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Josquin Desprez, Pierre de La Rue, Jacob Obrecht - Capilla Flamenca, Oltremontano & Psallentes - Bellum & Pax (2008) {Eufoda}

Posted By: ruskaval
Josquin Desprez, Pierre de La Rue, Jacob Obrecht - Capilla Flamenca, Oltremontano & Psallentes - Bellum & Pax (2008) {Eufoda}

Josquin Desprez, Pierre de La Rue, Jacob Obrecht - Capilla Flamenca, Oltremontano & Psallentes - Bellum & Pax (2008) {Eufoda 1372}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 258 Mb | MP3 @320 -> 136 Mb
Full Artwork @ 300 dpi (jpg) -> 52 Mb | 5% repair rar
© 2008 Eufoda | 1372
Classical / Renaissance / Polyphony / Missa / Gregorian Chant

For centuries, war and peace have been accompanied by music. Music was present on the battlefield, of course: the sounding of the trumpet as a signal to gather or attack, drumbeats to recruit soldiers or set them marching, battle songs to raise morale among the troops or instil fear in the bosom of the enemy. Once the hostilities were over, there was singing and dancing in the streets to celebrate peace.

The musical evocation of the violence and tumult of battle provided composers an outstanding opportunity to show off their skill. Many compositions are not an evocation of, but a reaction to the events in times of war. The centuries-long preference of composers for using the song L'homme armé and the antiphon Da pacem is a striking one: these two melodies are among the most-used cantus firmi in the history of music.

The song L'homme armé was the musical foundation of about 50 masses and other compositions written between about 1433 and the end of the 17th century by Jacob Obrecht, Josquin Desprez, Antoine Brumel, Loyset Compère, Pierre de La Rue, Ludwig Senfl, Christobal de Morales, Giovanni da Palestrina and others. The origin of the melody is unclear: it could be a folk song, a composed piece or the tenor of a polyphonic song. The antiphon Da pacem is also a clearly audible cantus firmus woven into polyphonic textures. Some 150 to 200 compositions make use of the text and/or music of this antiphon.

Peacemakers were frequently the subjects of tribute in ceremonial motets, whether or not commissioned by the ruler him- or herself. The death of an important political figure also engendered musical praises or poems of grief. The anonymous Proch dolor - often attributed to Josquin - for instance recalls the death of emperor Maximilian I.
And just as this motet is a lasting testimony of the grandeur of a ruler in life and in death, other episodes given voice from world history will endure thanks to, and in, music. In the hands of these consummately skilled polyphonic composers, war in its audible form becomes something manageable, an evil that can be exorcised, and peace a tangible good that can safeguard and nourish the people.
Josquin Desprez, Pierre de La Rue, Jacob Obrecht - Capilla Flamenca, Oltremontano & Psallentes - Bellum & Pax (2008) {Eufoda}


Personnel:
Capilla Flamenca - Dirk Snellings
Oltremontano - Wim Becu
Psallentes - Hendrik Vanden Abeele


tracklist:

Prelude

1. De Cat: Intrada op L'homme armé
2. Anon: L'homme armé
3. Werrecore / Isaac: Battaglia

Missa

4. Plainchant, introitus: Jubilate Deo
5. Obrecht: Kyrie "L'homme armé"
6. Obrecht: Gloria "L'homme armé"
7. Obrecht: Quis numerare
8. Plainchant: Alleluia qui posuit
9. Plainchant, evangelium: Sequentia Sancti Evangelii Joann
10. La Rue: Credo "L'homme armé I"
11. Plainchant, offertorium: Populum humilem
12. Josquin: Sanctus "L'homme armé sexti toni"
13. Plainchant: Pie Jesu
14. ? Josquin: Proch dolor / Pie Jhesu
15. La Rue: Agnus Dei "L'homme armé II"
16. Plainchant, communio: Pacem meam do vobis

Postlude

17. Brumel: Da Pacem
18. Plainchant: Da Pacem
19. Prioris: Da Pacem
20. Plainchant: Da Pacem
21. La Rue: Da Pacem
22. Plainchant: Benedicamu

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 17. February 2015, 20:59

Unknown Artist / Unknown Title

Used drive : hp DVDWBD TS-TB23L Adapter: 0 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : D:\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:23.67 | 0 | 6291
2 | 1:23.67 | 1:54.30 | 6292 | 14871
3 | 3:18.22 | 2:47.00 | 14872 | 27396
4 | 6:05.22 | 2:46.33 | 27397 | 39879
5 | 8:51.55 | 3:14.54 | 39880 | 54483
6 | 12:06.34 | 6:07.64 | 54484 | 82072
7 | 18:14.23 | 3:17.23 | 82073 | 96870
8 | 21:31.46 | 1:57.29 | 96871 | 105674
9 | 23:29.00 | 2:21.41 | 105675 | 116290
10 | 25:50.41 | 7:00.22 | 116291 | 147812
11 | 32:50.63 | 1:52.05 | 147813 | 156217
12 | 34:42.68 | 4:06.50 | 156218 | 174717
13 | 38:49.43 | 0:55.74 | 174718 | 178916
14 | 39:45.42 | 2:17.26 | 178917 | 189217
15 | 42:02.68 | 4:51.68 | 189218 | 211110
16 | 46:54.61 | 1:41.41 | 211111 | 218726
17 | 48:36.27 | 1:20.26 | 218727 | 224752
18 | 49:56.53 | 0:47.61 | 224753 | 228338
19 | 50:44.39 | 1:00.31 | 228339 | 232869
20 | 51:44.70 | 0:52.71 | 232870 | 236840
21 | 52:37.66 | 1:20.26 | 236841 | 242866
22 | 53:58.17 | 0:34.37 | 242867 | 245453
23 | 54:32.54 | 2:35.32 | 245454 | 257110


Range status and errors

Selected range

Filename D:\EAC\CDImage.wav

Peak level 96.1 %
Extraction speed 2.4 X
Range quality 100.0 %
Test CRC 21EA5CB0
Copy CRC 21EA5CB0
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 1) [8FF81F9F] (AR v2)
Track 2 accurately ripped (confidence 1) [D99934F9] (AR v2)
Track 3 accurately ripped (confidence 1) [8CA4840E] (AR v2)
Track 4 accurately ripped (confidence 1) [364BD6B9] (AR v2)
Track 5 accurately ripped (confidence 1) [16CD5D89] (AR v2)
Track 6 accurately ripped (confidence 1) [D0A3FCF8] (AR v2)
Track 7 accurately ripped (confidence 1) [8FBD1EF8] (AR v2)
Track 8 accurately ripped (confidence 1) [B70AC6F9] (AR v2)
Track 9 accurately ripped (confidence 1) [ACCF29D3] (AR v2)
Track 10 accurately ripped (confidence 2) [38E05367] (AR v2)
Track 11 accurately ripped (confidence 1) [69A45507] (AR v2)
Track 12 accurately ripped (confidence 1) [7A3FC39A] (AR v2)
Track 13 accurately ripped (confidence 1) [34888F7A] (AR v2)
Track 14 accurately ripped (confidence 1) [303C7C21] (AR v2)
Track 15 accurately ripped (confidence 2) [1A1AD623] (AR v2)
Track 16 accurately ripped (confidence 1) [7B058F82] (AR v2)
Track 17 accurately ripped (confidence 1) [58FC65A0] (AR v2)
Track 18 accurately ripped (confidence 1) [2331D16E] (AR v2)
Track 19 accurately ripped (confidence 1) [05172165] (AR v2)
Track 20 accurately ripped (confidence 1) [FE6F1A2C] (AR v2)
Track 21 accurately ripped (confidence 2) [4FD34754] (AR v2)
Track 22 accurately ripped (confidence 1) [ADBBB0E3] (AR v2)
Track 23 accurately ripped (confidence 1) [53583BE2] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum B8B3D806744027A6AC19483D69B8A280DCD8A4D982947531D106512A831743C7 ====


Josquin Desprez, Pierre de La Rue, Jacob Obrecht - Capilla Flamenca, Oltremontano & Psallentes - Bellum & Pax (2008) {Eufoda}

Josquin Desprez, Pierre de La Rue, Jacob Obrecht - Capilla Flamenca, Oltremontano & Psallentes - Bellum & Pax (2008) {Eufoda}




NEXT -> More Psallente on the way…

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