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Hesperion XXI & Jordi Savall - Ostinato (2002) {Alia Vox AV 9820}

Posted By: ruskaval
Hesperion XXI & Jordi Savall - Ostinato (2002) {Alia Vox AV 9820}

Hespèrion XXI & Jordi Savall - Ostinato (2002) {Alia Vox AV 9820}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 387 Mb | MP3 @320 -> 175 Mb
Full Artwork @ 300 dpi (jpg) -> 42 Mb | 5% repair rar
© 2002 Alia Vox | AV 9820
Classical / Early Music / Baroque / Renaissance

Ostinato is an anthology which brings together the most representative works of the art of improvisation and of a musical form based on a unique concept of the basso, which is repeated sequentially throughout the compositions.
Following the astonishing success of La Folia, Jordi Savall began work on an in-depth study and reappraisal of the most interesting works created around the basso ostinato. The musical journey of Ostinato, covering 150 years and crossing the lenght and breadth of Europe, takes us from the early works of Diego Ortiz to Johann Pachelbel’s Canon. This recording gives us insight into two types of composition. On the one hand, there are the richly improvised works which were built around the raw material provided by Ortiz, with the added development of a single-voice part (for viola) – such as Greensleeves to a Ground, Canarios and Gallarda Napolitana. On the other hand, we have those compositions which were constructed along the more elaborate lines of chamber music, allowing a free, uninterrupted interplay among the instruments (Falconiero, Marini, Purcell, Pachelbel).

The multiplicity of solutions developed on the basis of the system which is common to all the works included in the anthology results in a disc full of contrasts, variety, verve and surprise.
Hesperion XXI & Jordi Savall - Ostinato (2002) {Alia Vox AV 9820}

Hespèrion XXI has already explored the folia in a recent recording (Alia Vox‚ 6/99) and here the group again recreate the improvisatory world of instrumental music of the 16th and 17th centuries. Repeated bass or harmonic patterns – the basso ostinato – are again the linking factor while each composer from Ortiz to Purcell displays amazing skill at combining the restriction of harmonic repetition with freedom of inventiveness‚ discipline stimulating creativity with brilliant result. The same is true of this recording: the players’ disciplined virtuosity brings out the improvisatory background of much of this music in a dazzling display that enthralls the listener.
Despite the constant of the ostinato‚ the variety in texture and instrumental colour in the pieces selected is such that there is never a dull moment: Jordi Savall on viols ranging from bass to treble is completely at one with the music of Diego Ortiz – never have I heard it more convincingly performed – while the violin playing of Manfredo Kraemer and Pablo Valetti in the later trio sonata­based pieces is full of rhythmic vitality and interest. The continuo team‚ mostly plucked strings in the earlier repertory and keyboard (harpsichord or organ) with theorbo in the later works‚ is superb: inventive and as virtuoso as the soloists they accompany.
As the Portuguese musicologist Ruy Vieira Nery says in his commendably lucid insert­notes‚ these written­out and elaborated versions of improvisatory techniques are in many ways parallel to the best recordings of jazz‚ capturing for posterity an inspiration of the moment. Hespèrion XXI present their own improvisation on the sequence of chords known as the ‘Canarios’‚ a popular ground bass throughout the period‚ particularly in the Spanish­speaking world‚ and which builds in excitement and tension very nicely. I’ll enjoy listening to this disc at regular intervals‚ and I’m sure you will too.
Hesperion XXI & Jordi Savall - Ostinato (2002) {Alia Vox AV 9820}


Performers:
Hespèrion XXI


Manfredo Kraemer, Pablo Valetti, David Plantier, violons
Jordi Savall, violes de gambe
Bruno Cocset, violoncelle
Sergi Casademunt, violone
Michael Behringer & Luca Guglielmi, orgue & clavecin
Arianna Savall, arpa doppia
Xavier Díaz, théorbe, guitare & vihuela
Pedro Estevan, Eliseo Parra
, percussions

Direction: Jordi Savall

tracklist:
01 - Antonio Valente - Gallarda Napolitana
02 - Diego Ortiz - Passamezzo antico - Zarabanda (Recercada V)
03 - Andrea Falconiero - Passacalle
04 - Diego Ortiz - Passamezzo moderno (Recercada II)
05 - Andrea Falconiero - Ciaccona
06 - Diego Ortiz - Ruggiero (Quinta pars IX)
07 - Diego Ortiz - Romanesca (Recercada VII)
08 - Salomone Rossi - Sopra l'Aria di Ruggiero
09 - Biagio Marini - Passacalio
10 - Improvisation - Canarios
11 - Tarquinio Merula - Ruggiero
12 - Francisco Correa de Arauxo - Tres Glosas sobre Todo el mundo en general
13 - Tarquinio Merula - Ciaccona
14 - Henry Purcell - Sonata a 2
15 - Henry Purcell - 3 Parts upon a Ground
16 - Johann Pachelbel - Kanon und Gigue
17 - Anon. - Greensleeves to a Ground

EAC extraction logfile from 28. January 2007, 14:39 for CD
Hesperion XXI - Jordi Savall / Ostinato

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320 kBit/s
Additional command line options : -V -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" -T "comment= Compliments of Dino" %s

Other options :
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Delete leading and trailing silent blocks : No
Installed external ASPI interface


Track 1
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Track 2
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Track 3
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Track 4
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Track 5
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Track 6
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Track 7
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Track 8
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Track 9
Filename L:\19 NEW C\Hesperion XXI - Ostinato\09 - Biagio Marini - Passacalio.wav

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Track 10
Filename L:\19 NEW C\Hesperion XXI - Ostinato\10 - Improvisation - Canarios.wav

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Track 11
Filename L:\19 NEW C\Hesperion XXI - Ostinato\11 - Tarquinio Merula - Ruggiero.wav

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Track 12
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Track 13
Filename L:\19 NEW C\Hesperion XXI - Ostinato\13 - Tarquinio Merula - Ciaccona.wav

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Track 14
Filename L:\19 NEW C\Hesperion XXI - Ostinato\14 - Henry Purcell - Sonata a 2.wav

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Track 15
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Track 16
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Track 17
Filename L:\19 NEW C\Hesperion XXI - Ostinato\17 - Anon. - Greensleeves to a Ground.wav

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No errors occured


End of status report


Hesperion XXI & Jordi Savall - Ostinato (2002) {Alia Vox AV 9820}


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Jordi Savall & Hesperion X...(1978) {Astrée-Auvidis E 7724}
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