Bob Marley and the Wailers - In Memoriam: The Very Best (1999)
Bob Marley and the Wailers - In Memoriam: The Very Best (1999)
Reggae | EAC Rip | APE (Image) + Cue + Log | MP3 CBR 320Kbps | 20 Tracks
Covers Included | Polydor Misic | 7 24388 77230 3 | ~447 + 205 Mb | RS.com + Turbobit
Reggae | EAC Rip | APE (Image) + Cue + Log | MP3 CBR 320Kbps | 20 Tracks
Covers Included | Polydor Misic | 7 24388 77230 3 | ~447 + 205 Mb | RS.com + Turbobit
Bob Marley and the Wailers - In Memoriam: The Very Best (1999)
Bob Marley:
Born: 6 February 1945
Birthplace: St. Ann's Parish, Jamaica
Died: 11 May 1981 (cancer)
Best Known As: The reggae hero who did "Get Up, Stand Up"
Bob Marley was the world's first reggae superstar. He was part of the Jamaican group The Wailers, along with reggae greats Bunny Livingston and Peter Tosh. In the late 1960s and early '70s Marley, a Rastafarian, gained early attention for writing hits recorded by others, including "Stir It Up" (recorded by Johnny Nash) and "I Shot The Sheriff" (a hit for Eric Clapton). But then he came into his own international fame with songs that spoke of politics, religion and life on the streets, including his anthemic "Get Up, Stand Up." Marley was a global superstar when he died of cancer at the young age of 36. A greatest hits compilation titled Legend was released in 1984; it sold millions and earned a reputation as the one reggae album owned by people who own just one reggae album.
Bob Marley's wife, Rita, and his son, Ziggy, have recording careers of their own… Bob Marley died after a melanoma (or skin cancer) from his toe spread to his brain and lungs. The melanoma was discovered in 1977 after Marley injured the toe during a soccer game; he reportedly refused to have the toe amputated as recommended by doctors, and over the next four years the cancer spread until it ended his life.
Bob Marley Biography:
Reggae's most transcendent and iconic figure, Bob Marley was the first Jamaican artist to achieve international superstardom, in the process introducing the music of his native island nation to the far-flung corners of the globe. Marley's music gave voice to the day-to-day struggles of the Jamaican experience, vividly capturing not only the plight of the country's impoverished and oppressed but also the devout spirituality that remains their source of strength. His songs of faith, devotion, and revolution created a legacy that continues to live on not only through the music of his extended family but also through generations of artists the world over touched by his genius.
Robert Nesta Marley was born February 6, 1945, in rural St. Ann's Parish, Jamaica; the son of a middle-aged white father and teenaged black mother, he left home at 14 to pursue a music career in Kingston, becoming a pupil of local singer and devout Rastafarian Joe Higgs. He cut his first single, "Judge Not," in 1962 for Leslie Kong, severing ties with the famed producer soon after over a monetary dispute. In 1963 Marley teamed with fellow singers Peter Tosh, Bunny Livingston, Junior Braithwaite, Beverly Kelso, and Cherry Smith to form the vocal group the Teenagers; later rechristened the Wailing Rudeboys and later simply the Wailers, they signed on with producer Coxsone Dodd's legendary Studio One and recorded their debut, "I'm Still Waiting." When Braithwaite and Smith exited the Wailers, Marley assumed lead vocal duties, and in early 1964 the group's follow-up, "Simmer Down," topped the Jamaican charts. A series of singles including "Let Him Go (Rude Boy Get Gail)," "Dancing Shoes," "Jerk in Time," "Who Feels It Knows It," and "What Am I to Do" followed, and in all, the Wailers recorded some 70 tracks for Dodd before disbanding in 1966. On February 10 of that year, Marley married Rita Anderson, a singer in the group the Soulettes; she later enjoyed success as a member of the vocal trio the I-Threes. Marley then spent the better part of the year working in a factory in Newark, DE, the home of his mother since 1963.
Upon returning to Jamaica that October, Marley re-formed the Wailers with Livingston and Tosh, releasing "Bend Down Low" on their own short-lived Wail 'N' Soul 'M label; at this time all three members began devoting themselves to the teachings of the Rastafari faith, a cornerstone of Marley's life and music until his death. Beginning in 1968, the Wailers recorded a wealth of new material for producer Danny Sims before teaming the following year with producer Lee "Scratch" Perry; backed by Perry's house band, the Upsetters, the trio cut a number of classics, including "My Cup," "Duppy Conqueror," "Soul Almighty," and "Small Axe," which fused powerful vocals, ingenious rhythms, and visionary production to lay the groundwork for much of the Jamaican music in their wake. Upsetters bassist Aston "Family Man" Barrett and his drummer brother Carlton soon joined the Wailers full-time, and in 1971 the group founded another independent label, Tuff Gong, releasing a handful of singles before signing to Chris Blackwell's Island Records a year later.
1973's Catch a Fire, the Wailers' Island debut, was the first of their albums released outside of Jamaica, and immediately earned worldwide acclaim; the follow-up, Burnin', launched the track "I Shot the Sheriff," a Top Ten hit for Eric Clapton in 1974. With the Wailers poised for stardom, however, both Livingston and Tosh quit the group to pursue solo careers; Marley then brought in the I-Threes, which in addition to Rita Marley consisted of singers Marcia Griffiths and Judy Mowatt. The new lineup proceeded to tour the world prior to releasing their 1975 breakthrough album Natty Dread, scoring their first U.K. Top 40 hit with the classic "No Woman, No Cry." Sellout shows at the London Lyceum, where Marley played to racially mixed crowds, yielded the superb Live! later that year, and with the success of 1976's Rastaman Vibration, which hit the Top Ten in the U.S., it became increasingly clear that his music had carved its own niche within the pop mainstream.
As great as Marley's fame had grown outside of Jamaica, at home he was viewed as a figure of almost mystical proportions, a poet and prophet whose every word had the nation's collective ear. His power was perceived as a threat in some quarters, and on December 3, 1976, he was wounded in an assassination attempt; the ordeal forced Marley to leave Jamaica for over a year. 1977's Exodus was his biggest record to date, generating the hits "Jamming," "Waiting in Vain," and "One Love/People Get Ready"; Kaya was another smash, highlighted by the gorgeous "Is This Love" and "Satisfy My Soul." Another classic live date, Babylon by Bus, preceded the release of 1979's Survival. 1980 loomed as Marley's biggest year yet, kicked off by a concert in the newly liberated Zimbabwe; a tour of the U.S. was announced, but while jogging in New York's Central Park he collapsed, and it was discovered he suffered from cancer that had spread to his brain, lungs, and liver. Uprising was the final album released in Marley's lifetime – he died May 11, 1981, at age 36.
Posthumous efforts including 1983's Confrontation and the best-selling 1984 retrospective Legend kept Marley's music alive, and his renown continued growing in the years following his death – even decades after the fact, he remains synonymous with reggae's worldwide popularity. In the wake of her husband's passing, Rita Marley scored a solo hit with "One Draw," but despite the subsequent success of the singles "Many Are Called" and "Play Play," by the mid-'80s she largely withdrew from performing to focus on raising her children. Oldest son David, better known as Ziggy, went on to score considerable pop success as the leader of the Melody Makers, a Marley family group comprised of siblings Cedella, Stephen, and Sharon; their 1988 single "Tomorrow People" was a Top 40 U.S. hit, a feat even Bob himself never accomplished. Three other Marley children – Damian, Julian, and Ky-Mani – pursued careers in music as well.
~ Jason Ankeny, All Music Guide
Reggae's most transcendent and iconic figure, Bob Marley was the first Jamaican artist to achieve international superstardom, in the process introducing the music of his native island nation to the far-flung corners of the globe. Marley's music gave voice to the day-to-day struggles of the Jamaican experience, vividly capturing not only the plight of the country's impoverished and oppressed but also the devout spirituality that remains their source of strength. His songs of faith, devotion, and revolution created a legacy that continues to live on not only through the music of his extended family but also through generations of artists the world over touched by his genius.
Robert Nesta Marley was born February 6, 1945, in rural St. Ann's Parish, Jamaica; the son of a middle-aged white father and teenaged black mother, he left home at 14 to pursue a music career in Kingston, becoming a pupil of local singer and devout Rastafarian Joe Higgs. He cut his first single, "Judge Not," in 1962 for Leslie Kong, severing ties with the famed producer soon after over a monetary dispute. In 1963 Marley teamed with fellow singers Peter Tosh, Bunny Livingston, Junior Braithwaite, Beverly Kelso, and Cherry Smith to form the vocal group the Teenagers; later rechristened the Wailing Rudeboys and later simply the Wailers, they signed on with producer Coxsone Dodd's legendary Studio One and recorded their debut, "I'm Still Waiting." When Braithwaite and Smith exited the Wailers, Marley assumed lead vocal duties, and in early 1964 the group's follow-up, "Simmer Down," topped the Jamaican charts. A series of singles including "Let Him Go (Rude Boy Get Gail)," "Dancing Shoes," "Jerk in Time," "Who Feels It Knows It," and "What Am I to Do" followed, and in all, the Wailers recorded some 70 tracks for Dodd before disbanding in 1966. On February 10 of that year, Marley married Rita Anderson, a singer in the group the Soulettes; she later enjoyed success as a member of the vocal trio the I-Threes. Marley then spent the better part of the year working in a factory in Newark, DE, the home of his mother since 1963.
Upon returning to Jamaica that October, Marley re-formed the Wailers with Livingston and Tosh, releasing "Bend Down Low" on their own short-lived Wail 'N' Soul 'M label; at this time all three members began devoting themselves to the teachings of the Rastafari faith, a cornerstone of Marley's life and music until his death. Beginning in 1968, the Wailers recorded a wealth of new material for producer Danny Sims before teaming the following year with producer Lee "Scratch" Perry; backed by Perry's house band, the Upsetters, the trio cut a number of classics, including "My Cup," "Duppy Conqueror," "Soul Almighty," and "Small Axe," which fused powerful vocals, ingenious rhythms, and visionary production to lay the groundwork for much of the Jamaican music in their wake. Upsetters bassist Aston "Family Man" Barrett and his drummer brother Carlton soon joined the Wailers full-time, and in 1971 the group founded another independent label, Tuff Gong, releasing a handful of singles before signing to Chris Blackwell's Island Records a year later.
1973's Catch a Fire, the Wailers' Island debut, was the first of their albums released outside of Jamaica, and immediately earned worldwide acclaim; the follow-up, Burnin', launched the track "I Shot the Sheriff," a Top Ten hit for Eric Clapton in 1974. With the Wailers poised for stardom, however, both Livingston and Tosh quit the group to pursue solo careers; Marley then brought in the I-Threes, which in addition to Rita Marley consisted of singers Marcia Griffiths and Judy Mowatt. The new lineup proceeded to tour the world prior to releasing their 1975 breakthrough album Natty Dread, scoring their first U.K. Top 40 hit with the classic "No Woman, No Cry." Sellout shows at the London Lyceum, where Marley played to racially mixed crowds, yielded the superb Live! later that year, and with the success of 1976's Rastaman Vibration, which hit the Top Ten in the U.S., it became increasingly clear that his music had carved its own niche within the pop mainstream.
As great as Marley's fame had grown outside of Jamaica, at home he was viewed as a figure of almost mystical proportions, a poet and prophet whose every word had the nation's collective ear. His power was perceived as a threat in some quarters, and on December 3, 1976, he was wounded in an assassination attempt; the ordeal forced Marley to leave Jamaica for over a year. 1977's Exodus was his biggest record to date, generating the hits "Jamming," "Waiting in Vain," and "One Love/People Get Ready"; Kaya was another smash, highlighted by the gorgeous "Is This Love" and "Satisfy My Soul." Another classic live date, Babylon by Bus, preceded the release of 1979's Survival. 1980 loomed as Marley's biggest year yet, kicked off by a concert in the newly liberated Zimbabwe; a tour of the U.S. was announced, but while jogging in New York's Central Park he collapsed, and it was discovered he suffered from cancer that had spread to his brain, lungs, and liver. Uprising was the final album released in Marley's lifetime – he died May 11, 1981, at age 36.
Posthumous efforts including 1983's Confrontation and the best-selling 1984 retrospective Legend kept Marley's music alive, and his renown continued growing in the years following his death – even decades after the fact, he remains synonymous with reggae's worldwide popularity. In the wake of her husband's passing, Rita Marley scored a solo hit with "One Draw," but despite the subsequent success of the singles "Many Are Called" and "Play Play," by the mid-'80s she largely withdrew from performing to focus on raising her children. Oldest son David, better known as Ziggy, went on to score considerable pop success as the leader of the Melody Makers, a Marley family group comprised of siblings Cedella, Stephen, and Sharon; their 1988 single "Tomorrow People" was a Top 40 U.S. hit, a feat even Bob himself never accomplished. Three other Marley children – Damian, Julian, and Ky-Mani – pursued careers in music as well.
~ Jason Ankeny, All Music Guide
Bob Marley and the Wailers - In Memoriam: The Very Best (1999):
Bob Marley and the Wailers - In Memoriam: The Very Best (1999)
Tracklist:
1. Could You Be Loved
2. Is This Love
3. No Woman No Cry
4. Buffalo Soldier
5. Jamming
6. Exodus
7. I Shot The Sheriff
8. Iron Lion Zion
9. One Love (People Get Ready)
10. Roots Rock Reggae
11. Get Up Stand Up
12. Waiting In Vain
13. Rock Steady
14. What Goes Around Comes Around
15. Three Little Birds
16. Satisfy My Soul
17. Natural Mystic
18. Stir It Up
19. Redemption Song
20. Keep On Moving
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
Отчёт EAC об извлечении, выполненном 20. апреля 2010, 17:07
Bob Marley and the Wailers / The Very Best of In Memoriam
Дисковод: HL-DT-STDVDRAM GSA-T20N Adapter: 0 ID: 0
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 667
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Нет
Интерфейс : Установленный внешний ASPI-интерфейс
Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:36.05 | 0 | 16204
2 | 3:36.05 | 3:55.08 | 16205 | 33837
3 | 7:31.13 | 4:03.72 | 33838 | 52134
4 | 11:35.10 | 2:44.06 | 52135 | 64440
5 | 14:19.16 | 3:17.45 | 64441 | 79260
6 | 17:36.61 | 4:17.18 | 79261 | 98553
7 | 21:54.04 | 3:48.50 | 98554 | 115703
8 | 25:42.54 | 3:14.21 | 115704 | 130274
9 | 28:57.00 | 2:50.07 | 130275 | 143031
10 | 31:47.07 | 3:32.36 | 143032 | 158967
11 | 35:19.43 | 3:14.24 | 158968 | 173541
12 | 38:33.67 | 4:07.24 | 173542 | 192090
13 | 42:41.16 | 2:19.04 | 192091 | 202519
14 | 45:00.20 | 3:50.37 | 202520 | 219806
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16 | 51:51.00 | 3:49.25 | 233325 | 250524
17 | 55:40.25 | 3:26.56 | 250525 | 266030
18 | 59:07.06 | 3:38.72 | 266031 | 282452
19 | 62:46.03 | 3:48.48 | 282453 | 299600
20 | 66:34.51 | 4:21.34 | 299601 | 319209
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла D:\flac\Bob Marley and the Wailers - The Very Best of In Memoriam.wav
Пиковый уровень 100.0 %
Качество диапазона 100.0 %
CRC копии 963011FA
Копирование… OK
Ошибок не произошло
AccurateRip: сводка
Трек 1 точность не определена (достоверность 2) [8B9CC1EB], AccurateRip вернул [A25AE34E]
Трек 2 точность не определена (достоверность 2) [E73F60D3], AccurateRip вернул [BB40800B]
Трек 3 точность не определена (достоверность 2) [D44293DE], AccurateRip вернул [344ECAB0]
Трек 4 точность не определена (достоверность 2) [F09E2EF0], AccurateRip вернул [458174E0]
Трек 5 точность не определена (достоверность 2) [0D115A1D], AccurateRip вернул [4FAD0F7B]
Трек 6 точность не определена (достоверность 2) [C11EE43E], AccurateRip вернул [506D10B5]
Трек 7 точность не определена (достоверность 2) [96A6C49F], AccurateRip вернул [2FA95AA9]
Трек 8 точность не определена (достоверность 2) [64B6FA79], AccurateRip вернул [EE0F2263]
Трек 9 точность не определена (достоверность 2) [DBB1A8BC], AccurateRip вернул [EE8DFD2B]
Трек 10 точность не определена (достоверность 2) [1FA397FB], AccurateRip вернул [6AFBE07B]
Трек 11 точность не определена (достоверность 2) [782298AE], AccurateRip вернул [4CD63C9B]
Трек 12 точность не определена (достоверность 2) [7725D7AC], AccurateRip вернул [F8264989]
Трек 13 точность не определена (достоверность 2) [5ECD9A45], AccurateRip вернул [CC0D62E1]
Трек 14 точность не определена (достоверность 2) [2DFDCF9E], AccurateRip вернул [B97DF5EF]
Трек 15 точность не определена (достоверность 2) [7C8441D1], AccurateRip вернул [7CBA31A6]
Трек 16 точность не определена (достоверность 2) [AD7DA405], AccurateRip вернул [C10E2D6E]
Трек 17 точность не определена (достоверность 2) [AB822DEA], AccurateRip вернул [2445EC18]
Трек 18 точность не определена (достоверность 2) [A94FE4FA], AccurateRip вернул [8A5883CF]
Трек 19 точность не определена (достоверность 2) [75E64C9F], AccurateRip вернул [1A6EF0F7]
Трек 20 точность не определена (достоверность 2) [15143C1F], AccurateRip вернул [AAE3DCDB]
Ни один трек не прошёл проверки на точность
В вашей базе может быть иной вариант штамповки диска
Конец отчёта
Отчёт EAC об извлечении, выполненном 20. апреля 2010, 17:07
Bob Marley and the Wailers / The Very Best of In Memoriam
Дисковод: HL-DT-STDVDRAM GSA-T20N Adapter: 0 ID: 0
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 667
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Нет
Интерфейс : Установленный внешний ASPI-интерфейс
Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:36.05 | 0 | 16204
2 | 3:36.05 | 3:55.08 | 16205 | 33837
3 | 7:31.13 | 4:03.72 | 33838 | 52134
4 | 11:35.10 | 2:44.06 | 52135 | 64440
5 | 14:19.16 | 3:17.45 | 64441 | 79260
6 | 17:36.61 | 4:17.18 | 79261 | 98553
7 | 21:54.04 | 3:48.50 | 98554 | 115703
8 | 25:42.54 | 3:14.21 | 115704 | 130274
9 | 28:57.00 | 2:50.07 | 130275 | 143031
10 | 31:47.07 | 3:32.36 | 143032 | 158967
11 | 35:19.43 | 3:14.24 | 158968 | 173541
12 | 38:33.67 | 4:07.24 | 173542 | 192090
13 | 42:41.16 | 2:19.04 | 192091 | 202519
14 | 45:00.20 | 3:50.37 | 202520 | 219806
15 | 48:50.57 | 3:00.18 | 219807 | 233324
16 | 51:51.00 | 3:49.25 | 233325 | 250524
17 | 55:40.25 | 3:26.56 | 250525 | 266030
18 | 59:07.06 | 3:38.72 | 266031 | 282452
19 | 62:46.03 | 3:48.48 | 282453 | 299600
20 | 66:34.51 | 4:21.34 | 299601 | 319209
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла D:\flac\Bob Marley and the Wailers - The Very Best of In Memoriam.wav
Пиковый уровень 100.0 %
Качество диапазона 100.0 %
CRC копии 963011FA
Копирование… OK
Ошибок не произошло
AccurateRip: сводка
Трек 1 точность не определена (достоверность 2) [8B9CC1EB], AccurateRip вернул [A25AE34E]
Трек 2 точность не определена (достоверность 2) [E73F60D3], AccurateRip вернул [BB40800B]
Трек 3 точность не определена (достоверность 2) [D44293DE], AccurateRip вернул [344ECAB0]
Трек 4 точность не определена (достоверность 2) [F09E2EF0], AccurateRip вернул [458174E0]
Трек 5 точность не определена (достоверность 2) [0D115A1D], AccurateRip вернул [4FAD0F7B]
Трек 6 точность не определена (достоверность 2) [C11EE43E], AccurateRip вернул [506D10B5]
Трек 7 точность не определена (достоверность 2) [96A6C49F], AccurateRip вернул [2FA95AA9]
Трек 8 точность не определена (достоверность 2) [64B6FA79], AccurateRip вернул [EE0F2263]
Трек 9 точность не определена (достоверность 2) [DBB1A8BC], AccurateRip вернул [EE8DFD2B]
Трек 10 точность не определена (достоверность 2) [1FA397FB], AccurateRip вернул [6AFBE07B]
Трек 11 точность не определена (достоверность 2) [782298AE], AccurateRip вернул [4CD63C9B]
Трек 12 точность не определена (достоверность 2) [7725D7AC], AccurateRip вернул [F8264989]
Трек 13 точность не определена (достоверность 2) [5ECD9A45], AccurateRip вернул [CC0D62E1]
Трек 14 точность не определена (достоверность 2) [2DFDCF9E], AccurateRip вернул [B97DF5EF]
Трек 15 точность не определена (достоверность 2) [7C8441D1], AccurateRip вернул [7CBA31A6]
Трек 16 точность не определена (достоверность 2) [AD7DA405], AccurateRip вернул [C10E2D6E]
Трек 17 точность не определена (достоверность 2) [AB822DEA], AccurateRip вернул [2445EC18]
Трек 18 точность не определена (достоверность 2) [A94FE4FA], AccurateRip вернул [8A5883CF]
Трек 19 точность не определена (достоверность 2) [75E64C9F], AccurateRip вернул [1A6EF0F7]
Трек 20 точность не определена (достоверность 2) [15143C1F], AccurateRip вернул [AAE3DCDB]
Ни один трек не прошёл проверки на точность
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Конец отчёта
AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
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-=== DO NOT EDIT THIS FILE! ===-
Path: …\Bob Marley and the Wailers - The Very Best of In Memoriam
01 -=- Bob Marley and the Wailers - The Very Best of In Memoriam.ape -=- CDDA (99%)
16338180
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-=== DO NOT EDIT THIS FILE! ===-
Path: …\Bob Marley and the Wailers - The Very Best of In Memoriam
01 -=- Bob Marley and the Wailers - The Very Best of In Memoriam.ape -=- CDDA (99%)
16338180
Download Bob Marley and the Wailers - In Memoriam: The Very Best (1999):
RS.com - All links:
Bob Marley and the Wailers - I...ery Best - All RS and TB links
Turbobit - lossless:
Bob Marley and the Wailers - In Memoriam: The Very Best - One file
Turbobit - MP3 CBR320:
Bob Marley and the Wailers - In Memoriam: The Very Best - One file
pass:
www.avaxhome.ws
In case you encounter dead links, please send me a private message.
All thanks go to armitaj