful Mysteries VIII (The Crowning with Thorns); I. Sonata
DR13 -4.53 dB -21.83 dB 3:45 19-II. Guigue, Doubles
DR12 -7.27 dB -22.96 dB 2:33 20-The Five Sorrowful Mysteries IX (The Carrying of the Cross); I. Sonata
DR12 -7.70 dB -22.65 dB 4:51 21-II. Courente, Double
DR12 -6.93 dB -24.09 dB 2:01 22-III. Finale
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 22
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 656 kbps
Codec: FLAC
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Andrew Manze, Richard Egarr / Biber - The Rosary Sonatas (CD2)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -1.95 dB -21.12 dB 1:23 01-The Five Sorrowful Mysteries Sonata X (The Crucifixion and Death of Jesus); I. Praeludium
DR15 -2.89 dB -24.82 dB 3:56 02-II. Aria
DR14 -6.58 dB -25.66 dB 4:24 03-III. Variatio, cont.
DR11 -4.00 dB -20.22 dB 2:27 04-The Five Glorious Mysteries Sonata XI (The Resurrection); I. Sonata
DR13 -4.82 dB -20.48 dB 3:51 05-II. Surexit Christus hodie
DR12 -6.04 dB -22.06 dB 1:12 06-III. Adagio
DR11 -4.97 dB -19.14 dB 0:52 07-The Five Glorious Mysteries Sonata XII (The Ascension); I. Intrada
DR13 -1.28 dB -18.24 dB 1:24 08-II. Aria Tubicinum
DR13 -6.40 dB -26.01 dB 3:17 09-III. Allamanda
DR13 -3.64 dB -21.08 dB 3:06 10-IV. Courente, Double
DR13 -1.61 dB -19.63 dB 3:20 11-The Five Glorious Mysteries Sonata XIII (The Descent of the Holy Spirit); I. Sonata
DR11 -6.00 dB -20.87 dB 1:33 12-II. Gavotta
DR11 -3.04 dB -20.26 dB 1:49 13-III. Guigue
DR11 -8.27 dB -23.11 dB 1:33 14-IV. Sarabanda
DR11 -5.87 dB -21.22 dB 2:28 15-The Five Glorious Mysteries Sonata XIV (The Assumption of Mary into Heaven); I. (Sonata)
DR14 -4.70 dB -21.92 dB 7:09 16-II. Aria
DR12 -4.04 dB -19.35 dB 1:54 17-The Five Glorious Mysteries Sonata XV (The Coronation of Mary); I. Sonata
DR13 -4.19 dB -21.38 dB 5:53 18-II. Aria, (Variatio)
DR11 -3.62 dB -19.39 dB 1:55 19-III. Canzona
DR10 -6.36 dB -23.25 dB 2:25 20-IV. Sarabanda, (Double)
DR15 -3.84 dB -24.79 dB 9:21 21-Passagalia for unaccompanied violin
DR13 -12.92 dB -31.32 dB 3:45 22-Scordatura briefly explained
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 22
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 653 kbps
Codec: FLAC
================================================================================



CD Info:

Heinrich Ignaz Franz von Biber (1644-1704) - Andrew Manze / Richard Egarr - The Rosary Sonatas

Label: Harmonia Mundi
Catalog#: HMU 907321/22
Format: 2xCD, Album
Country: Europe
Released: 2002
Genre: Classical
Style: Baroque

Tracklist:

CD 1:

01] The Five Joyful Mysteries Sonata I (The Annuncation); I. Praeludium
02] II. Aria, Variatio
03] III. [Finale]
04] The Five Joyful Mysteries Sonata II (The Visitation); I. Sonata
05] II. Allamanda
06] III. [Finale]
07] The Five Joyful Mysteries Sonata III (The Nativity); I. Sonata
08] II. Courente, Double
09] III. [Finale]
10] The Five Joyful Mysteries Sonata IV (Presentation of Jesus in the Temple); I. Ciacona
11] The Five Joyful Mysteries Sonata V (Finding of Jesus in the Temple); I. Praeludium
12] II. Allamanda
13] III. Gigue
14] IV. Sarabanda, Double
15] The Five Sorrowful Mysteries VI (The Agony in the Garden); I. Lamento
16] The Five Sorrowful Mysteries VII (The Scourging at the Pillar); I. Allamanda, Variatio
17] II. Sarabanda, Variatio
18] The Five Sorrowful Mysteries VIII (The Crowning with Thorns); I. Sonata
19] II. Guigue, Doubles
20] The Five Sorrowful Mysteries IX (The Carrying of the Cross); I. Sonata
21] II. Courente, Double
22] III. Finale

CD 2:

01] The Five Sorrowful Mysteries Sonata X (The Crucifixion and Death of Jesus); I. Praeludium
02] II. Aria
03] III. Variatio, cont.
04] The Five Glorious Mysteries Sonata XI (The Resurrection); I. Sonata
05] II. Surexit Christus hodie
06] III. Adagio
07] The Five Glorious Mysteries Sonata XII (The Ascension); I. Intrada
08] II. Aria Tubicinum
09] III. Allamanda
10] IV. Courente, Double
11] The Five Glorious Mysteries Sonata XIII (The Descent of the Holy Spirit); I. Sonata
12] II. Gavotta
13] III. Guigue
14] IV. Sarabanda
15] The Five Glorious Mysteries Sonata XIV (The Assumption of Mary into Heaven); I. (Sonata)
16] II. Aria
17] The Five Glorious Mysteries Sonata XV (The Coronation of Mary); I. Sonata
18] II. Aria, (Variatio)
19] III. Canzona
20] IV. Sarabanda, (Double)
21] Passagalia for unaccompanied violin
22] Scordatura briefly explained

Andrew Manze (violin)
Richard Egarr (harpsichord & organ)
Alison McGillivray (cello Sonata XII)

Heinrich Ignaz Franz von Biber - Andrew Manze / Richard Egarr - The Rosary Sonatas (2002) {Repost}


review by James Manheim

Heinrich Ignaz Franz Biber's Rosary Sonatas were written in Salzburg in the 1670s or 1680s, and they're really unlike anything else in the violin literature. Scordatura, or unconventional tuning of an instrument's strings, was common enough during the Baroque era, but Biber's cycle of 15 pieces for violin and continuo explores the technique exhaustively: each of the 15 sonatas uses a different tuning. The result is music of fearsome difficulty for the player, and, as with Bach's best music, technical complexity generates spiritual intensity. Each sonata represents one of the Mysteries of the Catholic Rosary, which are divided into five Joyful Mysteries (the Annunciation, for example), five Sorrowful Mysteries (concluding with Christ's crucifixion), and five Glorious Mysteries (centered on the Resurrection and on Mary's Assumption). Some of the sonatas have three movements, often with two slow, quasi-improvisatory movements surrounding a central "Aria" or piece in dance rhythm. Others are series of dances, and a few are long single movements approaching the elaborate architecture of the Chaconne from Bach's Partita No. 2 for solo violin. Some of the tunings are downright outlandish; as the music reaches its spiritual climax in the "Resurrection" sonata, Biber specifies that the violin be played with its two central strings crossed, perhaps to symbolize the meeting of heaven and earth. A helpful short commentary by Andrew Manze included at the end of disc two explains the scordatura technique for those who would rather listen than read.

Manze, a British Baroque violinist who has led the English Concert and the Academy of Ancient Music, brings these pieces alive. Performing on a 1700 violin with sheep gut strings, he retunes the instrument for each sonata rather than playing on a set of pre-tuned instruments. This allows the listener to hear the radical changes in tone the violin undergoes as the levels of pressure on its strings are altered. Manze puts it this way in his notes: "As it is pulled into different tunings, the violin undergoes experiences, some pleasant (as in the Visitation and Coronation), some traumatic (the Agony and Crowning with Thorns, for example)." The sequence of tunings matches the events of Christ's life, with the Sorrowful Mysteries rendered in harsh, tense tones. This hasn't always been clear in earlier performances of the work, and observers have tried with dubious success to find more overt pictorialism. Biber shifts mood rather than painting pictures, and the scordatura technique plays a primary role.

There are a few problems with this recording. The break between the two discs is unfortunate; the "Crucifixion and Death of Jesus" sonata is orphaned at the beginning of disc two, and the listener, changing CDs, will miss the highly dramatic transition from the carrying of the cross to the crucifixion. And the continuo accompaniment by Richard Egarr can be questioned. He shifts between organ and harpsichord, bringing out the more improvisatory flights of the violin nicely but creating some contrasts that Baroque audiences might or might not have found idiomatic. Neither of these complaints, however, detracts from Manze's impressive achievement here.
Heinrich Ignaz Franz von Biber - Andrew Manze / Richard Egarr - The Rosary Sonatas (2002) {Repost}
allmusicguide

Thanks to pr3ss!
Heinrich Ignaz Franz von Biber - Andrew Manze / Richard Egarr - The Rosary Sonatas (2002) {Repost}

More Biber on Harmonia Mundi:
Heinrich Ignaz Franz von Biber - Violin Sonatas (Salzburg 1681)

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