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    Aki Takahashi - Iannis Xenakis: Works for Piano (1999) [Xenakis Edition, Vol. 4]

    Posted By: Designol
    Aki Takahashi - Iannis Xenakis: Works for Piano (1999) [Xenakis Edition, Vol. 4]

    Aki Takahashi - Iannis Xenakis: Works for Piano (1999) [Xenakis Edition, Vol. 4]
    with Jane Peters (violin), The Society for New Music, Charles Peltz (conductor)

    EAC | FLAC | Tracks (Cue&Log) ~ 259 Mb | Mp3 (CBR320) ~ 150 Mb | Artwork included
    Contemporary Classical, Avant-Garde | Label: Mode | # mode 80 | Time: 01:00:42

    Known for drawing unusual sonorities from conventional instruments, Xenakis strangely left the piano's potential for novel sounds unexplored. In these works, Xenakis stays on the keyboard without so much as a plucked string or any use of gadgetry to alter the instrument's sound. Although that might make these pieces appear less radical, even "safe," Xenakis exploits every other option available. Evryali is an energetically rhythmic piece that bursts into a chaotic roar of crashing chords, traversing the piano's range and achieving maximum volume. Dikhthas is also heavily dependent on loud, percussive playing, though the violin's glissandi and pitch-bending provide the microtones that are integral to Xenakis' sound and add a welcome timbral contrast. Herma, constantly shifting in mood with wildly variable gestures, is regrettably like many other avant-garde solo piano pieces. A kind of mini-concerto, Palimpsest is the most characteristic work on the disc, full of the sonic mayhem and ritualistic patterns for which Xenakis is best known. Mists darts everywhere, as if actively pursuing ideas only to find that they dissipate when grasped. A.r., the briefest piece, is a rapid toccata extrapolated from a fragment by Ravel, though the overpowering result is unlike anything by that composer.

    Review by Blair Sanderson, Allmusic.com

    Sit at your piano with your left hand at the keyboard’s very bottom and your right hand at the very top, fingers stretched out in arduous chords, and hammer away in rapid irregular rhythms. That gives you an idea of what Xenakis’ piano music demands of Aki Takahashi, who is very much up to the task. Evryali is a diabolical endurance test, but also tremendously engaging in its toccata-like perambulation of the keyboard. Takahashi conjures a colorful dynamic range in Herma, a piece commissioned by the pianist’s brother Yuji, and in the strange A.r. (Hommage à Ravel) which bears only a slight resemblance to Ravel in its imaginative sequences of held chords. Violinist Jane Peters matches Takahashi’s formidable energy for the dazzling wild ride of Dikhthas (“dual” in Greek), and Palimsest’s polyrhythms become razor-sharp in Takahashi’s version with The Society for New Music. Even the bizarre liner notes (“In the middle section, chains of sixty-four-notes and dyads in both hands cause a condensation”) can’t compare with the opacity of Xenakis’ own explanations of his music that involve sieve theory, Brownian movements, and hyperbolic-cosine law. Unless you’re into higher math, sit back (or bolt upright) and enjoy this brilliant album.

    Review by Sarah Cahill, ClassicsToday.com
    Artistic Quality 10 / Sound Quality 10

    Aki Takahashi - Iannis Xenakis: Works for Piano (1999) [Xenakis Edition, Vol. 4]



    Aki Takahashi - Iannis Xenakis: Works for Piano (1999) [Xenakis Edition, Vol. 4]



    Aki Takahashi (piano) 1-6
    Jane Peters (violin) 2
    The Society for New Music 4
    Charles Peltz (conductor) 4

    Recorded Mar. 28-30, 1998, Carnegie Mellon Institute, Pittsburgh (1st, 5th-6th works)
    Apr. 5, 1998, Cathedral of the Immaculate Conception, Syracuse, N.Y. (4th work)
    Feb. 24-25, 1999, Troy Music Hall, Troy, N.Y. (2nd-3rd works)

    Tracklist:

    01. Evryali (1973) for piano solo (9:57)

    02. Dikhthas (1979) for violin & piano (14:42)

    03. Herma (1960–61) for piano solo (7:50)

    04. Palimpsest (1979) for piano, 6 drums, winds, & strings (12:42)

    05. Mists (1981) for piano solo (12:59)

    06. A.r. (Hommage à Ravel) (1987) for piano solo (2:32)


    Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

    EAC extraction logfile from 19. December 2010, 11:57

    Iannis Xenakis / Complete Solo Piano Works (Aki Takahashi)

    Used drive : TSSTcorpCDDVDW SH-S203D Adapter: 4 ID: 1

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    Read offset correction : 6
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000
    Gap handling : Appended to previous track

    Used output format : User Defined Encoder
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    Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
    Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 9:57.14 | 0 | 44788
    2 | 9:57.14 | 14:42.22 | 44789 | 110960
    3 | 24:39.36 | 7:49.53 | 110961 | 146188
    4 | 32:29.14 | 12:42.06 | 146189 | 203344
    5 | 45:11.20 | 12:58.72 | 203345 | 261766
    6 | 58:10.17 | 2:31.43 | 261767 | 273134


    Track 1

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    Test CRC F4417C87
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    Track 2

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    Track not present in AccurateRip database
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    Track 3

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    Track 4

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    Track 5

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    Copy CRC AC6B4A20
    Track not present in AccurateRip database
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    Track 6

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    Peak level 91.6 %
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    Track not present in AccurateRip database
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    None of the tracks are present in the AccurateRip database

    No errors occurred

    End of status report

    [CUETools log; Date: 04.07.2017 18:31:06; Version: 2.1.4]
    [CTDB TOCID: gL7KTljqCJzVbeuqOQl80mR.SF0-] found.
    Track | CTDB Status
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    2 | (6/6) Accurately ripped
    3 | (6/6) Accurately ripped
    4 | (6/6) Accurately ripped
    5 | (6/6) Accurately ripped
    6 | (6/6) Accurately ripped
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    Track [ CRC | V2 ] Status
    01 [0c9f590e|4970e5f1] (0+0/2) No match
    02 [a36ad0ae|51f72f6c] (0+0/2) No match
    03 [06c6ce2f|943e4ed1] (0+0/2) No match
    04 [08b7ac2f|b7ed4a80] (0+0/2) No match
    05 [8653c31e|e0818401] (0+0/2) No match
    06 [3b2c4ee8|99b9ca1e] (0+0/2) No match
    Offsetted by -667:
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    02 [c3544d75] (0/2) No match (V2 was not tested)
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    Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
    – 100,0 [742B27BF] [09AD01F6]
    01 100,0 [F4417C87] [422EBBFC] CRC32
    02 72,8 [877B3D2A] [79ACC67C] CRC32
    03 62,6 [6D2E03BD] [B813496B] CRC32
    04 98,7 [242A3BD0] [72F97576] CRC32
    05 85,1 [AC6B4A20] [A2229625] CRC32
    06 91,6 [6B4ED45C] [CD30CB04] CRC32

    foobar2000 1.2 / Dynamic Range Meter 1.1.1
    log date: 2017-07-04 18:46:54

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Aki Takahashi / works for piano
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR14 0.00 dB -18.84 dB 9:57 01-Evryali (1973)
    DR14 -2.75 dB -23.99 dB 14:42 02-Dikhthas (1979)
    DR13 -4.07 dB -23.31 dB 7:50 03-Herma (1960–61)
    DR12 -0.11 dB -16.65 dB 12:42 04-Palimpsest (1979)
    DR13 -1.40 dB -21.49 dB 12:59 05-Mists (1981)
    DR15 -0.76 dB -19.61 dB 2:32 06-à r. (Hommage à Ravel) (1987)
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 6
    Official DR value: DR14

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 509 kbps
    Codec: FLAC
    ================================================================================

    Aki Takahashi - Iannis Xenakis: Works for Piano (1999) [Xenakis Edition, Vol. 4]