Edgar Meyer, Joshua Bell, Yo-Yo Ma - Meyer Bottesini Concertos
EAC+LOG+CUE | FLAC: 259 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Sony Classical # SK 60956 | Country/Year: Europe 2002
Genre: Classical | Style: Romantic, Contemporary
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Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 19. August 2012, 13:51
Edgar Meyer, Joshua Bell, Yo-Yo Ma / Meyer Bottesini Concertos
Used drive : PIONEER BD-RW BDR-206 Adapter: 2 ID: 3
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%
TOC of the extracted CD
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9 | 48:04.22 | 5:04.25 | 216322 | 239146
10 | 53:08.47 | 14:07.33 | 239147 | 302704
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Filename I:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Edgar Meyer, Joshua Bell, Yo-Yo Ma - Meyer Bottesini Concertos.wav
Peak level 98.7 %
Extraction speed 7.9 X
Range quality 100.0 %
Test CRC FACA9527
Copy CRC FACA9527
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 3) [AF64B8DF] (AR v1)
Track 2 accurately ripped (confidence 3) [5662CB35] (AR v1)
Track 3 accurately ripped (confidence 3) [3B84418A] (AR v1)
Track 4 accurately ripped (confidence 3) [25B31C88] (AR v1)
Track 5 accurately ripped (confidence 3) [ED5C4E5B] (AR v1)
Track 6 accurately ripped (confidence 3) [4654AD4E] (AR v1)
Track 7 accurately ripped (confidence 3) [BD035C17] (AR v1)
Track 8 accurately ripped (confidence 3) [49AD8A9C] (AR v1)
Track 9 accurately ripped (confidence 3) [82F0DDD7] (AR v1)
Track 10 accurately ripped (confidence 3) [CD9D4126] (AR v1)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.3
[CTDB TOCID: WA.m8bIRsymFczoNHipezJSVgDw-] found, Submit result: WA.m8bIRsymFczoNHipezJSVgDw- has been confirmed
[43e5fa5d] (4/4) Accurately ripped
==== Log checksum B08B7830EF3019440665521A0B3C2E1BC23BC365B951F3994A7C6942D9A8C8C2 ====
EAC extraction logfile from 19. August 2012, 13:51
Edgar Meyer, Joshua Bell, Yo-Yo Ma / Meyer Bottesini Concertos
Used drive : PIONEER BD-RW BDR-206 Adapter: 2 ID: 3
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 6:16.25 | 0 | 28224
2 | 6:16.25 | 5:56.07 | 28225 | 54931
3 | 12:12.32 | 6:54.70 | 54932 | 86051
4 | 19:07.27 | 6:02.10 | 86052 | 113211
5 | 25:09.37 | 5:52.53 | 113212 | 139664
6 | 31:02.15 | 5:03.50 | 139665 | 162439
7 | 36:05.65 | 6:10.67 | 162440 | 190256
8 | 42:16.57 | 5:47.40 | 190257 | 216321
9 | 48:04.22 | 5:04.25 | 216322 | 239146
10 | 53:08.47 | 14:07.33 | 239147 | 302704
Range status and errors
Selected range
Filename I:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Edgar Meyer, Joshua Bell, Yo-Yo Ma - Meyer Bottesini Concertos.wav
Peak level 98.7 %
Extraction speed 7.9 X
Range quality 100.0 %
Test CRC FACA9527
Copy CRC FACA9527
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 3) [AF64B8DF] (AR v1)
Track 2 accurately ripped (confidence 3) [5662CB35] (AR v1)
Track 3 accurately ripped (confidence 3) [3B84418A] (AR v1)
Track 4 accurately ripped (confidence 3) [25B31C88] (AR v1)
Track 5 accurately ripped (confidence 3) [ED5C4E5B] (AR v1)
Track 6 accurately ripped (confidence 3) [4654AD4E] (AR v1)
Track 7 accurately ripped (confidence 3) [BD035C17] (AR v1)
Track 8 accurately ripped (confidence 3) [49AD8A9C] (AR v1)
Track 9 accurately ripped (confidence 3) [82F0DDD7] (AR v1)
Track 10 accurately ripped (confidence 3) [CD9D4126] (AR v1)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.3
[CTDB TOCID: WA.m8bIRsymFczoNHipezJSVgDw-] found, Submit result: WA.m8bIRsymFczoNHipezJSVgDw- has been confirmed
[43e5fa5d] (4/4) Accurately ripped
==== Log checksum B08B7830EF3019440665521A0B3C2E1BC23BC365B951F3994A7C6942D9A8C8C2 ====
foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-01-07 19:09:49
––––––––––––––––––––––––––––––––––––––––
Analyzed: Edgar Meyer, Joshua Bell, Yo-Yo Ma / Meyer Bottesini Concertos
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -3.47 dB -22.64 dB 6:16 01-MEYER: Double Concerto Movement I (quarter note = 110)
DR14 -0.65 dB -22.02 dB 5:56 02-MEYER: Double Concerto Movement II (quarter note = 65)
DR14 -1.95 dB -22.53 dB 6:55 03-MEYER: Double Concerto Movement III (quarter note = 150)
DR15 -1.92 dB -23.14 dB 6:02 04-BOTTESINI: Concerto No. 2 in B minor I. Allegro moderato
DR14 -5.49 dB -27.21 dB 5:53 05-BOTTESINI: Concerto No. 2 in B minor II. Andante
DR16 -3.03 dB -24.15 dB 5:04 06-BOTTESINI: Concerto No. 2 in B minor III. Allegro
DR12 -3.07 dB -21.56 dB 6:11 07-MEYER: Concerto in D Movement I (quarter note = 109)
DR14 -4.17 dB -25.20 dB 5:48 08-MEYER: Concerto in D Movement II (quarter note = 74)
DR14 -0.11 dB -20.65 dB 5:04 09-MEYER: Concerto in D Movement III (quarter note = 190)
DR16 -1.67 dB -24.08 dB 14:07 10-BOTTESINI: Gran Duo Concertante for Violin and Double Bass
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 10
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 539 kbps
Codec: FLAC
================================================================================
log date: 2013-01-07 19:09:49
––––––––––––––––––––––––––––––––––––––––
Analyzed: Edgar Meyer, Joshua Bell, Yo-Yo Ma / Meyer Bottesini Concertos
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -3.47 dB -22.64 dB 6:16 01-MEYER: Double Concerto Movement I (quarter note = 110)
DR14 -0.65 dB -22.02 dB 5:56 02-MEYER: Double Concerto Movement II (quarter note = 65)
DR14 -1.95 dB -22.53 dB 6:55 03-MEYER: Double Concerto Movement III (quarter note = 150)
DR15 -1.92 dB -23.14 dB 6:02 04-BOTTESINI: Concerto No. 2 in B minor I. Allegro moderato
DR14 -5.49 dB -27.21 dB 5:53 05-BOTTESINI: Concerto No. 2 in B minor II. Andante
DR16 -3.03 dB -24.15 dB 5:04 06-BOTTESINI: Concerto No. 2 in B minor III. Allegro
DR12 -3.07 dB -21.56 dB 6:11 07-MEYER: Concerto in D Movement I (quarter note = 109)
DR14 -4.17 dB -25.20 dB 5:48 08-MEYER: Concerto in D Movement II (quarter note = 74)
DR14 -0.11 dB -20.65 dB 5:04 09-MEYER: Concerto in D Movement III (quarter note = 190)
DR16 -1.67 dB -24.08 dB 14:07 10-BOTTESINI: Gran Duo Concertante for Violin and Double Bass
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 10
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 539 kbps
Codec: FLAC
================================================================================
CD Info:
Edgar Meyer with Joshua Bell & Yo-Yo Ma, The Saint Paul Chamber Orchestra, Hugh Wolff - Meyer - Bottesini: Concertos
Label: Sony Classical
Catalog#: SK 60956
Format: CD, Album
Country: Europe
Released: 2002
Genre: Classical
Style: Neo-Classical, Classical
Tracklist:
Double Concerto For Cello And Double Bass
1 I. 110 6:16
2 II. 65 5:56
3 III. 150 6:54
Double Bass Concerto No. 2 In B minor
4 I. Allegro Moderato 6:02
5 II. Andante 5:52
6 III. Allegro 5:03
Double Bass Concerto In D
7 I. 109 6:10
8 II. 74 5:47
9 III. 190 5:04
.
10 Gran Duo Concertante 14:07
Credits:
Cello – Yo-Yo Ma (tracks: 1 to 3)
Composed By – Edgar Meyer (tracks: 1 to 3, 7 to 9), Giovanni Bottesini (tracks: 4 to 6, 10)
Conductor – Hugh Wolff
Double Bass – Edgar Meyer
Orchestra – Saint Paul Chamber Orchestra
Violin – Joshua Bell (tracks: 10)
Discogs: http://www.discogs.com/Edgar-Meyer-with-Joshua-Bell-Yo-Yo-Ma-Saint-Paul-Chamber-Orchestra-The-Hugh-Wolff-Meyer-Bottesini-Co/release/3259848
Classicstoday: http://www.classicstoday.com/review/review-7927/
Blues and Bottesini is a more apt title for this album of double bass concertos. Anyone familiar with Edgar Meyer’s recent best-selling bluegrass/classical collaborations (“Appalachia Waltz”, “Appalachian Journey”, “Short Trip Home”), or with his String Quintet or Violin Concerto will find nothing particularly surprising in this premiere recording of new concertos (works that cleverly parallel his composer/bassist predecessor Bottesini). Blues-style inflections and fiddle tunes–Meyer’s musical calling card–feature prominently and predictably in both the Double Concerto and the Concerto in D major, initially provoking a bit of déjà vu eye-rolling. Bluegrass fusion simply is Meyer’s shtick, just as native folk melodies played a major part in the works of Bartók, Dvorák, and others, and we have to learn to accept it.
What makes these pieces enjoyable listening, however, is the way in which Meyer artfully places these blues riffs within the context of classical structures. He points out in the liner notes that the third movement of the Double Concerto was modeled after the same movement of Mozart’s Sinfonia concertante for Violin and Viola. Similarly, the second movement was inspired by Vivaldi’s concertos and is thus marked by striking dynamic changes and mood shifts between the orchestra (furious and energetic) and the soloists (plaintive and serene).
But, as is the case with Meyer’s other recordings (“Uncommon Ritual”, containing his mind-blowing version of Sarasate’s Zigeunerweisen, and his rendition of the Bach Cello Suites), the real draw for this disc rests in his uncanny, superhuman virtuosity. Meyer plays the bass as if it were a cello, or even a violin, and each track of this disc is yet another testament to his astounding technique. Check out, for instance, his own cadenza in the Bottesini B minor Concerto, which is filled with glissandos and double-stops. His featured Concerto in D covers six octaves and extends well into the violin register, and in the Double Concerto it is sometimes difficult to hear when Meyer starts and his comrade Yo-Yo Ma stops, so close in timbre are they in their respective upper registers. So, buy this for the bass, not the blues. classicstoday