Antonio Florio, Cappella della Pietà de’Turchini - Napoli-Madrid: Vinci - Cantate e Intermezzi (2007)
Antonio Florio, Cappella della Pietà de’Turchini - Napoli-Madrid: Vinci - Cantate e Intermezzi (2007)
EAC | FLAC | Image (Cue & Log) ~ 382 Mb | Total time: 71:35 | Scans included
Classical | Label: Naïve | OP 30274 | Recorded: 2001
EAC | FLAC | Image (Cue & Log) ~ 382 Mb | Total time: 71:35 | Scans included
Classical | Label: Naïve | OP 30274 | Recorded: 2001
For more than two centuries Naples was a province of Spain, and after this ended in 1707 the remarkable cross-fertilisation of culture between them did not stop. Much of the Italian music featured here has been edited from sources in Spanish collections. The vast bulk of it is devoted to Leonardo Vinci (one of the most celebrated Italian opera composers of the 1720s). Only one short piece tacked onto the end is actually Spanish: a colourful fandango from José de Nebra's zarzuela Vendado es amor,no es ciego (1744) in which three singers mockingly compare the squabbling goddesses of classical antiquity to bickering mothers-in-law.
Antonio Florio and Cappella della Pietà de'Turchini have already given unstinting service to the cause of music from Naples, but this is one of their best recordings so far. The playing and singing are theatrically charged without ever becoming crass or forced, and there is a lean articulacy evident throughout. This is no mean feat in two cliché-ridden intermezzi in which the comedy relies largely on long recitatives, but the programme has been intelligently chosen: Vinci's Erighetta e Don Chilone (in which a young widow hoodwinks a wealthy old hypochondriac into marrying her by posing as a doctor) is entirely different in tone and style to Giuseppe Petrini's Graziello e Nella (in which a young man – sung by a woman – heaps ridicule upon an old woman – sung by a man – who thinks she is still young and gorgeous). If these are fascinating and mildly amusing rather than magnificent, three cantatecon strumenti by Vinci (sung in contemporary Spanish versions) offer ample musical rewards.
Triste, ausente, en esta selva is superbly sung by Roberta Invernizzi – the central accompanied recitative is spectacular and highly dramatic.
Cristina Calzolari is equally impressive in the other two cantatas. These cantatas give us a precious insight into why Vinci was reputedly one of Handel's favourite composers.— Gramophone Classical Music Guide
Performer:
Roberta Invernizzi, soprano
Cristina Calzolari, contralto
Giuseppe De Vittorio, tenor
Giuseppe Naviglio, baritone
Cappella della Pietà de’Turchini
Antonio Florio, conductor
Track List:
Leonardo Vinci (1690-1730)
Erighetta e don chilone
Intermezzo I
01. Aria: Vedovella afflitta e sola (Erighetta)
02. Recitativo: Lo stato vedovile … (Erighetta, Don Chilone)
03. Duetto: Addio Erighetta - Addio Don Chilone (Don Chilone, Erighetta)
Intermezzo II
04. Recitativo: Lesbin, tira due sedie (Don Chilone, Erighetta)
05. Aria: Questo è il mio recipe (Erighetta)
06. Recitativo: Costui ha un grande ingegno (Don Chilone)
07. Aria: Vo' provar questa ricetta (Don Chilone)
08. Recitativo: Ebben signor Chilone (Erighetta, Don Chilone)
09. Duetto: Chi desia di sanar l'ippocondria (Erighetta, Don Chilone)
Sinfonia per archi
10. I. Allegro
11. II. Adagio
12. III. Allegro non presto
Giuseppe Petrini (first part of 18th century)
Graziello e Nella
13. Recitativo: Ohie, Nella! (Graziello, Nella)
14. Duet: Arrapata, sceregata … (Graziello, Nella)
15. Recitativo: Ora vi che pazienza (Nella, Graziello)
16. Aria: Na femmina vecchia (Graziello)
17. Recitativo: Vi che tentazione (Nella, Graziello)
18. Aria: Faccia da presuntuoso (Nella)
19. Recitativo: Nella non te 'nzurfa (Graziello, Nella)
20. Duetto: Macramè quant'aggio male! (Nella, Graziello)
Leonardo Vinci
Adónde fugitivo, cantata per alto e archi
21. Recitativo: Adonde fuggitivo
22. Aria: Oye!, Tirano, espera
23. Recitativo: Repara en los troncos
24. Aria: Adios ingrao perfido
Triste, ausente, en esta selva, cantata per soprano e archi
25. Aria: Triste, ausente, en esta selva
26. Recitativo: O numen celestes!
27. Aria: No siente la tormenta
Cuando infeliz destino, cantata per alto e archi
28. Recitativo: Cuando infeliz destino
29. Aria: Ay, corazon amante!
30. Recitativo: Un momento si quiera
31. Aria: Que dichoso mi afecto seria
José de Nebra (1702-1768)
32. Tempestad grande amigo
Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 9. October 2020, 1:22
Roberta Invernizzi, Cristina Calzolari, Giuseppe De Vittorio, Giuseppe Naviglio / Cantate e Intermezzi
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==== Log checksum 1FFD145F981D8EA5DDE98F3D643C643BE0AAB6A5FADC0F3DB29F1F6B86E17199 ====
Antonio Florio, Cappella della Pietà de’Turchini - Napoli-Madrid: Vinci - Cantate e Intermezzi (2007)
Thanks to the original releaser