Antonio Florio, Cappella de' Turchini - Francesco Provenzale: Passione; Vespro (2002)
Antonio Florio, Cappella de' Turchini - Francesco Provenzale: Passione, Vespro (2002)
EAC | FLAC | Image (Cue & Log) ~ 669 Mb | Total time: 69:47+74:48 | Scans included
Classical | Label: Naïve | # OP 20006 | Recorded: 1996, 1998
EAC | FLAC | Image (Cue & Log) ~ 669 Mb | Total time: 69:47+74:48 | Scans included
Classical | Label: Naïve | # OP 20006 | Recorded: 1996, 1998
Starting with the `Passione', this is a meditation on Christ's Passion consisting mainly of a `Dialogo' between the Virgin Mary (soprano Emanuela Galli) and St John (Giuseppe Naviglio, bass), with contributions from a pair of angels and others. The music is vivid and demonstrative, with lovely vocal passages and some wonderful duetting, all very finely sung. The lively accompaniment from period instruments is superb, and it's all directed with spirit and inspiration by Antonio Florio.
The Passione is followed by several other contemporaneous works, with those from the slightly older Giovanni Salvatore being especially fine. The latter's `Beati omnes' for 5 voices and instruments is a really lovely piece, and his majestic, similarly scored `Litanie' is a lively, beautiful and varied work which brings the first disc to a superb close.
The `Vespro' disc consists of motets and other works forming the Vespers sequence, with contributions by a few other contemporaries such as Caresana and Tricarico. The entire collection, which includes solo, ensemble and ripieno choral sections accompanied by instruments, is splendid. The work is full of brilliant and fascinating music, of which I'll mention just a few examples: the opening Sinfonia, strongly coloured by a baroque bassoon, makes a fine start. A little later the motet 'Accipite jucunditatem' from Giuseppe Tricarico (track 5), for three sopranos, seems like the epitome of florid baroque showmanship; a similarly arresting effect is achieved by two tenors in Giamberti's 'Similabo eum viro sapienti' (8). In fact the whole programme is characterised by lively melodies and textures, and by brilliant and demanding vocal passages.
Cristofaro Caresana's 'Vanitas vanitatum' (14) is a stunning tour de force, with highly demanding duet passages for contralto and bass - an absolutely remarkable work of bouncing rhythms and delightful sequences, and definitely not to be missed by fans of baroque vocal music. Provenzale's 'Magnus secundum nomen suum' (17) is a beautiful, atmospheric piece, mesmerising in its simplicity.
The performances, under Antonio Florio's stylish and energetic direction, are largely excellent; a few of the voices in the minor roles are not of the highest quality, but in matters of agility and expressiveness they are well up to the task.– Stephen Midgley
Performer:
Emanuela Galli, soprano
Roberta Andalo, soprano
Roberta Invernizzi, soprano (cd2)
Daniela del Monaco, alto
Giuseppe de Vittorio, tenor
Rosario Totaro, tenor
Giuseppe Naviglio, bass
Cappella de' Turchini
Antonio Florio, direttore
Tracklist:
Francesco Provenzale (1624-1704)
CD1:
Anonymous
01. Versetti dello Stabat, for 3 male voices
Francesco Provenzale
Dialogo a cinque voci con violini per la Passione
02. Sinfonia
03. Aria: Genuflessa al duro legno
04. Aria: Mio diletto, mio fattore
05. Duetto: Angioletti di là su
06. Duetto: Che strano oggetto
07. Aria: Vilipeso amore ignoto
08. Duetto: Grand'amore, gran pietà
09. Aria: Oh, perfido core
10. Aria: Ferito mio bene
11. Recitativo e Aria: Deh, consolati
12. Recitativo e Aria: Tutto è ver
13. Aria: Che dolore, che tormento
14. Aria: Deh, tornatemi il mio Tesoro
15. Sinfonia
16. Coro: Deh, piangi, oh peccatore
Giovanni Salvatore (c.1620-c.1688)
17. Guardami Dio d'amici ricercare a due
18. Stabat Mater, for 5 voices
Giovanni Carlo Cailò (c.1655-1722)
Sonata a tre violini e organo
19. Largo assai
20. Allemanda - Allegro assai
21. Allegro e non presto
22. Adagio
23. Allegro
Giovanni Salvatore
24. Beati omnes a cinque voci
25. Toccata Prima del primo tuono finto
26. Canzona francese del primo tuono finto
27. Litanie a cinque voci per la beata Vergine Maria
CD2:
01. Francesco Rossi. Sinfonia a 5
Anonymous
02. Deus in adjutorium meum intende domine ad adiuvandum me festina
03. De excelso misit ignem
Francesco Provenzale
04. Dixit Dominus
Giuseppe Tricarico (1623-1697)
05. Accipite jucunditatem
Anonymous
06. Concaluit cor meum intra me
Francesco Provenzale
07. Confitebor
Giuseppe Giamberti (c.1600-c.663)
08. Similabo eum viro sapienti
Anonymous
09. Cor meum et caro mea
Francesco Provenzale
10. Beatus vir
11. Exulta, jubila
Anonymous
12. Factus est in corde meo
Francesco Provenzale
13. Laudate pueri
Cristoforo Caresana
14. Vanitas vanitatum
Anonymous
15. Defecit caro mea
16. Laudate dominum
Francesco Provenzale
17. Magnus secundum nomen suum
Cristoforo Caresana (c.1640-1709)
18. Iste confessor
Anonymous
19. Domus mea
Francesco Provenzale
20. Magnificat
21. Lauda Jerusalem
Exact Audio Copy V1.6 from 23. October 2020
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Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 30. January 2024, 15:05
Antonio Florio, Cappella de' Turchini / Provenzale: Vespro
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Antonio Florio, Cappella de' Turchini - Francesco Provenzale: Passione; Vespro (2002)
