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    Franco Fagioli, Zefira Valova, Il Pomo d'Oro - Leonardo Vinci: Veni, Vidi, Vinci (2020)

    Posted By: ArlegZ
    Franco Fagioli, Zefira Valova, Il Pomo d'Oro - Leonardo Vinci: Veni, Vidi, Vinci (2020)

    Franco Fagioli, Zefira Valova, Il Pomo d'Oro - Leonardo Vinci: Veni, Vidi, Vinci (2020)
    EAC | FLAC | Image (Cue & Log) ~ 426 Mb | Total time: 71:09 | Scans included
    Classical | Label: Deutsche Grammophon | 483 8358 | Recorded: 2019

    Franco Fagioli lavishes his "extraordinary agility and richly upholstered voice" (Gramophone) on Leonardo Vinci, the Neapolitan composer who influenced Handel and many later masters of Italian opera. Fagioli is joined again by Il Pomo d'Oro led by Zefira Valova, the superb period-instrument ensemble on his previous album. Veni, Vidi, Vinci features seven world premiere recordings from the Neapolitan composer, unearthed for this great recording.

    Roberta Invernizzi, Antonio Florio, I Turchini - I Viaggi di Faustina: Porpora, Vinci, Mancini, Sarro, Bononcini (2013)

    Posted By: ArlegZ
    Roberta Invernizzi, Antonio Florio, I Turchini - I Viaggi di Faustina: Porpora, Vinci, Mancini, Sarro, Bononcini (2013)

    Roberta Invernizzi, Antonio Florio, I Turchini - I Viaggi di Faustina: Porpora, Vinci, Mancini, Sarro, Bononcini (2013)
    EAC | FLAC | Image (Cue & Log) ~ 330 Mb | Total time: 66:37 | Scans included
    Classical | Label: Glossa | GCD922606 | Recorded: 2012

    With I Viaggi di Faustina Glossa is launching a new collection focusing on famous Italian singers from the 17th and 18th centuries, whose travels bear witness to the intense level of artistic activity then taking place in the major cities of Europe. Faustina Bordoni, the brilliant diva with whom we begin this series pursued her career mainly in Naples (the principal focus of this CD) and Venice, but also in cities such as Bologna, Parma, Dresden and London. These were cities hosting – with great success – operas by Johann Adolph Hasse (Bordoni’s husband), Nicola Popora, Leonardo Vinci, Francesco Mancini and Domenico Sarro; most of these composers are represented on this first selection of wonderful arias.

    Antonio Florio, Cappella della Pietà de’Turchini - Napoli-Madrid: Leonardo Vinci - Cantate e Intermezzi (2007)

    Posted By: ArlegZ
    Antonio Florio, Cappella della Pietà de’Turchini - Napoli-Madrid: Leonardo Vinci - Cantate e Intermezzi (2007)

    Antonio Florio, Cappella della Pietà de’Turchini - Napoli-Madrid: Leonardo Vinci - Cantate e Intermezzi (2007)
    EAC | FLAC | Image (Cue & Log) ~ 382 Mb | Total time: 71:35 | Scans included
    Classical | Label: Naïve | OP 30274 | Recorded: 2001

    For more than two centuries Naples was a province of Spain, and after this ended in 1707 the remarkable cross-fertilisation of culture between them did not stop. Much of the Italian music featured here has been edited from sources in Spanish collections. The vast bulk of it is devoted to Leonardo Vinci (one of the most celebrated Italian opera composers of the 1720s). Only one short piece tacked onto the end is actually Spanish: a colourful fandango from José de Nebra's zarzuela Vendado es amor,no es ciego (1744) in which three singers mockingly compare the squabbling goddesses of classical antiquity to bickering mothers-in-law.

    Antonio Florio, Cappella de'Turchini - Leonardo Vinci • Leonardo Leo: L'Opera buffa napoletana (1997)

    Posted By: ArlegZ
    Antonio Florio, Cappella de'Turchini - Leonardo Vinci • Leonardo Leo: L'Opera buffa napoletana (1997)

    Antonio Florio, Cappella de'Turchini - Leonardo Vinci • Leonardo Leo: L'Opera buffa napoletana (1997)
    EAC | FLAC | Image (Cue & Log) ~ 403 Mb | Total time: 78:12 | Scans included
    Classical | Label: Opus 111 | OPS 30-184 | Recorded: 1997

    Everything is done with affection and great character as well as technical finesse. Such music demands innate timing, and these musicians, under Antonio Florio's direction, have it.

    Magdalena Kožená, Václav Luks, Collegium 1704 - Il Giardino dei sospir (2019)

    Posted By: ArlegZ
    Magdalena Kožená, Václav Luks, Collegium 1704 - Il Giardino dei sospir (2019)

    Magdalena Kožená, Václav Luks, Collegium 1704 - Il Giardino dei sospir (2019)
    EAC | FLAC | Image (Cue & Log) ~ 410 Mb | Total time: 81:44 | Scans included
    Classical | Label: Pentatone | PTC 5186 725 | Recorded: 2018

    Mezzo-soprano Magdalena Kožená hasn't often sung Baroque music. Thus, it is all the more impressive that when she does, she devises really innovative programs with unusual music. Her enthusiasm for the project may be gauged by her comment here: "I could hardly imagine more passionate, savage, uninhibited yet loving and caressing companions for these desperate heroines than Vaclav Luks and the musicians of Collegium 1704." She's right about the musicians, yet the real spotlight is on Kožená herself. The program consists of secular cantatas from the first half of the 18th century; this genre has been neglected amidst the general rediscovery of Baroque opera.

    Antonio Florio, I Turchini - Leonardo Vinci: La Partenope [La Rosmira fedele] (2012)

    Posted By: ArlegZ
    Antonio Florio, I Turchini - Leonardo Vinci: La Partenope [La Rosmira fedele] (2012)

    Antonio Florio, I Turchini - Leonardo Vinci: La Partenope (La Rosmira fedele) (2012)
    EAC | FLAC | Image (Cue & Log) ~ 647 Mb | Total time: 52:43+72:41 | Scans included
    Classical | Label: Dynamic | CDS 686/1-2 | Recorded: 2011

    World premiere recording featuring a superb performance presented by Antonio Florio and a cast of true Baroque specialists. This opera waited almost three centuries before its rediscovery by Antonio Florio and the Turchini orchestra. Founded in 1987 by Antonio Florio, the ensemble I Turchini consists of instrumentalists and singers living and working in Naples who specialize in the performance of Neapolitan music from the 17th and 18th centuries and in the rediscovery of music by highly-gifted composers who are now largely unknown.

    Roberta Invernizzi, Antonio Florio, I Turchini - Arias for Domenico Gizzi (2015)

    Posted By: ArlegZ
    Roberta Invernizzi, Antonio Florio, I Turchini - Arias for Domenico Gizzi (2015)

    Roberta Invernizzi, Antonio Florio, I Turchini - Arias for Domenico Gizzi (2015)
    EAC | FLAC | Image (Cue & Log) ~ 277 Mb | Total time: 56:49 | Scans included
    Classical | Label: Glossa | GCD922608 | Recorded: 2014

    A new Antonio Florio-directed recording from Glossa, once more focusing on a famous Italian singer from the Baroque era, again features the gorgeous vocal qualities of the modern-day Italian interpreter of such music, Roberta Invernizzi. This new and glorious succession of virtuoso arias captivated audiences in Roman theatres through the vocal chords of one eminent singer from 1718 onwards…

    Bruno de Sá, Francesco Corti, Il Pomo d'Oro - Roma Travestita (2022)

    Posted By: ArlegZ
    Bruno de Sá, Francesco Corti, Il Pomo d'Oro - Roma Travestita (2022)

    Bruno de Sá, Francesco Corti, Il Pomo d'Oro - Roma Travestita (2022)
    EAC | FLAC | Image (Cue & Log) ~ 368 Mb | Total time: 73:45 | Scans included
    Classical | Label: Erato | # 0190296619809 | Recorded: 2021

    “Roma travestita” è il titolo dell’album di debutto discografico per il sopranista Bruno de Sá con l’etichetta Erato. Il repertorio esplorato dal giovane cantante brasiliano corrisponde al periodo storico in cui alle donne era proibito calcare i palcoscenici teatrali a Roma ed erano gli uomini ad interpretare ruoli operistici femminili. Otto delle tredici arie dell’album vengono presentate in prima registrazione assoluta. Il progetto vede la collaborazione dell’orchestra Il Pomo d’Oro diretta da Francesco Corti per l’esecuzione di arie del XVIII secolo di Vivaldi, Alessandro Scarlatti, Vinci, Galuppi e Piccinni, e di autori meno frequentati come Capua, Arena, Cocchi, Conforto e Garcìa Fajer. In scena Bruno de Sá ha già cantato in ruoli come Sesto nel Giulio Cesare di Händel e ne La clemenza di Tito di Mozart, Barbarina ne Le nozze di Figaro di Mozart e La Sirenetta nell’adattamento operistico della favola di Hans Christian Andersen composto da Jherek Bischoff.

    Marie Lys, Andrea Buccarella, Abchordis Ensemble - Amate Stelle: Arias for Anna Maria Strada (2023)

    Posted By: ArlegZ
    Marie Lys, Andrea Buccarella, Abchordis Ensemble - Amate Stelle: Arias for Anna Maria Strada (2023)

    Marie Lys, Andrea Buccarella, Abchordis Ensemble - Amate Stelle: Arias for Anna Maria Strada (2023)
    EAC | FLAC | Image (Cue & Log) ~ 409 Mb | Total time: 75:51 | Scans included
    Classical | Label: Glossa | # GCD 923536 | Recorded: 2019

    The young Swiss soprano Marie Lys was pleasantly surprised to discover that many of the roles she has sung in George Frideric Handel’s works in recent years were written for the spectacularly virtuoso soprano Anna Maria Strada, Handel’s prima donna in the London of the 1730s. Accompanied by the Abchordis Ensemble and Andrea Buccarella, the group’s conductor and harpsichordist, Marie Lys decided to dedicate her first solo CD on Glossa to “La Stradina”, with an in-depth study of Anna Maria’s life on stage and the extraordinary vocal skills her roles demanded.

    Anna Bonitatibus, Federico Ferri, Accademia degli Astrusi, La Stagione Armonica - Semiramide, La Signora Regale (2014)

    Posted By: ArlegZ
    Anna Bonitatibus, Federico Ferri, Accademia degli Astrusi, La Stagione Armonica - Semiramide, La Signora Regale (2014)

    Anna Bonitatibus, Federico Ferri, Accademia degli Astrusi, La Stagione Armonica - Semiramide, La Signora Regale (2014)
    EAC | FLAC | Image (Cue & Log) ~ 437 Mb | Total time: 90:12 | Scans included
    Classical | Label: Deutsche Harmonia Mundi | # 88725479862 | Recorded: 2013

    Anna Bonitatibus (born in Potenza) is an Italian mezzo-soprano. She is one of the most wanted mezzo-sopranos of our time, admired in particular for her interpretations of roles by Rossini and Mozart. The music on this new album spans from 18th century (Jommelli, Caldara, Porpora) until early 19th century (Meyerbeer, Rossini, Garcia). Most of the arias and scenes are WORLD PREMIERE RECORDINGS. Some pieces are even performed for the first time after more than 150 years. ANNA BONITATIBUS is one of the best mezzo-sopranos of our time, well trained in performing in a "historically informed" manner. A very special highlight: A Semiramide aria (“Preghiera”) by Manuel Garcia. He has been the first Almaviva in Rossini's “Il Barbiere di Siviglia”. He was an amazing composer as well: he composed a Semiramide after Rossini that everybody considered lost. The score was discovered and newly edited by Anna Bonitatibus.

    Antonio Florio, I Turchini - Leonardo Vinci: La Partenope (2012)

    Posted By: Vilboa
    Antonio Florio, I Turchini - Leonardo Vinci: La Partenope (2012)

    Antonio Florio, I Turchini - Leonardo Vinci: La Partenope (2012)
    NTSC 16:9 (720x480) | Italiano (LinearPCM, 2 ch) | (Dolby AC3, 6 ch) | 3,57+6,60 Gb (DVD5+DVD9) | 168 min
    Classical | Dynamic | Sub.: Italiano, English, Francais, Deutsch, Espanol, Korean

    La Partenope is a rich and colourful production, superbly performed here by I Turchini Orchestra and conductor Antonio Florio, world-renowned specialists of Baroque repertoire. In this version comic intermezzi have been added, as was customary in the eighteenth century.

    Cecilia Bartoli - Queen of Baroque (2020)

    Posted By: ArlegZ
    Cecilia Bartoli - Queen of Baroque (2020)

    Cecilia Bartoli - Queen of Baroque (2020)
    EAC | FLAC | Image (Cue & Log) ~ 366 Mb | Total time: 78:40 | Scans included
    Classical | Label: Decca | # 485 1275 | Recorded: 1991-2017

    A collection of the very best of Bartoli's treasured recordings of musical delights and discoveries of the 17th and 18th century. Featuring two previously unreleased world premiere recordings of forgotten jewels by Leonardo Vinci and Agostino Steffani. With guest appearances from Philippe Jaroussky, June Anderson, Franco Fagioli and Sol Gabetta.

    Antonio Florio, Orchestra del Teatro di San Carlo - Leonardo Vinci: Siroe, Re di Persia (2019)

    Posted By: ArlegZ
    Antonio Florio, Orchestra del Teatro di San Carlo - Leonardo Vinci: Siroe, Re di Persia (2019)

    Antonio Florio, Orchestra del Teatro di San Carlo - Leonardo Vinci: Siroe, Re di Persia (2019)
    EAC | FLAC | Image (Cue & Log) ~ 875 Mb | Total time: 63:32+55:51+39:19 | Scans included
    Classical | Label: Dynamic | # CDS7838 | Recorded: 2018

    Based on a ponderous libretto by Metastasio (who defined his own work as “stellar”) Leonardo Vinci’s dramma per musica was premiered in Venice in 1726 and was triumphantly acclaimed. Since then, Siroe, Re di Persia was put to music by composers such as Vivaldi, Handel, Hasse, and Galuppi, to mention just a few. The story uses some of the elements of the plot of Partenope, almost as if it were a sequel moved to Persia. Siroe’s plot revolves around a family mystery mingled with passions, traitors en travesti, fatherly affection and filial honesty that echoes Shakespeare’s King Lear. Performed in concert version at Teatro San Carlo of Naples in 2018, this rare opera was chosen to open the theatre’s 281st season. Conductor Antonio Florio , specialist of the Neapolitan Baroque repertoire, revised the score.

    Ann Hallenberg, Stefano Montanari, Il Pomo d'Oro - Carnevale 1729 (2017)

    Posted By: ArlegZ
    Ann Hallenberg, Stefano Montanari, Il Pomo d'Oro - Carnevale 1729 (2017)

    Ann Hallenberg, Stefano Montanari, Il Pomo d'Oro - Carnevale 1729: Giacomelli, Orlandini, Albinoni, Porpora, Leo, Vinci (2017)
    EAC | FLAC | Image (Cue & Log) ~ 535 Mb | Total time: 52:21+46:15 | Scans included
    Classical | Label: Pentatone | # PTC5186678 | Recorded: 2016

    The Carnival of Venice in 1729 was quite unlike any other. Over a period of two months, opera houses went into a frenzy of competition to show off the most famous singers of the day, including the legendary castrato Farinelli who made his astonishing Venetian debut. Several of the most fashionable composers rose to the occasion, writing ravishing music for spectacular productions which often pitted the singers against each other in breathtaking displays of virtuosity. The results were sensational; one tour de force followed another in an atmosphere of fevered excitement and the adoring public lapped it up.

    Karina Gauvin, Alexander Weimann, Arion Orchestre Baroque - Prima Donna: Handel, Vinci, Vivaldi (2012)

    Posted By: ArlegZ
    Karina Gauvin, Alexander Weimann, Arion Orchestre Baroque - Prima Donna: Handel, Vinci, Vivaldi (2012)

    Karina Gauvin, Alexander Weimann, Arion Orchestre Baroque - Prima Donna: Handel, Vinci, Vivaldi (2012)
    EAC | FLAC | Image (Cue & Log) ~ 317 Mb | Total time: 74:34 | Scans included
    Classical | Label: Atma Classique | # ACD2 2648 | Recorded: 2012

    Canadian superstar soprano Karina Gauvin pays tribute to baroque diva Anna Maria Strada del Pò, singing rarities by Vinci, Vivaldi and some of the greatest Handel arie di bravura. Like Strada del Pò in her prime, Miss Gauvin sings this repertoire with powerful expression and brilliant technique, in particular, the trills for which Strada del Pò was renowned. More than thirteen opera roles were created by Handel for Strada del Pò (including Sosarme, Orlando, and Alcina). Strada del Pò’s talent and style may have influenced the composer’s work as much as he contributed to the vocal and dramatic development of the prima donna in the first decades of the 18th century.