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    MOZART - Requiem In D Minor KARAJAN & BPO + VIENNA Singverein

    Posted By: galmuchet

    MOZART - Requiem In D Minor KARAJAN & BPO + VIENNA Singverein

    Release Date: 16 May, 1990 Label: Deutsche Grammophon UP (high quality)


    Requiem for Soloists, Chorus, and Orchestra, K. 626
    Composé par Wolfgang Amadeus MOZART
    Interprété par BERLIN Philharmonic Orchestra / VIENNA Singverein Avec Agnes BALTSA, Jose Van DAM, Werner KRENN, Rudolf SCHOLZ, Anna TOMOWA-SINTOW
    Dirigé par Herbert von KARAJAN

    Sorry no Cover... File .ape & .cue to burn (I used Nero 7, you can find in Software section) I think this is not the same source than joshua

    Agnes BALTSA (Alto), José Van DAM (Basse), Wolfgang Amadeus MOZART (Compositeur), Herbert von KARAJAN (Chef d'orchestre), BERLINER Philharmoniker (Orchestre), WIENER
    Singverein (Orchestre), Rudolf SCHOLZ (Orgue), Anna TOMOWA-SINTOW (Soprano), Werner KRENN (Ténor)

    01. Requiem, Kv 626 : Introitus
    02. Requiem, Kv 626 : Kyrie
    03. Requiem, Kv 626 : Sequenz : Dies Irae
    04. Requiem, Kv 626 : Sequenz : Tuba Mirum
    05. Requiem, Kv 626 : Sequenz : Rex Tremendae
    06. Requiem, Kv 626 : Sequenz : Recordare
    07. Requiem, Kv 626 : Sequenz : Confutatis
    08. Requiem, Kv 626 : Sequenz : Lacrimosa
    09. Requiem, Kv 626 : Offertorium : Domine Jesu
    10. Requiem, Kv 626 : Offertorium : Hostias
    11. Requiem, Kv 626 : Sanctus
    12. Requiem, Kv 626 : Benedictus
    13. Requiem, Kv 626 : Agnus Dei
    14. Requiem, Kv 626 : Communio : Lux Aeterna

    Country of Origin: VIENNA, Austria
    Period: Classical
    Written: 1791
    Language: Latin

    237 Mb
    http://rapidshare.de/files/10844195/recuit_par_herbert.part1.rar.html
    http://rapidshare.de/files/10844212/recuit_par_herbert.part2.rar.html
    http://rapidshare.de/files/10844061/recuit_par_herbert.part3.rar.html
    Pass : galmuchet

    Between 1961 and 1986, Herbert von Karajan made three recordings of the Mozart Requiem for Deutsche Grammophon, with little change in his conception of the piece over the years. This recording, from 1975, is, on balance, the best of them. The approach is Romantic, broad, and sustained, marked by a thoroughly homogenized blend of chorus and orchestra, a remarkable richness of tone, striking power, and an almost marmoreal polish. Karajan viewed the Requiem as idealized church music rather than a confessional statement awash in operatic expressiveness. In this account, the orchestra is paramount, followed in importance by the chorus, then the
    soloists. Not surprisingly, the singing of the solo quartet sounds somewhat reined-in, especially considering these singers' pedigrees. By contrast, the Vienna Singverein, always Karajan's favorite chorus, sings with a huge dynamic range and great intensity, though with an emotional detachment nonetheless. Perfection, if not passion or poignancy, is the watchword. The Berlin orchestra plays majestically, and the sound is pleasingly vivid. Ted Libbey