The Art of Anatoly Vedernikov Volume 9 - Claude Debussy: Etudes & Pour le piano
The Art of Anatoly Vedernikov Volume 9 - Claude Debussy: Etudes & Pour le piano
Genre: Late-Romantic Solo Piano | 1 CD | EAC & FLAC (CUE+LOG) | Complete Covers & PDF | 169 MB
1957 & 1967 recording, 2005 release | Publisher: Denon COCQ-83966
RapidShare
Genre: Late-Romantic Solo Piano | 1 CD | EAC & FLAC (CUE+LOG) | Complete Covers & PDF | 169 MB
1957 & 1967 recording, 2005 release | Publisher: Denon COCQ-83966
RapidShare
Works/Tracks
1. (00:02:40) 12 Études: I. Pour les cinq doigts
2. (00:03:13) 12 Études: II. Pour les tierces
3. (00:05:43) 12 Études: III. Pour les quartes
4. (00:04:56) 12 Études: IV. Pour les sixtes
5. (00:02:41) 12 Études: V. Pour les octaves
6. (00:01:33) 12 Études: VI. Pour les huit doigts
7. (00:02:07) 12 Études: VII. Pour les degrés chromatiques
8. (00:05:04) 12 Études: VIII. Pour les agréments
9. (00:03:12) 12 Études: IX. Pour les notes répétées
10. (00:06:58) 12 Études: X. Pour les sonorités opposées
11. (00:04:09) 12 Études: XI. Pour les arpeges composés
12. (00:04:10) 12 Études: XII. Pour les accords
13. (00:03:29) Pour le Piano - I. Prélude
14. (00:05:33) Pour le Piano - II. Sarabande
15. (00:03:26) Pour le Piano - III. Toccata
Performers
Anatoly Vedernikov (piano)
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 12. June 2009, 9:32
Anatoly Vedernikov / The Art of Anatoly Vedernikov Volume 09 - Claude Debussy
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Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : D:\Programme\EAC099\Flac\flac.exe
Additional command line options : -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "TOTALTRACKS=%x" -T "GENRE=%m" -T "ALBUM ARTIST=%v" -T "ALBUMARTIST=%v" -T "COMMENT=EAC V0.99 prebeta 5, Secure Mode, Test & Copy, Accurat
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2 | 2:40.00 | 3:13.02 | 12000 | 26476
3 | 5:53.02 | 5:43.10 | 26477 | 52211
4 | 11:36.12 | 4:55.40 | 52212 | 74376
5 | 16:31.52 | 2:40.45 | 74377 | 86421
6 | 19:12.22 | 1:32.65 | 86422 | 93386
7 | 20:45.12 | 2:07.33 | 93387 | 102944
8 | 22:52.45 | 5:04.32 | 102945 | 125776
9 | 27:57.02 | 3:12.08 | 125777 | 140184
10 | 31:09.10 | 6:58.27 | 140185 | 171561
11 | 38:07.37 | 4:08.73 | 171562 | 190234
12 | 42:16.35 | 4:10.00 | 190235 | 208984
13 | 46:26.35 | 3:28.40 | 208985 | 224624
14 | 49:55.00 | 5:33.37 | 224625 | 249636
15 | 55:28.37 | 3:25.53 | 249637 | 265064
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Track 2
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Track 9
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Track 12
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Track 13
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Track 15
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End of status report
EAC extraction logfile from 12. June 2009, 9:32
Anatoly Vedernikov / The Art of Anatoly Vedernikov Volume 09 - Claude Debussy
Used drive : PLEXTOR CD-R PREMIUM2 Adapter: 3 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 30
Overread into Lead-In and Lead-Out : Yes
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : D:\Programme\EAC099\Flac\flac.exe
Additional command line options : -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "TOTALTRACKS=%x" -T "GENRE=%m" -T "ALBUM ARTIST=%v" -T "ALBUMARTIST=%v" -T "COMMENT=EAC V0.99 prebeta 5, Secure Mode, Test & Copy, Accurat
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:40.00 | 0 | 11999
2 | 2:40.00 | 3:13.02 | 12000 | 26476
3 | 5:53.02 | 5:43.10 | 26477 | 52211
4 | 11:36.12 | 4:55.40 | 52212 | 74376
5 | 16:31.52 | 2:40.45 | 74377 | 86421
6 | 19:12.22 | 1:32.65 | 86422 | 93386
7 | 20:45.12 | 2:07.33 | 93387 | 102944
8 | 22:52.45 | 5:04.32 | 102945 | 125776
9 | 27:57.02 | 3:12.08 | 125777 | 140184
10 | 31:09.10 | 6:58.27 | 140185 | 171561
11 | 38:07.37 | 4:08.73 | 171562 | 190234
12 | 42:16.35 | 4:10.00 | 190235 | 208984
13 | 46:26.35 | 3:28.40 | 208985 | 224624
14 | 49:55.00 | 5:33.37 | 224625 | 249636
15 | 55:28.37 | 3:25.53 | 249637 | 265064
Track 1
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Track 2
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Track 4
Filename E:\The Art of Anatoly Vedernikov Volume 09 - Claude Debussy (1995) [FLAC] {Denon COCQ-83966}\04 - IV. Pour les sixtes.wav
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Track 5
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Track 6
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Track 7
Filename E:\The Art of Anatoly Vedernikov Volume 09 - Claude Debussy (1995) [FLAC] {Denon COCQ-83966}\07 - VII. Pour les degres chromatiques.wav
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Track 8
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Track 9
Filename E:\The Art of Anatoly Vedernikov Volume 09 - Claude Debussy (1995) [FLAC] {Denon COCQ-83966}\09 - IX. Pour les notes repetees.wav
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Track 10
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Track 11
Filename E:\The Art of Anatoly Vedernikov Volume 09 - Claude Debussy (1995) [FLAC] {Denon COCQ-83966}\11 - XI. Pour les arpeges composes.wav
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Track 12
Filename E:\The Art of Anatoly Vedernikov Volume 09 - Claude Debussy (1995) [FLAC] {Denon COCQ-83966}\12 - XII. Pour les accords.wav
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Track 13
Filename E:\The Art of Anatoly Vedernikov Volume 09 - Claude Debussy (1995) [FLAC] {Denon COCQ-83966}\13 - Pour le Piano - I. Prelude.wav
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Track 14
Filename E:\The Art of Anatoly Vedernikov Volume 09 - Claude Debussy (1995) [FLAC] {Denon COCQ-83966}\14 - Pour le Piano - II. Sarabande.wav
Pre-gap length 0:00:03.00
Peak level 57.4 %
Track quality 100.0 %
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Track 15
Filename E:\The Art of Anatoly Vedernikov Volume 09 - Claude Debussy (1995) [FLAC] {Denon COCQ-83966}\15 - Pour le Piano - III. Toccata.wav
Pre-gap length 0:00:02.69
Peak level 64.2 %
Track quality 100.0 %
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End of status report
Recording Information
recorded in 1957 & 1967
released in 1995
re-released in 2005
Denon
COCQ-83966
Reviews
I think his Debussy etudes are inconsistent, but the best of them are extremely interesting; such as #8, which was conveniently posted to Youtube here (fast-forward to 2:05).* At the start of #8 as in several of his Debussy Images, he takes a much slower tempo than pianists usually do – he's extremely good with slow tempi, and on the whole when he goes to an exaggeratedly slow tempo he's even more effective than Richter is at the same thing. There also turns out to be a very good reason for the tempo choice. The effect is mesmerizing.
Vedernikov does a great job of differentiating and getting the most out of the astonishingly numerous and varied kinds of material Debussy juxtaposes here. I never understood how really extraordinary this etude was until I heard AV's performance. The Denon CD issue btw sounds better than this Youtube post, which appears to be from an LP. (Steve Emerson on rec.music.classical.recordings)