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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    Kimmo Pohjonen - Kielo

    Posted By: klangwolfe
     Kimmo Pohjonen - Kielo

    Kimmo Pohjonen - Kielo
    EAC (APE & CUE) | Free-Jazz, World | 1 CD | Front Cover | 235 MB

    The accordion player from Finland who knows no fear, no boundaries, no limits. This is a series of solo pieces, some acoustic, some manipulated, that set the standard for the new avant garde. Read an interview with Kimmo in RootsWorld.

    All sounds on this album are created by Kimmo Pohjonen's accordion or voice, except track 5, harmonium.

    1. Anastaja
    2. Kalmukki
    3. Emboli
    4. Saatto
    5. Kirkuna
    6. Kova
    7. Silmäys
    8. Kielo
    9. Sirpale
    10. Ammoin
    11. Koruna

    “Occasionally, Kimmo Pohjonen does what you expect an accordion player to do there are brief bursts of sea shanty or airs that imply the grandeur of Parisian boulevards. Seconds later, he’ll be screaming absurdities into his mike, beating himself around the head and exor/exercizing the banshees that live within the 65kg instrument responsible for sounds no human could have hoped to hear while alive. Oh yes, the Finn, after years of playing folk and classical music then dropping out on Kielo (Rockadillo Records) has discovered a hotline to Hades, where every sinner is forced to play a squeezebox rather than a banjo.

    He enters a stage more suited to Waiting for Godot than a gig and immediately impersonates a fog horn. His droning, shrieking and accordion-thumping are put on everlasting loops to form the rhythmic bases for whatever else he has planned, which usually involves a pick ‘n’ mix from the dozens of FX pedals at his feet. It’s like nothing your correspondent has ever heard.” - David Hutcheon in Mojo, June 2001